Indigeneity and the Decolonizing Gaze : Transnational Imaginaries, Media Aesthetics, and Social Thought /: Transnational Imaginaries, Media Aesthetics, and Social Thought. (2023)

• Record Type: Book
• Further Information: Note: Robert Stam.
• Authors: Stam, Robert
• Contents: AcknowledgmentsIntroductionThe Terms of DebateA 1492 Project: Conquest and DiscoveryThe Protocols of Anti-IndigenismThe Sacred LandNative Arts and AestheticsIndigenous Media Chapter One: From France Antartique To Shamanic Critique: The Tupinization Of Social ThoughtFrance Antartique and Tupi TheoryFilming France AntartiqueMontaigne and Tupi TheoryFrom France Antartique to the Carib RevolutionFrom the French Philosophes to the American RevolutionThe French Missions, Lévi-Strauss, and the IndianPierre Clastres, the Anarchist Indigene, and the WariThe Franco-Brazilian Dialogue and the Politics of The Falling Sky Chapter Two: The Indigenous 'Cunhã:' The Metamorphosis of a Gendered TropeThe Tupinization of ManhattanThe 'Cunhã' as FilmmakerThe Cunhã as Myth: ParaguaçuCaramuru: The Invention of BrazilThe Filmic and Televisual CunhãThe Cunhã DegradedThe Cunhã as WarriorThe Cunhã as Forest PrincessThe Cunhã as Hyper-WomanThe Ecological CunhãThe 'Cunhã' as Activist/ArtistMyths of Extinction: The Return of the Vanished Indigene Chapter Three: The Transnational 'Indian'Land and the Frontier WesternGoing NativeEurope's 'White Indians'The Indian HobbyistsTransmedial IndigeneityThe Strategic Uses of HumorPainterly TricksterismIndigeneity and MusicFirst Peoples, First FeaturesIndigenization of Horror Chapter Four: Cross-National Comparabilities: The Indigenization Of Brazilian MediaCentennial Commemorations and First Contact FilmsVariations on a Westward ThemeProto-Indigenist Cinema in BrazilIndigenous Media in BrazilVideo nas AldeiasThe Archival TurnCorumbiara: on the Trail of MassacresThe Guaraní and Contrapuntal NarrationThe Martyrdom of the Guaraní-KaiowáThe Transmediatic Indigene of Popular Culture Chapter Five: Triumphs and the Travails of the YanomamiJuan Downey and 'The Laughing Alligator'Crossed Filmic GazesThe Poetics of The Falling Sky The Cinematic Imaginary of the Yanomami Cinematizing Shamanism: XapiriThe Last Forest Conclusion: The Theoretical Indigene: Becoming Indian, And The Elsewhere Of Capitalism Colonial Ambivalence and the Transnational GazeTransformational BecomingsFrom Republican Constitutions to the Carib RevolutionThe Theoretical IndigeneIndigeneity and the Postcolonial LeftBefore and After the Nation-StatePostcolonialism and the Nurture of NatureThe Fear of a Red Academe: Indigenous DecolonialityThe Power of Shamanic CritiqueCapitalism vs. the PlanetThe Transnational Trope of Indigenous HappinessCoda Index.
• Publisher Details: London : Bloomsbury Academic
• Publication Date: 2023
• Extent: 1 online resource (416 pages)
• Subjects: Film theory & criticism; Indigenous peoples; Colonialism & imperialism; Hispanic & Latino studies; Performing Arts -- Film & Video -- General; Performing Arts -- Film & Video -- History & Criticism; Political Science -- Colonialism & Post-Colonialism; History -- Americas (North, Central, South, West Indies); Films, cinema
• Languages: English
• ISBNs: 9781350282377; 1350282375
• Related ISBNs: 9781350282353
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.