The Routledge international handbook of creative cognition. (2023)

• Record Type: Book
• Other Titles: Handbook of creative cognition; Creative cognition
• Further Information: Note: Edited by Linden J. Ball and Frédéric Vallée-Tourangeau.
• Editors: Ball, Linden J, 1963-; Vallee-Tourangeau, Frederic
• Contents: Part I: Reflections on the Fundamental Contents and Mechanisms of Creative Cognition ; 1. Divergent Thinking as Creative Cognition; Mark A. Runco ; 2. Measuring Creativity with the Consensual Assessment Technique (CAT); Karl K. Jeffries ; 3. Constraints and Creativity: Classifying, Balancing, and Managing Constraints; Balder Onarheim and Dagný Valgeirsdóttir ; 4. The Role of Serendipity in Creative Cognition; Wendy Ross and Selene Arfini; 5. The Two Faces of Curiosity in Creative Cognition: Curiosity1, Curiosity2 (and their Interaction); Janet Metcalfe and William James Jacobs 6. Thinking Wide and Narrow: A ‘Cultural Creative Cognition’ Approach to Possibility thinking; Vlad P. Glăveanu; 7. Analogy and the Transfer of Creative Insights; Thomas C. Ormerod ; 8. Creative Cognition: From Ideation to Innovation; Nathaniel Barr, Lucas Klein, Michael J. McNamara, and Kelly Peters ; 9. Insight in the Kinenoetic Field; Frédéric Vallée-Tourangeau ; Part II: Reflections on the Nature of Creative Cognition as Revealed through Traditional Methodologies ; 10. Idea Generation and Associative Memory; Richard W. Hass; 11. Creatively Searching through Semantic Memory Structure: A Short Integrative Review; Yoed N. Kenett ; 12. Mental Imagery and Creative Cognition; David G. Pearson ; 13. Incubation; Ken Gilhooly ; 14. Of Night and Light and the Half-Light: The Role of Multidimensions of Emotion and Tolerance of Uncertainty in Creative Flow; Genevieve M. Cseh; 15. Problem-Solving, Collaboration, and Creativity; Jennifer Wiley and Olga Goldenberg ; 16. Metaphoric Creativity as Embodied Performance in Social Interaction Thomas Jensen ; 17. Analyzing Changing Patterns of External Reference Use from Informal Lab Group Presentations to Formal Colloquia; Christian D. Schunn, Lelyn D. Saner and Susannah Paletz ; 18. Measuring Judgment and Decision-making in Developmental Samples: Assessment of the Generation of Cognitively Sophisticated Responses and Implications for the Study of Creative Cognition; Jala Rizeq and Maggie E. Toplak ; 19. The Phenomenology of Insight: The Aha! Experience; Amory H. Danek ; 20. Reconcilable Differences: Working Memory Capacity Both Supports and Hinders Insight; Marci S. DeCaro and Charles A. Van Stockum, Jr. 21. Comparing Theoretical and Computational Models of Insight: Investigating Cognitive and Phenomenological Perspectives; Margaret E. Webb ; 22. Collaborative Meta-reasoning in Creative Contexts: Advancing an Understanding of Collaborative Monitoring and Control in Creative Teams; Beth H. Richardson, Linden J. Ball, Bo T. Christensen, and John E. Marsh ; Part III: Reflections on the Nature of Creative Cognition as Revealed through Cognitive Neuroscience Approaches ; 23. An Archaeological Perspective on Creative Cognition Frederick L. Coolidge ; 24. The Role of Semantic versus Episodic Memory in Creative Cognition; Halima Ahmed, Kata Pauly-Takacs, Anna Abraham ; 25. Network Neuroscience of Domain-General and Domain-Specific Creativity; Roger E. Beaty, Hannah M. Merseal, and Daniel C. Zeitlen ; 26. A Closer Look at Transitions Between the Generative and Evaluative Phases of Creative Thought; Andre Zamani, Caitlin Mills, Manesh Girn, and Kalina Christoff ; 27. Markers of Insight; Carola Salvi ; 28. A Cognitive Neuroscience Perspective on Insight as a Memory Process: Searching for the Solution; Maxi Becker, Roberto Cabeza, and Jasmin M. Kizilirmak ; 29. A Cognitive Neuroscience Perspective on Insight as a Memory Process: Encoding the Solution; Jasmin M. Kizilirmak and Maxi Becker ; Part IV: Reflections on Creative Cognition from Pedagogical, Organisational, Archaeological and Post-Phenomenological Perspectives ; 30. Creativity in Education; Mary A. Simonsen and Jonathan A. Plucker ; 31. Creative Learning: A Pedagogical Perspective; Ronald A. Beghetto and Ananí M. Vasquez ; 32. Tool Use and Creativity; Chris Baber; 33. Art Through Material Engagement…and Vice Versa; Paul March and Lambros Malafouris 34. Creativity as a Discursive Construct Darryl Hocking ; 35. Collaborative Creativity: Information-driven Coordination Dynamics and Prediction in Movement and Musical Improvisation; Travis J. Wiltshire and Merle Fairhurst ; 36. Common Creativity; Karenleigh A. Overmann ; Part V: Reflections on Creative Cognition in Domains Involving Creativity and Innovation ; 37. Team Cognition and Team Creativity; Roni Reiter-Palmon and Payge Japp ; 38. Creative Cognition in Engineering and Technology; David H. Cropley ; 39. Creative Cognition and Entrepreneurship; Bo T. Christensen ; 40. Creative Cognition in Advertising; Wangbing Shen, Linden J. Ball, and Beth H. Richardson; 41. The Creative Generation and Appreciation of Artistic Artifacts in the Visual Domain; Oshin Vartanian ; 42. Individual Innovation and Creativity: An Interdisciplinary Mapping of Creative Cognition; Gaëlle Vallée-Tourangeau, Evy Sakellariou, and Fanni Szigetvari ; Part VI: Reflections on the Paradoxical Misalignment Between Findings that Derive from In Vivo Versus In Vitro Research on Creative Cognition; 43. A Quandary in the Study of Creativity: Conflicting Findings from Case Studies versus the Laboratory; Robert W. Weisberg
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2023
• Extent: 1 online resource (802 pages), illustrations (black and white)
• Subjects: 153.35; Creative ability; Creation (Literary, artistic, etc.); Cognition
• Languages: English
• ISBNs: 9781000917307
• Notes: Note: Includes bibliographical references and index.; Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.