Performing arts and digital humanities : from traces to data /: from traces to data. (2021)
- Record Type:
- Book
- Title:
- Performing arts and digital humanities : from traces to data /: from traces to data. (2021)
- Main Title:
- Performing arts and digital humanities : from traces to data
- Further Information:
- Note: Clarisse Bardiot.
- Authors:
- Bardiot, Clarisse
- Contents:
- Foreword ix; Bruno BACHIMONT Preface xiii Introduction xxxv Chapter 1. The Digital Trace: From Data to Metatrace 1 1.1. Tracing the ephemeral 2 1.1.1. An impossible history? 3 1.1.2. Relying on traces 4 1.2. The digital trace 8 1.2.1. Digitized traces 9 1.2.2. Born digital traces 10 1.2.3. Heterogeneous, numerous and fragile traces 11 1.3. Transforming traces into data 14 1.3.1. Analog trace and digital trace 14 1.3.2. From trace to data: the datatrace 16 1.3.3. Metatrace 22 1.4. Performing arts data 25 1.4.1. Performing arts data landscapes 25 1.4.2. The Semantic Web paradigm 27 1.4.3. Transforming the living archive into data 33 1.5. Conclusion 38 Chapter 2. Preserving the Impermanent 41 2.1. Note: scoring the representation 42 2.1.1. Notation of the performing arts 43 2.1.2. Scoring 49 2.1.3. From autography to allography: scoring digital works 52 2.1.4. The performing arts, between allography and autography 57 2.2. Diachronic documentation: reconnecting with the process 62 2.2.1. Making digital traces last 63 2.2.2. Taking the creation processes into account 66 2.3. Annotating: redocumentarizing traces 69 2.3.1. Digital as an annotation practice 71 2.3.2. The special case of video recording 73 2.3.3. Intra- and inter-documentary approaches 76 2.3.4. MemoRekall, a video annotation tool for redocumentarizing traces 79 2.4. Denote/connote: artistic intent and datatraces 83 2.4.1. Articulating close and distant reading 83 2.4.2. Rekall 90 2.5. Conclusion 95 Chapter 3.Foreword ix; Bruno BACHIMONT Preface xiii Introduction xxxv Chapter 1. The Digital Trace: From Data to Metatrace 1 1.1. Tracing the ephemeral 2 1.1.1. An impossible history? 3 1.1.2. Relying on traces 4 1.2. The digital trace 8 1.2.1. Digitized traces 9 1.2.2. Born digital traces 10 1.2.3. Heterogeneous, numerous and fragile traces 11 1.3. Transforming traces into data 14 1.3.1. Analog trace and digital trace 14 1.3.2. From trace to data: the datatrace 16 1.3.3. Metatrace 22 1.4. Performing arts data 25 1.4.1. Performing arts data landscapes 25 1.4.2. The Semantic Web paradigm 27 1.4.3. Transforming the living archive into data 33 1.5. Conclusion 38 Chapter 2. Preserving the Impermanent 41 2.1. Note: scoring the representation 42 2.1.1. Notation of the performing arts 43 2.1.2. Scoring 49 2.1.3. From autography to allography: scoring digital works 52 2.1.4. The performing arts, between allography and autography 57 2.2. Diachronic documentation: reconnecting with the process 62 2.2.1. Making digital traces last 63 2.2.2. Taking the creation processes into account 66 2.3. Annotating: redocumentarizing traces 69 2.3.1. Digital as an annotation practice 71 2.3.2. The special case of video recording 73 2.3.3. Intra- and inter-documentary approaches 76 2.3.4. MemoRekall, a video annotation tool for redocumentarizing traces 79 2.4. Denote/connote: artistic intent and datatraces 83 2.4.1. Articulating close and distant reading 83 2.4.2. Rekall 90 2.5. Conclusion 95 Chapter 3. Writing the History of the Performing Arts 97 3.1. Sources and resources 99 3.1.1. Theater studies and digital humanities 100 3.1.2. Scrutinizing 105 3.1.3. Going back to the source 110 3.2. Exposing traces 113 3.2.1. Linking 114 3.2.2. Structuring 119 3.2.3. Reconstructing 124 3.3. Analyzing performing arts data 127 3.3.1. History 129 3.3.2. Literature 135 3.3.3. Shows 141 3.4. