Crisis and communitas : performative concepts of commonality in arts and politics /: performative concepts of commonality in arts and politics. (2023)

• Record Type: Book
• Further Information: Note: Edited by Dorota Sajewska, Malgorzata Sugiera.
• Editors: Sajewska, Dorota; Sugiera, Małgorzata
• Contents: List of Contributors Crisis and Communitas . An Introduction: Dorota Sajewska and MaÅ‚gorzata Sugiera Part I: Community as Potentiality Chapter 1: Jeremy Gilbert, An Aesthetics of Solidarity: Collective Becoming After Neoliberalism 　 Chapter 2: MaÅ‚gorzata Sugiera, Speculative Communities:　Designing　Contact Zones　in Times of Eco-Eco-Crisis　 Chapter 3: Tadeusz Koczanowicz, The Emotional Citizenship of Exile Chapter 4: Katarzyna Bojarska, Past in Common: Departing from History Part II: Bodies and the Communal Power Chapter 5: Dorota Sajewska, Affective Communitas. Towards a Performative Theory of Historical Agency Chapter 6: Dorota Sosnowska, Towards Ephemeral Communities of Care: AIDS, Political Transition, and Crisis Chapter 7: Eduardo Jorge de Oliveira, Inventing Skins. Reinventing Community: Writing, Performance and Theory in Brazil (1960–2020) Chapter 8: Nina Seiler, Maria Janion’s Frenzy: Transgressing the Crisis of 1968 Part III: Imageries of the Commons Chapter 9: PaweÅ‚ MoÅ›cicki, Sharing Image, Sharing Time. Dante, Visibility and the Common. Chapter 10: Fabienne Liptay, Just Numbers: From Extras to Agents of an Uncountable Community Chapter 11: Mikkel　Bolt Rasmussen, An Avant-Garde　with its Back to the Future: Affirming the Crisis 　 Chapter 12: Louise Décaillet, Assembling the Audience: The Spread of the Parliamentary Form in Contemporary Arts Part IV: Artists Speak! Manifest 1: Marc Streit, On Eating and Being Eaten: Notes on the zürich moves! 2019 research and contextualisation Manifest 2: Wojtek Ziemilski, What Do We Want? Society! When Do We Want it? Now! "Come Together" and its Discontents Manifest 3: Ema Hesterová and Peter Sit (APART collective), Torn apartIn a historical perspective. Interview with Susan Buck-Morss Index List of Contributors APART is an artistic collective that has been performing research, artistic-creative, curatorial, publishing, and archiving activities since 2012. It is a meta-participatory platform working on a proto-institutional basis and the principle of shared economies. Today, APART is Denis Kozerawski, Peter Sit, Andrej Žabkay, Ema Hesterová, and Chiara Rendeková. APART has exhibited, screened films and executed projects at numerous venues including, Kunsthalle Bratislava; Karlín Studios Prague; Plusmínusnula Gallery Žilina; Work Hard! Play Hard, Minsk; CCA Kronika, Bytom; e-flux Bar Laika, New York; MoMA New York; Prague City Gallery; Easttopics, Budapest; among others. Under the APART LABEL, the collective has published more than twenty publications, including Uhuru by Catarina Simao; Mehraneh Atashi’s Safe Landing ; Electronic Dadaist Poetry by Babi Badalov; and the .txt edition (co-published with Display and Kapitál). APART’s latest—and to date the largest—project is its own gallery space, A Promise of Kneropy in Bratislava, with an affiliated reading and study room, which seeks to programmatically present critical contemporary artistic positions. 　 Katarzyna Bojarska is an assistant professor in the department of Cultural Studies at SWPS University in Warsaw and president of the NGO View. Foundation for Visual Culture where she co-founded and is on the editorial board of View. Theories and Practices of Visual Culture, an international, open access, online academic journal www.pismowidok.org. She has received numerous grants and awards including Fulbright, Horizon2020 (www.repast.eu/), and individual and group grants from the National Centre for Science. Her research interests include cultural memory, gender and memory, trauma and visual culture studies, as well as contemporary arts. Her postdoctoral book, titled Wydarzenia po Wydarzeniu. BiaÅ‚oszewski – Richter – Spiegelman (Events after the Event. BiaÅ‚oszewski – Richter – Spiegelman) was published in 2013. Bojarska is the editor of Ernst van Alphen’s Krytyka jako