Remediating sound : repeatable culture, YouTube and music /: repeatable culture, YouTube and music. (2023)
- Record Type:
- Book
- Title:
- Remediating sound : repeatable culture, YouTube and music /: repeatable culture, YouTube and music. (2023)
- Main Title:
- Remediating sound : repeatable culture, YouTube and music
- Further Information:
- Note: Edited by Holly Rogers, Joana Freitas, João Francisco Porfírio.
- Editors:
- (Professor of music), Rogers, Holly
Freitas, Joana
Porfírio, João Francisco - Contents:
- PrefaceJay Bolter, Georgia Institute of Technology, USA Introduction: 'I feel like I've heard it before': The Musical Echoes of YouTubeHolly Rogers, Goldsmiths, University of London, UK, Joana Freitas, CESEM - NOVA FCSH, Portugal, and João Francisco Porfírio, CESEM - NOVA FCSH, Portugal 1. 'Technology allows more people to do things': Artificial Intelligence, Mashups and Online Musical Creativity Christine Boone, University of North Carolina Asheville, USA, and Brian Drawert, University of North Carolina Asheville, USA 2. From Contagion to Imitation: On Bass Drop Memes, Trolling Repertoires and the Legacy of Gabriel Tarde Edward Katrak Spencer, University of Oxford, UK 3. Sincere, Authentic, Remediated: The Affective Labour and Cross Cultural Remediations of Music Video Reaction Videos on YouTube Michael Goddard, Goldsmiths, University of London, UK 4. Internet Archiving: The Many Lives of Songs in the YouTube Age Henrik Smith Sivertsen, Royal Danish Library, Denmark 5. Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation Holly Rogers, Goldsmiths, University of London, UK 6. 'Only people with good imagination usually listens to this kind of music': On the Convergence of Musical Tags, Video Games and YouTube in the Epic Genre Joana Freitas, CESEM - NOVA FCSH, Portugal 7. Of Clouds and Vapors: Transcending Ironic Distance in Networked Composition Jonas Wolf, GCSC, Justus-Liebig Universität Gießen, Germany 8. Performing Beyond thePrefaceJay Bolter, Georgia Institute of Technology, USA Introduction: 'I feel like I've heard it before': The Musical Echoes of YouTubeHolly Rogers, Goldsmiths, University of London, UK, Joana Freitas, CESEM - NOVA FCSH, Portugal, and João Francisco Porfírio, CESEM - NOVA FCSH, Portugal 1. 'Technology allows more people to do things': Artificial Intelligence, Mashups and Online Musical Creativity Christine Boone, University of North Carolina Asheville, USA, and Brian Drawert, University of North Carolina Asheville, USA 2. From Contagion to Imitation: On Bass Drop Memes, Trolling Repertoires and the Legacy of Gabriel Tarde Edward Katrak Spencer, University of Oxford, UK 3. Sincere, Authentic, Remediated: The Affective Labour and Cross Cultural Remediations of Music Video Reaction Videos on YouTube Michael Goddard, Goldsmiths, University of London, UK 4. Internet Archiving: The Many Lives of Songs in the YouTube Age Henrik Smith Sivertsen, Royal Danish Library, Denmark 5. Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation Holly Rogers, Goldsmiths, University of London, UK 6. 'Only people with good imagination usually listens to this kind of music': On the Convergence of Musical Tags, Video Games and YouTube in the Epic Genre Joana Freitas, CESEM - NOVA FCSH, Portugal 7. Of Clouds and Vapors: Transcending Ironic Distance in Networked Composition Jonas Wolf, GCSC, Justus-Liebig Universität Gießen, Germany 8. Performing Beyond the Platform: Experiencing Musicking On and Through YouTube, TikTok and Instagram Juan Bermúdez, University of Vienna, Austria 9. Library Music as the Soundtrack of YouTube Júlia Durand, CESEM - NOVA FCSH, Portugal 10. Meme and Variations: How Video Mashups of John Coltrane's Giant Steps Became a Thing Scott B. Spencer, University of Southern California, USA 11. 'Spinning Straw Into Gold': Nacho Video and the Exquisite Corpse of Fan-editing Lisa Perrott, University of Waikato, New Zealand 12. Music Videos as Protest Communication Olu Jenzen, The University of Brighton, UK, Itir Erhart, Istanbul Bilgi University, Turkey, Hande Eslen-Ziya, University of Stavanger, Norway, Umut Korkut, Glasgow Caledonian University, UK, Aidan McGarry, Loughborough University, UK, and Derya Güçdemir, Independent Scholar, TurkeyIndex. … (more)
- Publisher Details:
- London : Bloomsbury Academic
- Publication Date:
- 2023
- Extent:
- 1 online resource (328 pages)
- Subjects:
- 781.17
Music and the Internet
Music -- Philosophy and aesthetics
Mashups (Music) -- History and criticism
Remixes -- History and criticism
Music videos -- History and criticism
Composition (Music) -- Collaboration
Social media
Sampling (Sound) - Languages:
- English
- ISBNs:
- 9781501387333
- Notes:
- Note: Includes bibliographical references and index.
Note: Description based on CIP data; resource not viewed. - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
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- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.806391
- Ingest File:
- 21_021.xml