The fashion show goes live : exclusive and mediatized performance /: exclusive and mediatized performance. (2022)

• Record Type: Book
• Further Information: Note: Rebecca Halliday.
• Authors: Halliday, Rebecca
• Contents: List of IllustrationsAcknowledgmentsIntroductionThe Function of Fashion WeeksEconomies of Fashion, and Fashion as Cultural FieldEconomies of Mediatization and Performanceeconomies of affectFashion Shows in Tension with Fashion FilmsOrganizational Structure1. The Fashion Show and/as Theatre100% Lost Cotton, Opening Ceremony Spring/Summer 2015Historical Confluences Between Fashion and Theatre100 Years Later: 100% Lost Cotton at New York Fashion WeekConclusion2. The Fashion Show as Immersive SimulationFashion as Immersive SimulationChanel Supermarket Fashion Show, Fall/Winter 2014Kanye West - Yeezy Season 3, Fall/Winter 2016Conclusion3. Fashion Show Footage: From Newsreel to Live StreamInternet Spectatorship and 'Real Time'Fashion Shows on FilmFashion on TelevisionFashion-Themed Television in FilmFashion Shows in Television Series (or Fashion Television)Fashion Shows and/as Sporting EventsFashion in the Live StreamThe Handheld Live StreamThe Handheld Front Row Perspective as Moving ImageConclusion4. Social Media Fashion Shows: Interactive and ExclusiveFashion Shows as Pleasurable InteractionBurberry and Topshop-Digital CompetitorsBurberry – Digital Interaction in the Luxury MarketBurberry Prorsum, Autumn/Winter 2015 – #TweetCamTopshop – Ready-to-Wear Takes to the High StreetTopshop Unique, Autumn/Winter 2015 - #livetrendsConclusion5. Manufactured Affect in the Fashion Show Preshow(Re)Mediation as Increased Brand AccessTopshop Unique Autumn/Winter 2015 Live Stream PreshowAffective Labour/Mediation of Affect at the Topshop PreshowTextual Reactions to the Topshop PreshowConclusion6. 'This is the runway': the Camera as Scriptive Thing at New York Fashion WeekThe Camera as Scriptive Thing or Scriptive PropIndoor Audience-Performer RelationsOutdoor Observations at New York Fashion WeekCamera Interactions on the 'Street'Models 'Off Duty' at Fashion WeekStreet Style Photography as Embodied PracticeStreet Style Photography as Cultural PracticeThe Photograph as DanceThe Photograph as Action SequenceConclusion7. the Fashion Show as Mediatized ProliferationFashion Shows as Photographic 'Moments'Versace Spring/Summer 2018 and Spring/Summer 2020 as Late-Postmodern MediatizationThe Fashion Show as Spectacular EntertainmentGivenchy Spring/Summer 2016 Ready-to-Wear in New YorkTommy Hilfiger's 'See Now Buy Now' SpectacularsConclusionConclusion: Fashion's Pandemic-Era PauseReferences.
• Publisher Details: London : Bloomsbury Visual Arts
• Publication Date: 2022
• Extent: 1 online resource, illustrations (black and white, and colour)
• Subjects: 746.92; Fashion -- Social aspects; Social media -- Influence; Fashion design -- Technological innovations; Social media and society
• Languages: English
• ISBNs: 9781350226371; 9781350226364
• Related ISBNs: 9781350226340
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.