Globalization and sense-making practices : phenomenologies of the global, local and glocal /: phenomenologies of the global, local and glocal. (2023)

• Record Type: Book
• Further Information: Note: Edited by Simi Malhotra, Zahra Rizvi and Shraddha A. Singh.
• Editors: Malhotra, Simi; Rizvi, Zahra; Singh, Shraddha A
• Contents: Section One: Traversing Acoustic Spaces <p class="MsoNormal" style="text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">1. On Acoustic Justice <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Brandon LaBelle <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">2. Björk’s Posthuman Hypomnemata and the Future of Music Video <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Susan George <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">3. Through Afterhours: Spatiality and Post-Fordist Unbecoming <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify; text-indent: 36.0pt;">Ayush Biswas <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify; text-indent: 36.0pt;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">4. Singing Rivers: Spatial Discourses and Milieu-Specific Analysis <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify; text-indent: 18.0pt;"> Steven S. George <p class="MsoNormal" style="text-align: justify;"> Section Two: Mapping Artistic Spaces <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">5. Creolisers, Collaborators, Tastemakers, and the Weavers of Thieux Translation and Exegesis of a Short Story by Ari Gautier <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Ananya Jahanara Kabir <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">6. Filling the Silver Dots: Cognitive Militarism, Populist Healing Practices and the Rise of the Neo-Gestalt Guru <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Umar Nizaruddin <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">7. Spacial Poems. On planetary communication through multisensory artistic performance <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Pawel Michna <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">8. Taste of Choice: Making Sense of Food in the Indian Blogosphere <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Sakshi Dogra <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> Section Three: Reorienting Narrative Spaces <p class="MsoNormal" style="text-align: justify; text-indent: 3.0pt;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">9. Articulating Shakespeare Globally <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">David Schalkwyk <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">10. Mapping Dalit Women’s Lifeworld in Bama’s Narratives <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Nishat Haider <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">11. The poet as a queer flaneur: Envisaging the glocal city in the poetry of Frank O’Hara <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Srinjoyee Dutta <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">12. Reflections on Transnational Globalization in Olga Tokarczuk's Flights <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Nishtha Pandey <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">13. (En)countering the Oil in Malayalam Petrofiction and the Production of Proletariats <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Grace Mariam Raju <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify; text-indent: 3.0pt;"> Section Four: Charting Visual and Virtual Spaces <p class="MsoNormal" style="text-align: justify; text-indent: 3.0pt;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">14. Identities and Intensities: Comics as ‘Blocs of Sensation’ <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Ajith Cherian <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">15. Unwittification of the collective subject: an exploration of the phenomenon of unwittification in Bird Box, Khudito Pashan and contemporary Covid-19 afflicted society <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Soham Adhikari <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">16. Interrogating political and urban cartographies of Delhi in Sarnath Banerjee’s Corridor and Vishwajyoti Ghosh’s Delhi Calm <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Mohit Abrol <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">17. Made in Heaven: Intersectionality and Hyperaesthetics in the making of Delhi and the ‘Dilliwala’ <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Namita Paul <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">18. Unreal City: Expressions of Tokyo in Video Games <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Lakshmi Menon <p class="gmail-msolistparagraph" style="margin: 0cm; text-align: justify;"> <p class="gmail-msolistparagraph" style="text-align: justify; text-indent: -18.0pt; mso-list: l0 level1 lfo1; margin: 0cm 0cm 0cm 36.0pt;">19. Representing Asia in Cyberpunk Films: Race, Gender and Techno-Orientalism in Rupert Sanders’ Ghost in the Shell <p class="gmail-msolistparagraph" style="text-align: justify; margin: 0cm 0cm 0cm 36.0pt;">Deeksha Yadav <p class="MsoNormal" style="line-height: 115%;"> &l
• Edition: 1st
• Publisher Details: New Delhi : Routledge India
• Publication Date: 2023
• Extent: 1 online resource (282 pages)
• Subjects: 142.7; Perception (Philosophy); Senses and sensation -- Philosophy; Mass media and globalism; Phenomenology
• Languages: English
• ISBNs: 9781000953084
• Notes: Note: Includes bibliographical references and index.; Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.