Performing arousal : precarious bodies and frames of representation /: precarious bodies and frames of representation. (2021)

• Record Type: Book
• Further Information: Note: Edited by Julia Listengarten, Yana Meerzon.
• Editors: Listengarten, Julia, 1967-; Meerzon, Yana
• Contents: INTRODUCTION (Julia Listengarten, University of Central Florida, US, and Yana Meerzon, University of Ottawa, Canada)SECTION ONE - PLEASURED BODYChapter 1: Violence, Puppetness and the Female Simulacrum as Mediated Body/Object in the Central European Avant-Garde (Tim Butler Garrett, visiting lecturer Wimbledon College of Art, UK)Chapter 2: Blood and Desire: Collaborating Through Arousal (Alissa Clarke, De Montfort University, UK)Chapter 3: Live Lips vs. Suspended Animation: Interrogating Arousal in the Avant-garde Performance Archive (Lara Cox, American University Paris, France)Chapter 4: "Upside-Down": The Rough Play of Narcissister's Avant-Porn (Rebecca Clark, Dartmouth Society of Fellows, UK)SECTION TWO - POLITICAL BODYChapter 5: Hoch's Weimar and Wilhelm: Em-Bodied Critiques of Ideology in Dadist Photomontage (J. Brandon Pelcher, Visiting Assistant Professor, Johns Hopkins University, US)Chapter 6: The Collisions of Reality Friction: Tactics of Structural Ambiguity in Christoph Schlingensief's Bitte Liebt Osterreich (Tony Perucci, University of North Carolina, US)Chapter 7: Pussy Riot's Guerrillas Performances and Mediatized Images of Violence: Transgressing Bodies, Boundaries and Ethics of Representation (Julia Listengarten, University of Central Florida, US)Chapter 8: Performing Body as a Site for Feminist Theatrical Discourse: Theatre of Anuradha Kapur (Indu Jain)Artistic Intervention One: "Lifeforce" (Naila Keleta-Mae, University of Waterloo, Canada)SECTION THREE - TRANS/BODYChapter 9: Dali's Dream of Venus, Ripley's Odditorium, and Able-bodied Heteronormativity at the 1939 New York World's Fair (Keri Watson, University of Central Florida)Chapter 10: Catherine's Rire de la meduse: Text and Body in Hemingway's Garden of Eden (Catherine Clark, Averett University Virginia, US)Chapter 11: Sacrificed Female Bodies: Necropolitics and its Intrusion in Intimacy as an Accomplishment of Tragedy (Selim Rauer, PhD candidate, University of Minnesota, US)Chapter 12: Both Sides, Now: Arousing Gestures and A Dramaturgy of Beyond End-of-Life (Alvin Eng Hui LIM, National University of Singapore, Singapore)SECTION FOUR - ABJECT BODYChapter 13: The Knee, the Elbow, the Face: On Body as Synecdoche in Vladimir Nabakov's Visual Imagination (Yana Meerzon, University of Ottawa, Canada)Chapter 14: The Thinking Body in Handspring Puppet Company (Dawn Tracey Brandes, Fountain School of Performing Arts at Dalhousie University, Canada)Chapter 15: Transformation and Arousal: The Pleasure of Performative Indeterminacy in Persona Theatre Company's Phaedra I-- (Avra Sidiropoulou, Open University of Cyprus, Cyprus)Chapter 16: Signaling Through the Flames: Media Imagery and the Embodied Empathic Gaze (Dorita Hannah, practitioner/scholar)Artistic Intervention Two: The MIGRANTO Collective: Street Performance Research Project (Artur Matuck, Karina Quintanilha and Daniel Perseguim)BibliographyIndex.
• Publisher Details: London : Bloomsbury Methuen Drama
• Publication Date: 2021
• Extent: 1 online resource, illustrations (black and white)
• Subjects: 709.040755; Performing arts; Performance art; Sexual excitement in art; Arousal (Physiology) in art
• Languages: English
• ISBNs: 9781350155640; 9781350155657
• Related ISBNs: 9781350155633
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.