The myth and identity of the Romantic artist in European literature : a self-constructed fantasy /: a self-constructed fantasy. (2022)
- Record Type:
- Book
- Title:
- The myth and identity of the Romantic artist in European literature : a self-constructed fantasy /: a self-constructed fantasy. (2022)
- Main Title:
- The myth and identity of the Romantic artist in European literature : a self-constructed fantasy
- Further Information:
- Note: Elena Anastasaki.
- Authors:
- Anastasaki, Elena
- Contents:
- Acknowledgments Notes on Translation Introduction Overview of the Background Scene Outline of Approach, Key Concepts and Methodology Book Structure Part One Chapter 1, Forming Identity: An Interdisciplinary Approach Ethos and the Image of the Author Narrative and Identity Theories: Narrating the Self, an Ontological Dilemma Identity and Aesthetics Kant, Schiller, and Romantic Aesthetics Chapter 2, The Making of Artistic Genius A philosophical Concept The Figure of Chatterton Coleridge’s Chatterton: A Life-long Companion Alfred de Vigny’s Chatterton : The Emblem of a Social Cause Chapter 3, Goethe’s Prometheus, Rousseau’s Pygmalion, and their Progeny "Here sit I, forming mortals / After my image": The Promethean Artist Johann Wolfgang von Goethe, "Prometheus" Lord Byron, "Ode to Prometheus" Percy Bysshe Shelley, Prometheus Unbound Victor Hugo, "Genius, " "The grieving poem weeps" Théophile Gautier, "On the Prometheus of Madrid" Pygmalion and the Ontological Status of the Work of Art Jean-Jacques Rousseau, Pygmalion Thomas Lovell Beddoes, "Pygmalion, or the Cyprian Statuary" Part Two Chapter 4, "Now, if I know myself, I should say, that I have no character at all"–Byron’s Mythmaking Strategies The Quest for a Personal Voice The Poet’s Physical Appearance The Poet as Pilgrim: Childe Harold’s Pilgrimage Poetic Ventriloquism: The Lament of Tasso and The Prophecy of Dante Byron’s Public Persona Chapter 5, Percy Shelley and the Metaphysical Authenticity of the Poet Alastor, or TheAcknowledgments Notes on Translation Introduction Overview of the Background Scene Outline of Approach, Key Concepts and Methodology Book Structure Part One Chapter 1, Forming Identity: An Interdisciplinary Approach Ethos and the Image of the Author Narrative and Identity Theories: Narrating the Self, an Ontological Dilemma Identity and Aesthetics Kant, Schiller, and Romantic Aesthetics Chapter 2, The Making of Artistic Genius A philosophical Concept The Figure of Chatterton Coleridge’s Chatterton: A Life-long Companion Alfred de Vigny’s Chatterton : The Emblem of a Social Cause Chapter 3, Goethe’s Prometheus, Rousseau’s Pygmalion, and their Progeny "Here sit I, forming mortals / After my image": The Promethean Artist Johann Wolfgang von Goethe, "Prometheus" Lord Byron, "Ode to Prometheus" Percy Bysshe Shelley, Prometheus Unbound Victor Hugo, "Genius, " "The grieving poem weeps" Théophile Gautier, "On the Prometheus of Madrid" Pygmalion and the Ontological Status of the Work of Art Jean-Jacques Rousseau, Pygmalion Thomas Lovell Beddoes, "Pygmalion, or the Cyprian Statuary" Part Two Chapter 4, "Now, if I know myself, I should say, that I have no character at all"–Byron’s Mythmaking Strategies The Quest for a Personal Voice The Poet’s Physical Appearance The Poet as Pilgrim: Childe Harold’s Pilgrimage Poetic Ventriloquism: The Lament of Tasso and The Prophecy of Dante Byron’s Public Persona Chapter 5, Percy Shelley and the Metaphysical Authenticity of the Poet Alastor, or The Adventures of the Poetic Mind From Aesthetic Experience to the Aesthetic Self Adonais, or the Self from Without – Pivotal Moments of Self Awareness From Poet to Poet: "To Wordsworth" and "Lines to __" ("Sonnet to Byron") Chapter 6, Honoré de Balzac, the Napoleon of Letters "[L]a tête dans le ciel et les pieds sur cette terre" – Balzac’s Fictional Artists The Portrait of the Artist as an Old Man The Artist as Martyr Sympathetic Parody: Grotesque and Sublime Identities The Bourgeois Artist Chapter 7, Théophile Gautier, Stylistic Identity and Poetic Time The Negation of the Self: Les Jeunes-France The Golden Fleece : A Quest for Rubens’ Blonds, or How Art Spoils Reality Autobiographic Sketches and the Poet as Shapeshifter Conclusion, A Sociopoetical Approach to Genius Materialistic Representations of Genius The Poet’s Two Bodies Napoleon Artistic Identity as a Narrative Construct in a European Context Works Cited and Consulted … (more)
- Edition:
- 1st
- Publisher Details:
- London : Routledge
- Publication Date:
- 2022
- Extent:
- 1 online resource
- Subjects:
- 809.93357
European literature -- 19th century -- History and criticism
European literature -- 18th century -- History and criticism
Identity (Psychology) in literature
Artists in literature
Myth in literature
Romanticism - Languages:
- English
- ISBNs:
- 9781000627275
9781000627268
9780367759377 - Related ISBNs:
- 9780367759360
- Notes:
- Note: Description based on CIP data; resource not viewed.
- Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.702167
- Ingest File:
- 13_018.xml