Video theories : a transdisciplinary reader /: a transdisciplinary reader. (2022)

• Record Type: Book
• Further Information: Note: Edited by Dieter Daniels and Jan Thoben.
• Editors: Daniels, Dieter; Thoben, Jan
• Contents: 1. Theoretical Foundations/ Media Studies1.1 Media PhilosophyHerbert Marshall McLuhan: t.b.c. (1960-64)Excerpted from:McLuhan, Herbert Marshall. 1964. Understanding Media, New York: McGraw-Hill.-- "Draft for Gutenberg Video", Typescript 1960, National Archives of Canada, previously unpublished.Vilém Flusser: t.b.c. (1977-91)Excerpted from:Flusser, Vilém. 1977. 'Video.' In Art sociologique Vidéo, edited by Fred Forest, 402-419. Paris: Union Généraled'Editions.-- 1985. Ins Universum der Technischen Bilder. Göttingen: Europ. Photography.-- 1991. 'Die Geste des Video.' In Gesten, 193-198. Düsseldorf: Bollmann.Jean-Paul Fargier t.b.c. (1986)Excerpted from:Fargier, Jean-Paul, ed. 1986. Les Cahiers du cinéma, Où va la vidéo?, Hors-série, No. 14.Jacques Lacan: Television (1987)Excerpted from:Lacan, Jacques. 1987. 'Television.', In October, n° 40, Printemps.Jean Baudrillard: t.b.c. (1988)Excerpted from:Baudrillard, Jean. 1988. „Videowelt und fraktales Subjekt (1988).' In Philosophien der neuen Technologie, ed. by Ars Electronica, 113-31. Berlin: Merve.Jacques Derrida: Videor (1990)Excerpted from:Derrida, Jacques. 1990. 'Videor.' In Passages de l'image, edited by Raymond Bellour, Catherine David, Christinevan Assche, 158-161. Paris: Éditions du Centre Pompidou.Paul Virilio: The Vision Machine (1994)Excerpted from:Virilio, Paul. 1994. The Vision Machine, Bloomington, IN: Indiana University Press.Tetsuo Kogawa: Video: The Access Medium (1996)Excerpted from:Kogawa, Tetsuo. 1996. 'Video: The Access Medium' In Resolutions. Contemporary Video Practices, edited byMichael Renov and Erika Suderberg. Minneapolis: University of Minnesota Press.1.2 History and Theory of TechnologyWoody Vasulka: t.b.c. (1975/76, 1990)Excerpted from:Vasulka, Woody with Scott Nygren. 1975. 'Didactic Video: Organizational Models of the Electronic Image.' InAfterimage, vol. 3, no. 4, (October), 9–13.Vasulka, Woody. 2008. 'Five Lectures (1976).' In Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973- 1990, edited by Woody Vasulka and Peter Weibel, 411- 419. Cambridge, Mass.: MIT Press.Vasulka, Woody. 1990. 'The New Epistemic Space.' In: Illuminating Video: An Essential Guide to Video Art, edited by Doug Hall and Sally Jo Fifer, 464–470. New York: Aperture.Siegfried Zielinski: t.b.c. (1986/92)Excerpted and translated from:Zielinski, Siegfried. 1986 (2010). Zur Geschichte des Videorecorders, Berlin: Polzer Media Group.Zielinski, Siegfried, ed. 1992. Video - Apparat/Medium, Kunst, Kultur. Ein internationaler Reader. Frankfurt am Main:Lang.Sean Cubitt: Video Media (1993)Excerpted from:Cubitt, Sean. 1993. Videography: Video Media as Art and Culture, London: Palgrave Macmillan.Introductory Chapter: Video Media (pp.XI, XV-XVIII)Wolfgang Ernst: Is there a specific videocity? (2002)From: Internationales Bochumer Videofestival # 12. 2002. Programmheft, 106-114. Bochum: AstAKulturreferat der Ruhr-Universität Bochum.Sherry Miller Hocking: The Grammar of Electronic Image Processing (2014)From: Sherry Miller Hocking. 2014. 'The Grammar of Electronic Image Processing.' In: The Emergence of Video Processing Tools, edited by Kathryn High, Sherry Miller Hocking, Mona Jimenez, Chicago: Intellect.1.3 Cultural StudiesRoy Armes: On Video (1988)Excerpted from:Armes, Roy. 1988. On Video, New York: Routledge.Frederic Jameson: Surrealism Without the Unconscious (1991)Excerpted from:Jameson, Fredric. 