Analyzing recorded music : collected perspectives on popular music tracks /: collected perspectives on popular music tracks. (2022)

• Record Type: Book
• Further Information: Note: Edited by William Moylan, Lori Burns, Mike Alleyne.
• Editors: Moylan, William; Burns, Lori; Alleyne, Mike (Michael Randolph)
• Contents: Foreword by Paul Théberge Introduction: Analyzing and Interpreting Recorded Song Tracks Lori Burns, Mike Alleyne, and William Moylan Section I. Musical Genre, Culture, and Technology 1. "I Been Studying Rain": What Do We Hear When We Listen to the Blues of Robert Johnson? ("Preachin’ Blues, " 1936) Tom Attah 2. Analyzing Hip-Hop Hacktivism and Automobility in Injury Reserve’s (2019) "Jailbreak the Tesla" (feat. Aminé) Steven Gamble and Justin Williams Section II. Track Revelations and Aural Mirrors 3. Hearing through the Grapevine: Marvin Gaye, Norman Whitfield and the Long Journey of Motown’s Biggest Hit (1967) Andrew Flory 4. "Let the Music Play" (1975): Hearing the Disco Mainstream in Barry White John Howland 5. Reaching for Stardom: Live and Studio Sound in Prince’s "Purple Rain" (1984) Steve Waksman Section III. Layers Make the Record 6. "In a Sky Full of People": Spatial and Cinematic Staging in Seal’s "Crazy" (1990) Mike Alleyne 7. Come Together: Feeling the Distemper of Murk and Elation with the Beatles (1969) and with Sheila E. and Ringo Starr (2017 and 2020) Walter Everett and Katie Kapurch 8. "A Tsunami of Voices": 10cc’s "I’m Not in Love" (1975) Mark Spicer and Stephen Spencer 9. Counterpoint and Expression in the Music of U2: "Gloria" (1981) Timothy Koozin Section IV. Sonic Journeys 10. On the Structure of Feeling in Bob Dylan’s "I’ve Made Up My Mind to Give Myself to You" (2020) Michael Millner and William Moylan 11. "You Never Give Me Your Money": The Abbey Road Medley (1969) Albin Zak 12. Listening Beyond the Recording: The Judds’ "John Deere Tractor" (1984) Jocelyn Neal Section V. Sampling and Reframing 13. Sonic Materiality and Boom-Bap Embodiment in Conway’s "Biscotti Biscuit" (2018): An Autoethnography of Recording Analysis Michail Exarchos 14. "It Ain’t But One Kind of Blues": Kid Koala’s Bluesy Embrace of the Fragmented (2012) Ragnhild Brøvig 15. "Three and a Half Minutes of Attitude": Vocal Delivery, Groove, and Production in Azealia Banks’ "212" (2014) Anne Danielsen and Thea Sørli Paulsrud Section VI. Deconstructing the Mix and Production Process 16. Can You Hear the Thunder? The Tech-Processual Construction of Environmental and Emotional Situ in Ghost’s "Cirice" (2015) Samantha Bennett 17. Three-Dimensional Doom: My Dying Bride’s "Your Broken Shore" (2020) Mark Mynett 18. Transforming A Pop Song: The Journey of the Extended Club Remix (Taz Vegas’ "Am I Dreaming, " 2019) Phil Harding Section VII. Voicing Identity through Genre 19. Framing the Female Voice in Doom Metal: Compositional and Sonic Elements in The Gathering’s "Strange Machines" (Mandylion, 1995) Lori Burns 20. Masking: Queer Aesthetics and Production Tricks in Orville Peck’s "Hope to Die" (2019) Stan Hawkins and Zack Bresler 21. "What Are You Gonna Tell Her?" (2020): Mickey Guyton’s Advocacy and Protest for Equality in Country Music Jada Watson 22. Form, Genre, and Vocal Performance in Nicki Minaj’s "Stupid Hoe" (2011) Olivia Lucas 23. Tracks and Transformations in The Wailers’ "Concrete Jungle" (1973) Mike Alleyne
• Edition: 1st
• Publisher Details: New York : Focal Press
• Publication Date: 2022
• Extent: 1 online resource
• Subjects: 781.49; Popular music -- Analysis, appreciation; Sound recordings -- Production and direction
• Languages: English
• ISBNs: 9781000819663; 9781000819649
• Related ISBNs: 9780367546328; 9780367546311
• Notes: Note: Includes bibliographical references and index.; Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.