Heinrich von Kleist and Modernity. (2011)

• Record Type: Book
• Further Information: Note: Professor Bernd Fischer, Dr. David Chisholm-Univ. of Arizona, Helmut J. Schneider, Hilda Brown, Jeffrey L. High, Jonathan Marshall, Nancy Nobile, Peter Barton, Peter Horn, Ricarda Schmidt, Seán Allan, Tim Mehigan, Tim Mehigan, Wolf Kittler, Andreas Gailus, Anette Horn, Professor Bernd Fischer, Bernhard Greiner, Professor Christian Moser, David Pan, Dorothea von Muecke.
• Editors: Professor, Fischer, Professor Bernd; Mehigan, Tim
• Other Names: Chisholm-Univ. of Arizona, Dr. David contributor.; Schneider, Helmut J contributor.; Brown, Hilda contributor.; High, Jeffrey L contributor.; Marshall, Jonathan contributor.; Nobile, Nancy contributor.; Barton, Peter contributor.; Horn, Peter contributor.; Schmidt, Ricarda contributor.; Allan, Seán contributor.; Mehigan, Tim contributor.; Kittler, Wolf contributor.; Gailus, Andreas contributor.; Horn, Anette contributor.; Professor Fischer, Professor Bernd contributor.; Greiner, Bernhard contributor.; Professor Moser, Professor Christian contributor.; Pan, David contributor.; von Muecke, Dorothea contributor.
• Contents: Introduction - Bernd Fischer and Tim Mehigan; Zu Ende schreiben: Ultimative Strategien im Schaffen Kleists - Bernhard Greiner; "Sein Nahen ist ein Wehen aus der Ferne": Ottokar's Leap in Die Familie Schroffenstein - Nancy Nobile; The Fragmented Picture and Kleist's Zerbrochner Krug - Dorothea von Muecke; "So glaubst du jetzt, daß ich dir Wahrheit gab?" Gender, Power and the Performance of Justice in Kleist's Der zerbrochne Krug - Sean Allan; Recht als Krieg: Moderne Staatlichkeit und die Aporienlegalistischer Herrschaft bei Heinrich von Kleist - Christian Moser; Representing the Nation in Heinrich von Kleist's Prinz Friedrich von Homburg - David Pan; Herrschaftsgenealogie und Staatsgemeinschaft: Zu Kleists Dramaturgie der Moderne im Prinzen von Homburg - Helmut J. Schneider; Changing Perceptions of Modernity in Nineteenth-CenturyGerman Theater from Goethe to Wagner, with Reference to Kleist's Prinz Friedrich von Homburg - Hilda Brown; Weiblicher Sadismus, Wutwelt des Liebes-Urwalds, Geschlechtskampf, absolutes Gefühl: Die Penthesilea-Rezeptionin der Moderne - Ricarda Schmidt; Prosodic and Dramatic Tension in the Blank-Verse Dramas of Heinrich von Kleist - Dr. David Chisholm-Univ. of Arizona; Crisis, Denial, and Outrage: Kleist (Schiller, Kant) and the Path to the German Novella(s) of Modernity - Jeffrey L. High; Das Gespenst der Armut: "Das Bettelweib von Locarno" - Zwischen traditioneller christlicher, kantisch aufgeklärter undmoderner marxistischer Auffassung - Peter Horn; The Problem of Knowledge and the Discourse of the Hysteric: Exploring a Lacanian Interpretation of "Die Marquise von O. . ." - Peter Barton; Religion nach der Aufklärung: Die heilige Cäcilie - Identität, Religion und Moderne - Anette Horn; Breaking Skulls: Kleist, Hegel, and the Force of Assertion - Andreas Gailus; Kleist's "Übermarionette" and Schrenck-Notzing's "Traumtänzerin": Nervous Mechanics and Hypnotic Performance under Modernism - Jonathan Marshall; Falling after the Fall: The Analysis of the Infinite in Kleist's Marionette Theater - Wolf Kittler; Notes on the Contributors; Index
• Edition: 1st
• Publisher Details: Rochester : Camden House
• Publication Date: 2011
• Extent: 1 online resource (314 pages)
• Subjects: PHILOSOPHY / General; LITERARY CRITICISM / Comparative Literature; Social & cultural history; Biography: literary
• Languages: English
• ISBNs: 9781571137821; 1571137823
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.