Brazilian Horrors Past and Present: José Mojica Marins and Politics As Reproductive Futurism. Issue 4 (1st October 2016)

• Record Type: Journal Article
• Authors: St-Georges, Charles
• Is Part Of: Journal of Latin American cultural studies. Volume 25:Issue 4(2016)
• Page Start: 555
• Page End: 570
• Publication Date: 2016-10-01
• Subjects: José Mojica Marins -- Zé do Caixão -- reproductive futurism -- chrononormativity -- queer theory -- temporal critique -- Brazilian horror -- popular culture -- horror films; Latin America -- Civilization -- Periodicals; Amérique latine -- Civilisation -- Périodiques; 306.098
• DOI: 10.1080/13569325.2016.1229660
• Languages: English
• ISSNs: 1356-9325

Abstract

Abstract : Director José Mojica Marins is both the mastermind and actor behind Zé do Caixão, an icon within Brazilian popular culture and an international cult sensation. Marins encountered numerous conflicts with Brazil's military dictatorship, and after producing the first two films of an intended trilogy, At Midnight I'll Take Your Soul (1964) and This Night I'll Possess Your Corpse (1967), the third film, Embodiment of Evil, was not made until 2008. Throughout this trilogy, Zé do Caixão kidnaps, tortures, and murders scores of victims, effectively mimicking the human rights abuses that occurred under the dictatorship. He advocates liberation from the oppression of traditional morality while reinscribing its rhetorical raison d'être : purpose through procreation. The popular appeal of these films, their political intentionality, and their production during and after the dictatorship allow for an analysis of the rhetorical strategies employed by Marins in his attempt to both shock audiences and instill in them a counterhegemonic consciousness. Despite the radical agenda at work in Marins's films, I will argue that this trilogy is conservative in its rhetorical framework, serving as an example of Lee Edelman's reproductive futurism, wherein political legitimacy is contingent upon procreation.