Dance, Reconstruction, and Intellectual Property. (2016)

• Record Type: Journal Article
• Authors: Cerbino, Ana Beatriz
• Is Part Of: Conference proceedings. (2016)
• Page Start: 50
• Page End: 53
• Publication Date: 2016
• Subjects: Dance -- Congresses; Dance -- History and criticism -- Congresses; Dance criticism -- Congresses; 792.8
• DOI: 10.1017/cor.2016.9
• Languages: English
• ISSNs: 2049-1255

Abstract

Abstract : The objective is to initiate a investigation between dance, authorship, intellectual property, and choreography. For this, a look at what is meant by authoring in dance with the publication of Chorégraphie, ou l'art de décrire la danse par caracteres (1700) by Raoul-Auger Feuillet and the dispute with Pierre Beauchamp for the authorship of dance notation and recent discussions about copyright and choreography will be made; I will also discuss some cases of revival/reconstruction. It's not only understanding such procedures as "embodied textual practices" (Thomas 2004), from the perspective of dance notation, but also as embodied political and aesthetic options.