Dada data : contemporary art practice in the era of post-truth politics /: contemporary art practice in the era of post-truth politics. (2023)

• Record Type: Book
• Further Information: Note: Edited by Sarah Hegenbart, Mara-Johanna Kölmel.
• Editors: Hegenbart, Sarah; Kölmel, Mara-Johanna
• Contents: List of Illustrations Notes on Contributors AcknowledgementsIntroduction: From Dada Tricks to Post-Truth Politics, Mara-Johanna Kölmel (Leuphana University Lüneburg, Germany & The Courtauld Institute of Art, UK) and Sarah Hegenbart (Technical University Munich, Germany)1. FROM DADA TO DATA1.1. Dadadatadada: From Dada to Data and Back Again, Mara-Johanna Kölmel (Leuphana University Lüneburg, Germany & The Courtauld Institute of Art, UK)1.2. Clouds, Critique & Contradiction: Programming Dissent in Dada and Data Art, Meredith Hoy (Herberger Institute for Design and the Arts, Arizona State University, USA)1.3. The Legacy of the Berlin Dada Media Hoaxes in Contemporary Parafictive Acts, Rebecca Smith (Liverpool School of Art and Design, Liverpool John Moores University, UK)Visual Essay by Montage Mädels2. GLOBAL DADA2.1. Sheida Soleimani, Cyborg: Photomontage in an Expanding Network, Matthew Biro (University of Michigan, USA)2.2. Black Dada Data: Collage as a Tool of Resistance against White Supremacy Thinking in the DigitalAge, Sarah Hegenbart (Technical University Munich, Germany)2.3. Dada's African South, Roger van Wyk (Independent Curator and Director of Educentric)2.4 Paula Rego: A Dada Attitude against Authority in the Post-War Period, Leonor de Oliveira (Universidade NOVA de Lisboa, Portugal)Visual Essay by donna Kukama3. BIG DADA DATA3.1. Big Dada, Big Data: Schwitters's Merzbau, the Private and the Trash, Natalie Koerner (Royal Danish Academy of Fine Arts / University of Copenhagen, Denmark)3.2. Identity, Ecology, and the Arts in the Age of Big Data Mining, Roberto Simanowski (University of Basel, Switzerland)3.3 The Digital Revolution as Counter-Revolution, Joshua Simon (Pennsylvania Academy of Fine Arts, USA)Visual Essay by Kemang Wa Lehulere4. DADA x ALT-RIGHT. FAKING THE TRUTH4.1. Down the Rabbit Hole of The Alt-Right Complex: Artists Exploring Far Right Online Culture, Inke Arns (Curator and Artistic Director, Hartware MedienKunstVerein, Germany)4.2. Fashwave: The Alt-Right's Aestheticization of Politics and Violence, Maik Fielitz (Institute for Peace Studies and Security Policy at the University of Hamburg, Germany) and Lisa Bogerts (Independent Researcher, Germany)4.3. Post-Internet Art and the Alt-Right Visual Culture, Vid Simoniti (University of Liverpool, UK)Visual Essay by IOCOSE5. DADA DATA TACTICS5.1. Pixel Pirates: Theft as Strategy in the Art of Joan Ross and Soda Jerk, Jaime Tsai (National Art School, Sydney, Australia)3.3. Precarious Data Aesthetics. An Exploration of Tactics, Tricksters and Idiocy in Data, Annet Dekker (Independent Researcher, Writer and Curator)5.3. The Multiple Narratives of Post-Truth Politics, Told through Picture, Jack Southern (University of Gloucestershire, City and Guilds of London Art School, UK)Index.
• Publisher Details: London : Bloomsbury Visual Arts
• Publication Date: 2023
• Extent: 1 online resource (336 pages), illustrations (black and white, and colour)
• Subjects: 709.04062; Dadaism; Art and society; Art -- Political aspects; Art and technology
• Languages: English
• ISBNs: 9781350227637; 9781350227620
• Related ISBNs: 9781350227613
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.