Claiming the Real : Documentary: Grierson and Beyond /: Documentary: Grierson and Beyond. (2019)
- Record Type:
- Book
- Title:
- Claiming the Real : Documentary: Grierson and Beyond /: Documentary: Grierson and Beyond. (2019)
- Main Title:
- Claiming the Real : Documentary: Grierson and Beyond
- Further Information:
- Note: Brian Winston.
- Authors:
- Winston, Brian
- Contents:
- Preface I.- Preface to the 2nd edition.- PART I: THE CREATIVE TREATMENT OF ACTUALITY.-The Documentary and CGI.- The Documentary Film in 1914.- The Documentary as the Creative Treatment of Actuality.- PART II: CREATIVE: DOCUMENTARY AS ART.- Photography as Art.- The Documentarist as Explorer/Artist.- The Griersonian Artist.- Documentary Film and Realist Painting.- The Politics of Realism.- Running Away from Social Meaning.- Poor, Suffering Characters: Victims and Problem Moments.- Serious-Minded Chaps: Politics and Poetics.- He Never Used the Word Revolution.- To Command, and Cumulatively Command, the Mind of a Generation.- Running Away from Social Meaning in America.- Staatspolitisch Besonders Wertvoll.- To Win New Comrades for the Cause.- A Curious Comment.- PART III: TREATMENT: DOCUMENTARY AS DRAMA.- Life as Narrativised.- Chrono-Logic.- Non-Narrative: Works Better in the Head than on the Screen.- Sincere and Justifiable Reconstruction.- PART IV: ACTUALITY: DOCUMENTARY AS SCIENCE.- Photography as Science.- Science as Inscription.- Evidence in the Law.- Technologising the Documentary Agenda.- Documentary as Scientific Inscription: Film as Evidence.- Moments of Revelation.- This Objective–Subjective Stuff Is a Lot of Bullshit.- Kinopravda.- Film as Ethnography.- Film as Truth.- The Principles of Visual Anthropology.- Flies in the Soup: The Influence of Cinéma Vérité.- Flies on the Wall: The Influence of Direct Cinema.- PART V: THE POST-GRIERSONIAN DOCUMENTARY?.- ThePreface I.- Preface to the 2nd edition.- PART I: THE CREATIVE TREATMENT OF ACTUALITY.-The Documentary and CGI.- The Documentary Film in 1914.- The Documentary as the Creative Treatment of Actuality.- PART II: CREATIVE: DOCUMENTARY AS ART.- Photography as Art.- The Documentarist as Explorer/Artist.- The Griersonian Artist.- Documentary Film and Realist Painting.- The Politics of Realism.- Running Away from Social Meaning.- Poor, Suffering Characters: Victims and Problem Moments.- Serious-Minded Chaps: Politics and Poetics.- He Never Used the Word Revolution.- To Command, and Cumulatively Command, the Mind of a Generation.- Running Away from Social Meaning in America.- Staatspolitisch Besonders Wertvoll.- To Win New Comrades for the Cause.- A Curious Comment.- PART III: TREATMENT: DOCUMENTARY AS DRAMA.- Life as Narrativised.- Chrono-Logic.- Non-Narrative: Works Better in the Head than on the Screen.- Sincere and Justifiable Reconstruction.- PART IV: ACTUALITY: DOCUMENTARY AS SCIENCE.- Photography as Science.- Science as Inscription.- Evidence in the Law.- Technologising the Documentary Agenda.- Documentary as Scientific Inscription: Film as Evidence.- Moments of Revelation.- This Objective–Subjective Stuff Is a Lot of Bullshit.- Kinopravda.- Film as Ethnography.- Film as Truth.- The Principles of Visual Anthropology.- Flies in the Soup: The Influence of Cinéma Vérité.- Flies on the Wall: The Influence of Direct Cinema.- PART V: THE POST-GRIERSONIAN DOCUMENTARY?.- The Naturalistic Illusion.- The Battlefields of Epistomology.- The Difference that Makes a Difference.- What Constraints?.- The Voluntary Consent of the Human Subject.- What Interests the Public.- The Nadir of Human Achievement.- The post-Griersonian Documentary: a tour d'horizon.- The post-Griersonian Documentary: The Farther Shore.- Do Not Be Afraid…..- Envoi.- Notes.- Bibliography.- Index. … (more)
- Publisher Details:
- London : British Film Institute
- Publication Date:
- 2019
- Extent:
- 1 online resource (336 pages)
- Subjects:
- Films, cinema
Performing Arts -- Acting & Auditioning
Documentary films - Languages:
- English
- ISBNs:
- 9781838715106
- Related ISBNs:
- 183871510X
9781844572724 - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.666512
- Ingest File:
- 09_015.xml