interwencja. Krytyka jako interwencja: sztuka, pamięć, afekt (2019). She has also translated and published several works of other thinkers, including, Achille Mbembe’s Necropolitics (2018), Michael Rothberg’s Multidirectional Memory: remembering the Holocaust in the Age of Decolonization (2016), Susan Buck-Morss’s Hegel, Haiti and Universal History (2013), as well as works by Cathy Caruth, Marianne Hirsch, Lauren Berlant, Kristin Ross, Mignon Nixon, Susan Schuppli, Benjamin H. D. Buchloh and Ariella Aïsha Azoulay. Bojarska has presented her work at numerous international conferences and taught students in both Europe and the US. She is an active art critic and member of the AICA. Mikkel Bolt Rasmussen is an art historian and theorist working on the politics and history of the avant-garde. He is professor of Political Aesthetics at the University of Copenhagen and the author of seven books in Danish and six in English—Crisis to Insurrection: Notes on the ongoing collapse (2014), Playmates and Playboys at a Higher Level: J.V. Martin and the Situationist International (2015), Hegel after Occupy (2018; in French 2020), After the Great Refusal: Essays on Contemporary Art, Its Contradictions and Difficulties (2018; in French 2019; in Italian 2021), Trump’s Counter-Revolution (2018; in French 2019; in Italian 2019 and in Greek 2021) and Late Capitalist Fascism (2021). He has also written numerous articles about the revolutionary tradition and modern art in journals such as Multitudes, New Formations, Oxford Art Journal, Rethinking Marxism, Texte zur Kunst, and Third Text . He is the editor of nine books in Danish and three in English, the latter being: Totalitarian Art and Modernity (co-edited with Jacob Wamberg 2010), Expect Anything Fear Nothing: The Situationist Movement in Scandinavia and Elsewhere (co-edited with Jakob Jakobsen 2011), and Cosmonauts of the Future: Texts from the Situationist Movement in Scandinavia and Elsewhere (co-edited with Jakob Jakobsen 2015). Rasmussen is an occasional cultural producer, with activities including the exhibition This World We Must Leave – An Idea of Revolution at Kunsthal Aarhus Aarhus Kunstbygning in 2010–2011 with Jakob Jakobsen, with a second edition at Kunsthall Oslo 2016; and the play Revolution with Christian Lollike at the Nationaltheatret in Oslo 2017 which then travelled to S/H in Copenhagen 2018. Susan Buck-Morss 　is philosopher, intellectual historian, interdisciplinary thinker, and writer of international reputation. Her most-known book, 　Hegel, Haiti, and Universal History 　(2009), 　offered a fundamental reinterpretation of Hegel’s master-slave dialectic by linking it to the influence of the Haitian Revolution. Her books　The Origin of Negative Dialectics 　(1977) and　The Dialectics of Seeing 　(1989) have been translated into several languages and have been called "modern classics in the field." Other publications include　Thinking Past Terror 　(2003), 　Dreamworld and Catastrophe 　(2000), 　Revolution Today 　(2019), Year 1. A Philosophical Recounting (2021) and numerous articles　(www.susanbuck-morss.info).　Susan Buck-Morss is currently professor of Political Science at the CUNY Graduate Center and professor emerita at Cornell University’s Department of Government, where she taught from 1978 to 2012.　Buck-Morss was also a member of Cornell’s graduate fields in comparative literature; history of art; German studies; and the School of Architecture, Art, 　and Planning. She serves on the editorial boards of several journals and has been invited as a lecturer at dozens of universities worldwide. Her numerous international awards and fellowships include a Getty Scholar grant, Fulbright Award, and Guggenheim Fellowship. She holds a PhD in European
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2023
• Extent: 1 online resource (304 pages)
• Subjects: 700.103; Arts -- Political aspects; Arts and society; Community arts projects
• Languages: English
• ISBNs: 9781000921854; 9781000921847
• Related ISBNs: 9781032138053
• Notes: Note: Description based on CIP data; resource not viewed.
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