The Routledge handbook on women's work in music. (2021)

• Record Type: Book
• Other Titles: Handbook on women's work in music; Women's work in music
• Further Information: Note: Edited by Rhiannon Mathias.
• Editors: Mathias, Rhiannon, 1968-
• Contents: Editor’s Introduction Part I: Challenging Gender Inequalities Sophie Fuller, Grace, Betty, Maude and Me: 30 Years of Fighting for Women Composers Susan Wollenberg, ‘Where Are We Now?’: Teaching and Studying Women Composers post-Citron Helen Elizabeth Davies, ‘Because I’m a Girl’: Exploring Experiences, Practices and Challenges Relating to Gender and Sexuality for Female Musicians in Popular Music Higher Education Emily Doolittle, Composer, Mother Stephen Wilford, ‘The Algerian woman is very strong’: Music, Identity and Gender in Algerian London Valentine Harding, In Search of the Field: Reflections on an Ethnomusicological Project in India Christina Homer, Women’s Work in Ethnomusicology: Alternative Spaces Part II: (Re)Discoveries Zaina Shihabi, A Brief Historical and Sociological Examination of Twentieth-Century Arab Women Composers and Performers in Egypt Sally Macarthur, The Rise and Rise of Women in Australian Composition Susan Clauson-Elliott, Women Composers and the Proms: The First 100 Years (1895 – 1994) Claudia Chibici-Revneanu, Chasing María Teresa Lara: An Autoethnographic Account of Trying to Recuperate the Story of a ‘Lost’ Woman Composer Joanna Schiller-Rydzewska, The Artistic Path and Achievement of Polish Composer Ewa Synowiec Eva M. Maschke, Composer, Performer, Teacher: Jeanne Barbillion (1895-1992) and the Schola Cantorum de Paris Elisabeth Honn Hoegberg, How Theocritus Sang: Eleanor Everest Freer’s Sonnets from the Portuguese Rhian Davies, A Life in Fragments: Morfydd Owen (1891 – 1918) Part III: Aesthetics and Music Creation Rebecka Sofia Ahvenniemi, Overcoming the ‘Male Gaze’ of Music: Towards Renewed Compositional Strategies Isabel Nogueira, Voices, Sounds and Herstories: Constructing Feminist Research in Experimental Music Angela Elizabeth Slater, Invisible Canons: A Reflective Commentary on the Formation of my Personal Canon of Women Composers Lucy Hollingworth, Storytelling in Autoethnography – The Poetess J. Michele Edwards, Chen Yi: Trauma, Myths, and Representation Laura Dallman, Considering Autonomy and Collaboration in Three Concerti by Jennifer Higdon Ji Yeon Lee, Decoding the Riddle: The Tea-Party Scene in Unsuk Chin’s Alice in Wonderland David Forrest, Kate Bush’s Uncanny Harmonic Language Part IV: Performance and Reception Bella Powell, Notions of Virtuosity, Female Accomplishment, and the Violin as Forbidden Instrument in Early-Mid Nineteenth-Century England Nuppu Koivisto, Visitors from ‘the Merry Town by the Danube’: Viennese Ladies’ Orchestras, Public Image and Variety Shows in Finland from 1870 to 1914 Maren Bagge, Women Song Composers and the London Ballad Concerts Ivette Janet Céspedes Gómez, Sara Gonzáles: A Different Song About Women Grace Takyi Donkor, Changing Roles of Women in the Gospel Music Performance Space in Ghana Maree Sheehan, Māori Women at the Forefront of Aotearoa/New Zealand Music in the Mid 1980s and Early 1990s Li-ming Pan, The Stereotypical Image and Body Representation of Taiwanese Female Musicians Part V: Opportunities and Leadership in the Music Professions Jessica Duchen, Climb Every Mountain Edwina Wolstencroft, Celebrating Women Composers on BBC Radio 3 Miia Laine, Contested Spaces: Gender Dynamics in Independent Radio Stations in London Karlyn King, ‘And her voice is a backwards record’: The Gendering of Phonograph Technology Carolyn Watson, Cracks in the Glass Ceiling: Women Conductors, New Trends, Old Challenges Frances Novillo, Personal Reflections on Professional Experience of Women’s Liturgical Leadership as Musicians in the Roman Catholic Church Gabriela Sanchez Diaz, Re-Mapping and Connecting Bodies of Women Musicians Part VI: New Perspectives on Women’s Work in Music Yuemin He, Materiality, Editorship and Canonisation in Wang Duanshu’s Collection of Elegance (1667) Jennifer Cable, Mary Carlisle Howe (1882 – 1964) and Adella Prentiss Hughes (1869–1950): Creating an Arts Culture in America, One Woman at a Time Elina G. Hamilton, Louise Hanson-Dyer (1884 – 1962): Patroness of Music Publishing Lia Lonnert and Helen Davies Mikkelborg, Lady Llanover and the Swedish Connection: A Welsh Musical Legacy Jessica Beck, The Women Musicians of the British Ethical Movement, 1887 – 1927 Kirstie Alison Muldoon, The Role of Women in Irish Music Institutions in the Early Twentieth Century Helen C. Thomas, The Beedle-Carter Correspondence: An Analysis of the Cultural Work Undertaken by Maureen Beedle to Promote Elliott Carter’s Music in the UK and Europe
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2021
• Extent: 1 online resource, illustrations (black and white)
• Subjects: 780.82; Women in the music trade; Feminism and music; Women musicians; Women composers
• Languages: English
• ISBNs: 9780429575044; 9780429577154; 9780429201080
• Related ISBNs: 9780367192099
• Notes: Note: Includes bibliographical references and index.; Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.