1991. 'Video. Surrealism Without the Unconscious.' In Postmodernism or, The Cultural Logic of Late Capitalism, 67–96. Durham, N.C.: Duke University Press.Marita Sturken: The Politics of Video Memory: Electronic Erasures and Inscriptions (1996)Excerpted from:Sturken, Marita. 1996. 'The Politics of Video Memory: Electronic Erasures and Inscriptions.' In Resolutions.Contemporary video practices, edited by Michael Renov and Erika Suderberg. Minneapolis: University of Minnesota Press.2. Intermediality/Comparative Media Studies:2.1 Video and TVNam June Paik: Global Groove and Video Common Market (1970)From:Nam June Paik. 1997. Videa 'n' Videology 1959–1973, edited by Judson Rosebush. Syracuse, New York: VersonMuseum of Art.Antoni Muntadas: Una subjectividad criteria (1980)Excerpted from:Eugeni Bonet, Joaquim Dols, Antoni Marcader, Antoni Muntadas. 1980. En torno al vídeo, 241-272.Barcelona: Gustavo Gili.Dara Birnbaum: Talking Back to the Media (1985)From:Birnbaum, Dara. 1985. Talking Back to the Media, 46-49. Amsterdam: Stichting.2.2 Video and FilmHollis Frampton: The Withering Away of the State of the Art (1977)Excerpted from:Davis, Douglas, Allison Simmons, Fred Barzyk. 1977. Open Circuits: an international conference on the future of television, 24-37. Cambridge, MA: MIT Press.Jean-Luc Godard: Les années video (1975 à 1980)Translated from:Jean-Luc Godard par Jean-Luc Godard, Édition établi par Alain Bergala. Paris: Cahiers du Cinéma-Éditions de L'Étoile.Gábor Bódy: Video and Film (1987)From:Bódy, Gábor. 1987. Videó alfa. Selyemgombolyító. Budapest.2.3 Video and SoundNam June Paik: AFTERLUDE to the Exposition of EXPERIMENTAL TELEVISION (1964)From:Nam June Paik. 1997. Videa 'n' Videology 1959–1973, edited by Judson Rosebush. Syracuse, New York: VersonMuseum of Art.Bill Viola: The Sound of One Line Scanning (1986/90)Excerpted from:Viola, Bill. 1995. Reasons for Knocking at an Empty House: Writings 1973-1994, edited by Robert Violette.Cambridge, MA: MIT Press.2.4 Music ClipsE. Ann Kaplan: t.b.c. (1987)From:Kaplan, E. Ann. 1987. Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture. New York: Methuen.Diedrich Diederichsen: Kunstvideo versus Videoclip (2004)Excerpted and translated from:Diederichsen, Diedrich. 2004. 'Kunstvideo versus Videoclip: Eine Musik, die ohne Bilder nicht leben kann.' In Video – 25 Jahre Videoästhetik, exh. cat. NRW-Forum Kultur und Wirtschaft, edited by Ulf Poschardt. Düsseldorf:Ostfildern.Carol Vernallis: tbc. (2013)Excerpted from:Vernallis, Carol. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. Oxford: Oxford University Press.3. Broadcast Yourself (Internet Video)ed. by Martha Buskirk (Montserrat College of Art, Cambridge, MA)Cory Arcangel and Dara Birnbaum: Do It 2 (2009)Excerpted from:Arcangel, Cory and Dara Birnbaum. 2009. 'Do It 2.' In Artforum (March).Hito Steyerl: In Defense of the Poor Image (2009)Excerpted from:Steyerl, Hito. 2009. 'In Defense of the Poor Image.' In E-Flux Journal #10 November(www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image/)Sarah Késenne: Regarding the Sex, Lies and Videotapes of Others: Memory, Counter-Memory, and Mystified Relations (2011)Excerpted from:Késenne, Sarah. 2011. 'Regarding the Sex, Lies and Videotapes of Others: Memory, Counter-Memory, and Mystified Relations.' In: Video Vortex Reader II: Moving Images Beyond YouTube, Institute of Network Cultures, edited by Geert Lovink and Rachel Somers Miles. Amsterdam(URL: http://www.networkcultures.org/_uploads/%236reader_VideoVortex2PDF.pdf)Ceci Moss: Internet Explorers (2014)Excerpted from:Moss, Ceci. 2014. 