Early sound recordings : academic research and practice /: academic research and practice. (2023)

• Record Type: Book
• Further Information: Note: Edited by Eva Moreda Rodriguez, Inja Stanovic.
• Editors: Moreda Rodríguez, Eva; Stanovic, Inja
• Contents: Introduction Eva Moreda Rodríguez and Inja Stanović Part I: Interpreting early recordings: cultural, critical, and contextual approaches 1. Kate Bennett Wadsworth (Guildhall School of Music and Drama), "Dactyls and Fire Spirits: Carl Reinecke’s written publications on Mozart as a guide to his piano rolls" 2. Emily Worthington (University of York), "Individuality, Corporate Identity and the Development of Wind Playing Style in the Recordings of the BBC Symphony Orchestra and London Philharmonic Orchestra, 1930-1939" 3. Gabrielle Kaufman (Universitat Autònoma de Barcelona), "Expressive Portamento in "Ombra mai fu": an analysis of recordings by cellists, violinists and singers 1906-1925" 4. Barbara Gentili (Cardiff University) and Daniele Palma (Università di Bologna), "Earthy Singing, Sensuous Voices: Timbre and orthodoxies of beautiful singing in operatic early recordings (1900-1940)" Part II. Animating the archive: early recordings in practice-led research 5. David Milsom (University of Huddersfield), "Understanding Joseph Joachim’s Style and Practice: recordings as a research tool" 6. Richard Beaudoin (Darmouth College), "Micro-temporal Measurements of Two Early Debussy Recordings as the Foundation for New Music" 7. Joanna Staruch-Smolec (Université Libre de Bruxelles and Conservatoire royal de Bruxelles), "Towards a Better Understanding of Ysaÿe’s Portamento: a comparative study of recorded and annotated evidence in a practice-based approach" 8. Inja Stanović (City, University of London), "(Re)constructing Early Recordings: Experimental research as a guide in performance" Part III. Rethinking theory and analysis: the musical work viewed through early recordings 9. Eva Moreda Rodríguez (University of Glasgow), "From Notation to Stage to Recording in Spanish Zarzuela, 1896-1958" 10. Georgia Volioti (University of Surrey), "The Written and the Sung: Grieg’s piano ballade and the performativity of genre" 11. Ana Llorens (Universidad Complutense de Madrid), "Early recorded structures: non-organic forms in Brahms’s cello sonatas as performed by Feuermann and Casals" 12. Adam Stanović (London College of Communication, University of the Arts), "Trust in Early Recordings: documents, performances and works"
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2023
• Extent: 1 online resource (328 pages), illustrations (black and white)
• Subjects: 780.266; Sound recordings; Sound recordings -- History; Sound recordings -- Sources
• Languages: English
• ISBNs: 9781000845105; 9781000845075
• Related ISBNs: 9781032047515
• Notes: Note: Description based on CIP data; resource not viewed.
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• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.