Metastatic lyricism: John Wilkinson's poetry and poetics. Issue 4 (6th June 2016)

• Record Type: Journal Article
• Authors: Bruns, Gerald
• Is Part Of: Textual practice. Volume 30:Issue 4(2016)
• Page Start: 669
• Page End: 687
• Publication Date: 2016-06-06
• Subjects: Modernism -- schizophrenic poetry -- John Wieners's lyrics -- metastasis (echo principle) -- petrifaction (against interpretation) -- evanescent lyric ('aesthetics of the event'); Literature, Modern -- 20th century -- History and criticism -- Periodicals; Criticism -- Periodicals; Criticism, Textual -- Periodicals; Semiotics -- Periodicals; 801.95
• DOI: 10.1080/0950236X.2016.1199132
• Languages: English
• ISSNs: 0950-236X

Abstract

Abstract : This essay is an attempt to resolve an apparent contradiction between the poetry and the poetics of the Cambridge Poet John Wilkinson, namely how his apparently paratactic (or 'schizophrenic') prosody that treats words as material objects in spatial juxtaposition squares with his effort to conceptualize the lyric as an event – an evanescent series of echoes ('metastases') whose task is to 'eventuate reality time and again'. The essay focuses its attention principally upon two late works – Wilkinson's essay, 'Repeatable Evanescence' ( Thinking Verse, 4.1 [2014]) and his recent long poem, Courses Matter-Woven (Cambridge: Equipage, 2015). The question that regulates this inquiry is: How is one to read Wilkinson's work? As he says, he writes in order to defeat any exegesis that tries to settle the meaning of a poem by constructing contexts in which parts fit together to form a whole (a process that Wilkinson identifies as 'petrifaction').