The cinematic life of the Sistren Theater Collective: forays into biographical documentary. Issue 2 (3rd May 2016)

• Record Type: Journal Article
• Authors: Ebrahim, Haseenah
• Is Part Of: Canadian journal of Latin American and Caribbean studies. Volume 41:Issue 2(2016)
• Page Start: 129
• Page End: 146
• Publication Date: 2016-05-03
• Subjects: Sistren Theater Collective -- biographical documentaries -- Jamaica; Latin America -- Periodicals; Caribbean Area -- Periodicals; 980.005
• DOI: 10.1080/08263663.2016.1182285
• Languages: English
• ISSNs: 0826-3663

Abstract

ABSTRACT: This article explores two biographical video documentaries produced by the Sistren Theater Collective of Jamaica. Together, the documentaries, Miss Amy and Miss May and The Drums Keep Sounding, document the lives of three Jamaican women activists: Amy Bailey, May Farquharson and Louise Bennett-Coverley. Although video/film production never attained a prominent role in Sistren's approach to its activism, which focused on participatory drama to address issues of concern to working-class black women, the documentaries produced in the 1980s and 1990s allowed the Collective to expand its reach beyond the limitations imposed by the geographical proximity necessary for live theater. The article examines the structuring devices of these two biographical documentaries and interrogates how the utilization of the medium of video raises class-based ambiguities within the Collective's mission to celebrate the lives of Caribbean women.