Redefining theatre communities : international perspectives on community-conscious theatre-making /: international perspectives on community-conscious theatre-making. ([2019])

• Record Type: Book
• Further Information: Note: Edited by Marco Galea and Szabolcs Musca.
• Editors: Galea, Marco; Musca, Szabolcs
• Other Names: Galea Marco.
• Contents: Table of Figures Acknowledgements Introduction Marco Galea and Szabolcs Musca PART I: Theatre Communities: Traces, Places and Belonging Communal Solidarity and Amateur Theatre in Post-Revolutionary Russia: Theoretical Approaches – Stefan Aquilina Theatre in Malta: Which Spaces Does the Community Occupy? – Vicki Ann Cremona and Ruben Paul Borg Performance, Dislocation and Spirituality: Adrift Together – Zoe Zontou PART II: Performing Communal Identities: Ethics, Politics and Affect The Politics of Spectatorship: Community, Ethics and Affect in Contemporary British Rewritings of Ancient Tragedies – Maria Elena Capitani Living and Working in Tepantor: Understanding Political Theatre and the Community– Pujya Ghosh Bodies Without Organs and Organs Without Bodies: The Maltese Experience of Creating National Theatres – Marco Galea PART III: 'Glocal' Representations of Theatre Communities Local and Global Stages: Translating Communities in Hybrid Cultural Spaces –Szabolcs Musca The Economic Communities of the Edinburgh August Festivals: An Exclusive 'Global Sense of Place' and an Inclusive 'Local Sense of Space' – Evi Stamatiou Strategies of Empowerment: Postmigrant Theatre at the Ballhaus Naunynstrasse – Hasibe Kalkan PART IV: Creative Encounters: Changing Ecologies Community and Ownership: Uncovering New Voices at the Royal Court Theatre – Mark O'Thomas in conversation with Vicky Featherstone UrbanDig Project: Theatre for Neighbourhoods – Zoe Zontou in conversation with George Sachinis Community Theatre as Political Theatre: Towards a New Political Theatre Practice – Marius Bogdan Tudor and Ionuț Sociu in conversation with David Schwartz PART V: Emerging Practices: Connecting Through the Digital and the Verbatim New Technologies for a New Audience? Using Transmedia Storytelling towards a New Experience Design Form – Ágnes Bakk Manipulation of Reality Through an Interactive Game: Remote X as an Example of New Modes of Spectatorship – Nad’a Satkova Feeding Back: Verbatim Theatre and/as Communal Practice – Bettina Auerswald Conclusion Marco Galea and Szabolcs Musca Notes on Contributors
• Publisher Details: Bristol, England Chicago, Illinois : Intellect
• Publication Date: 2019
• Copyright Date: 2019
• Extent: 1 online resource (274 pages)
• Subjects: 792.022; Community theater; Community theater; Electronic books
• Languages: English
• ISBNs: 1789380782; 9781789380781; 1789380774; 9781789380774
• Notes: Note: Description based on print version record.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.