Performing #metoo : how not to look away /: how not to look away. (2021)

• Record Type: Book
• Other Titles: Performing me too
• Further Information: Note: Edited by Judith Rudakoff.
• Editors: Rudakoff, Judith D, 1953-
• Contents: Acknowledgements -- Introduction -- Performing #MeToo -- Performing #MeToo: How Not to Look Away -- Notes -- 1 "Vital Acts of Transfer": #MeToo and the Performance of Embodied Knowledge -- Reclaiming the Repertoire of #MeToo -- Rescripting the Repertoire: Time's Up and the Golden Globes Red Carpet Blackout -- Conclusion: Utopic Gestures -- Notes -- 2 "Bite the Bullet": The Practice of Protest as a Coping Mechanism -- The Economy of the Female Fear Factory -- Coming to Terms with the Past, a Term of Post-war, Post-genocide -- War? On Womxn -- War Metaphor -- The Practice of Protest: On the Line -- The Practice of Protest Continues -- Silence? -- The Practice of Protest: uNokuthula -- Aluta Continua -- Notes -- 3 Resisting Theatre: The Political in the Performative -- What Does a Woman Know? -- Resistance -- Conclusion -- Notes -- 4 Supporting Brave Spaces for Theatre-Makers Post-#MeToo:: A Chicago-Based Study on Rehearsing and Performing Intimacy in Theatre -- Introduction -- Background -- Galvanizing a Community -- Chicago Theatre Standards -- Brave Spaces -- Rehearsing Intimacy -- Chicago Theatres -- Intimacy Facilitators -- Moving Forward -- Notes -- 5 We Get It: Calling Out Sexism and Harassment in Australia's Live Performance Industry -- "Sexism Is Over" -- Rank -- Women in Australian Theatre -- "She's Just Being Sensitive" -- "Momentum for Change" -- Notes -- 6 Toward the Origin of Performing #MeToo: Franca Rame's The Rape as an Example of Personal and Political Theatre/Therapy -- Me Too Before #MeToo: Legacy and Change -- The Violence and the Drafting of the Text -- On the Stage -- An Incursion into the Glitter of Italian Saturday Night Television -- The Performance -- Issues of Meaning -- On the Internet -- Conclusion -- Notes -- 7 The Royal Court in the Wake of #MeToo -- "The Weinstein of British Theatre": London, October-November 2017 -- On Institutions -- The Royal Court: Public Action, Artistic Responses -- "Does #MeToo need a liberal male sticking his oar in?" -- Notes -- 8 Dissident Solidarities: Power, Pedagogy, Care -- Performing Ruptures -- Performing Testimony -- Rethinking Feminist Solidarities -- Notes -- 9 Conversations with Noura: Iraqi American Women and a Response to A Doll's House -- Notes -- 10 #MeToo: Theatre Women Share Their Stories -- Notes -- 11 Les Zoubliettes: Raging Through Laughter-a Feminist Disturbance -- Les Zoubliettes As Performance of #MeToo -- Conclusion: How Not to Look Away -- Notes -- 12 "I'm the person to speak about myself": Self-Declaration, Reversal of Power, and Solidarity in The Red Book -- The #MeToo Movement and the Collapse of the Existing World -- "I am Myself": Self-Declaration Against the World -- Reversal of Power in The Red Book -- The Creation of Solidarity
• Publisher Details: Bristol : Intellect Books
• Publication Date: 2021
• Copyright Date: 2021
• Extent: 1 online resource (vii, 252 pages ), illustrations (black and white)
• Subjects: 306.484; Performing arts -- Social aspects; Performing arts -- Political aspects; MeToo movement; Feminism and the arts; Arts du spectacle -- Aspect social; Arts du spectacle -- Aspect politique; Mouvement #MoiAussi; Féminisme et arts; Feminism and the arts; MeToo movement; Performing arts -- Political aspects; Performing arts -- Social aspects
• Languages: English
• ISBNs: 9781789383829
• Related ISBNs: 178938382X; 9781789383812; 1789383811
• Notes: Note: Includes bibliographical references.; Note: Description based on print version record.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.