Celluloid Bohemia? Ken Russell's Biopics of Visual Artists. Issue 4 (October 2015)
- Record Type:
- Journal Article
- Title:
- Celluloid Bohemia? Ken Russell's Biopics of Visual Artists. Issue 4 (October 2015)
- Main Title:
- Celluloid Bohemia? Ken Russell's Biopics of Visual Artists
- Authors:
- Adriaensens, Vito
Jacobs, Steven - Abstract:
- <abstract xml:lang="de"> <title> <x content-type="archive" xml:space="preserve">Abstract</x> </title> <p>Few directors are so closely associated with the genre of the artist biopic as Ken Russell who made several films dedicated to composers, dancers and writers. Only three of these, however, have visual artists as their protagonists: <italic>Always on Sunday</italic> (1965), <italic>Dante's Inferno</italic> (1967) and <italic>Savage Messiah</italic> (1972), dealing with Henri 'Le Douanier' Rousseau, Dante Gabriel Rossetti and Henri Gaudier-Brzeska respectively. There has also been relatively little critical commentary on these films compared with the discussion devoted to Russell's films dealing with the lives of composers. This article attempts to remedy this situation by considering the ways in which Russell tackles some of the thematic and formal challenges inherent to the genre of the artist biopic, such as the representation of the artist's personality, the visualisation of the process of artistic creation, and the relation between the style of the film and that of the artist portrayed. We will argue that, to a large extent, Russell's protagonists in these films conform to the romantic stereotype of the tormented and alienated artist. However, and perhaps contrary to what one would associate with the director, we will demonstrate that Russell's biopics also demystify this cult of artistic genius by focusing on the mundane or laborious activities involved in the process<abstract xml:lang="de"> <title> <x content-type="archive" xml:space="preserve">Abstract</x> </title> <p>Few directors are so closely associated with the genre of the artist biopic as Ken Russell who made several films dedicated to composers, dancers and writers. Only three of these, however, have visual artists as their protagonists: <italic>Always on Sunday</italic> (1965), <italic>Dante's Inferno</italic> (1967) and <italic>Savage Messiah</italic> (1972), dealing with Henri 'Le Douanier' Rousseau, Dante Gabriel Rossetti and Henri Gaudier-Brzeska respectively. There has also been relatively little critical commentary on these films compared with the discussion devoted to Russell's films dealing with the lives of composers. This article attempts to remedy this situation by considering the ways in which Russell tackles some of the thematic and formal challenges inherent to the genre of the artist biopic, such as the representation of the artist's personality, the visualisation of the process of artistic creation, and the relation between the style of the film and that of the artist portrayed. We will argue that, to a large extent, Russell's protagonists in these films conform to the romantic stereotype of the tormented and alienated artist. However, and perhaps contrary to what one would associate with the director, we will demonstrate that Russell's biopics also demystify this cult of artistic genius by focusing on the mundane or laborious activities involved in the process of artistic creation, which is at odds with genre conventions that normally glorify this process.</p> </abstract> … (more)
- Is Part Of:
- Journal of British cinema and television. Volume 12:Issue 4(2015)
- Journal:
- Journal of British cinema and television
- Issue:
- Volume 12:Issue 4(2015)
- Issue Display:
- Volume 12, Issue 4 (2015)
- Year:
- 2015
- Volume:
- 12
- Issue:
- 4
- Issue Sort Value:
- 2015-0012-0004-0000
- Page Start:
- 479
- Page End:
- 495
- Publication Date:
- 2015-10
- Subjects:
- Motion pictures -- Great Britain -- Periodicals
Television -- Great Britain -- Periodicals
791.450941 - Journal URLs:
- http://www.eupjournals.com/journal/jbctv ↗
http://www.euppublishing.com/journals ↗ - DOI:
- 10.3366/jbctv.2015.0281 ↗
- Languages:
- German
- ISSNs:
- 1743-4521
- Deposit Type:
- Legaldeposit
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library DSC - BLDSS-3PM
British Library HMNTS - ELD Digital store - Ingest File:
- 3031.xml