'Internet Explorers.' In Mass Effect: Art and the Internet in the Twenty-First Century, edited by Lauren Cornell and Ed Halter. Cambridge, MA: MIT Press.Peter Snowdon: The Revolution Will be Uploaded: Vernacular Video and the Arab Spring (2014)Excerpted from:Snowdon, Peter. 2014. 'The Revolution Will be Uploaded: Vernacular Video and the Arab Spring.' In: Culture Unbound: Journal of Current Cultural Research, 6(2)Andreas Treske: Shiny things so bright (2017)Excerpted from:Treske, Andreas. 2017. 'Shiny things so bright.' Draft text of a talk at Video Vortex XI Kochi/India (http://networkcultures.org/wp-content/uploads/2017/04/Catalouge-compiled-final-28-03.pdf)Cécile Boëx: YouTube and the Syrian Revolution. On the Impact of Video Recording on Social Protests(2017)Excerpted from:Boëx, Cécile. 2017. 'YouTube and the Syrian Revolution. On the Impact of Video Recording on Social Protests.' In: View. Theories and Practices of Visual Culture 17 (URL: http://pismowidok.org/index.php/one/article/view/444/979/)4. Aesthetic Theory/Art History4.1 Medium-Specificity / Post-MediaRosalind Krauss: t.b.c. (2000/2011)Excerpted from:Krauss, Rosalind. 2000. A Voyage in the North Sea: Art in the Age of the Post-Medium Condition. London: Thames & Hudson Ltd.-- 2011. Under Blue Cup, Cambridge, MA: MIT Press.Yvonne Spielmann: t.b.c. (2005)Excerpted from:Spielmann, Yvonne. 2005 (2007). Video: The Reflexive Medium, trans. Anja Welle and Stan Jones, Cambridge, MA: MIT Press.Ina Blom, Towards an Autobiography of Video (2018)Excerpt from:Blom, Ina. 2016. The Autobiography of Video. The Life and Times of a Memory Technology. New York: Sternberg Press. (Introduction: 11-32)4.2 Typology and Genre Video Installation / Video Sculpture / Video-Performance / VideotapesDavid Antin: Video. The Distinctive Features of the Medium (1975/76)Excerpted from:Antin, David. 1975. Television: Video's Frightful Parent. Artforum, Volume 14-- 1976. 'Video the Distinctive Features of the Medium.' In Video Art, exhibition catalogue, Institute ofContemporary Art, University of Pennsylvania, Philadelphia, pp. 57-73, Reprint in: Schneider / Korot 1976Nam June Paik: t.b.c. (1974-1992)Excerpted (and translated) from:Paik, Nam June. 1974. Videa 'n' Videology 1959–1973-- 1992. Niederschriften eines Kulturnomaden, edited by Edith Decker. Köln: DuMont.Vito Acconci: Television, Furniture, and Sculpture. The Room with the American View (1984)Excerpted from:Acconci, Vito. 1984. 'Television, Furniture, and Sculpture: The Room with the American View.' In: The Luminous Image, 13-23, Amsterdam: Stedelijk Museum.Chris Meigh-Andrews (2006/13)Excerpted from:Meigh-Andrews, Chris. 2013. A History of Video Art. London, New York: Bloomsbury Academic. (A revised andexpanded edition of the 2006 original)Stephen Partridge: t.b.c. (2012)Excerpted from :Cubitt, Sean and Stephen Partridge. 2012. REWIND: British Artists' Video of the 19
• Publisher Details: London : Bloomsbury Academic
• Publication Date: 2022
• Extent: 1 online resource, illustrations (black and white)
• Subjects: 791.4301; Video recordings; Digital video; Video art
• Languages: English
• ISBNs: 9781501354106; 9781501354113
• Related ISBNs: 9781501354090; 9781501354083
• Notes: Note: Includes bibliographical references and index.; Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.