A century of composition by women : music against the odds /: music against the odds. (2022)

• Record Type: Book
• Further Information: Note: Edited by Linda Kouvaras, Maria Grenfell, Natalie Williams.
• Editors: Kouvaras, Linda; Grenfell, Maria, 1969-; Williams, Natalie
• Contents: Chapter 1 Introduction: Composing Women's (Very) Long 100-year Fight: Evolutions, Illuminations, Solutions, Linda KouvarasPart I Creative Work—Then and NowChapter 2 Synaesthetic Associations and Gendered Nature Imagery: Female Agency in the Piano Music of Amy Beach, Sabrina ClarkeCChapter 3 'Australian Bush Songs' as Multimodal Discourse: The Remarkable Collaboration of Ida Rentoul Outhwaite, Annie Rentoul, and Georgette Peterson, Johanna SelleckChapter 4 The 1940s Australian Ballet that 'Far Outstripped ... 'Swan Lake' in Popular Appeal': Esther Rofe's Ground-Breaking Ballet, Sea Legend, Emma TownsendChapter 5 Italians, Indians and Indigenous People: Innovative Themes and Materials Found in the Operas of Early-C20th Australian Women Composers, Jeanell CarriganChapter 6 'Conjuring Up the Magic': Helen Gifford's Compositional Passage to the Creation of Fable for Solo Harp, Jacinta DennettChapter 7 Of Broken Trees and Elephant Ivories: The Revivification of the Colonial Piano Manifested Through a New Work by Catherine Milliken, Gabriella SmartChapter 8 Beyond Exploitation: Feminist Satire in Jennifer Walshe's XXX_LIVE_NUDE_GIRLS!!!, Jaslyn RobertsonChapter 9 Hildegard's Daughters: Women Composers 'Overcoming Their Astonishment', Natalie WilliamsChapter 10 Is the Category of the 'Woman Artist' Still Helpful?, Susan Best.- Part II The State of the Industry in the Present DayChapter 11 'Dear Women Composers in Australia (and Beyond):' (A Letter from a Music Critic), Rosalind ApplebyChapter 12 Programming Orchestral Repertoire by Women Composers: Challenges and Opportunity, Joanna DrimatisChapter 13 Troubleshooting Gender in the Australian Screen Music Industry: An Insider Perspective, Felicity WilcoxChapter 14 Programming with Gender Parity in Call-Based New Music Festivals, Alice BennettChapter 15 Mentoring Emerging Women Composers, Maria GrenfellChapter 16 Content Targets Work: A Practical Example of Changing Behaviours and Processes in Programming Women Composers, Naomi Johnson and Matthew DeweyChapter 17 Working Towards Gender Equality and Empowerment in Australian Music Culture, Cat Hope.- Part III Creating; Collaborating: Composer and Performer ReflectionsChapter 18 The Book of Daughters and The Sonic aGender Guitar Project: Inclusivity as Guiding Principle, Lisa MacKinneyChapter 19 When We Speak: Creating ('Something Personal') in a Three-Level Collaboration, Lisa CheneyChapter 20 'It Gently Makes Itself Known...': A Composer and a Violist Discuss their Collaboration on Cranes, Phoebe GreenChapter 21 Children's Opera in the Twenty-First Century: The Child-Centred Approach to Writing, Emma JayakumarChapter 22 Making Music in A Chorus of Women, Glenda Cloughley and Johanna McBride.
• Publisher Details: Basingstoke : Palgrave Macmillan
• Publication Date: 2022
• Extent: 1 online resource, illustrations (black and white)
• Subjects: 780.82; Music by women composers; Feminism and music; Women composers -- History
• Languages: English
• ISBNs: 9783030955571
• Related ISBNs: 9783030955564
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.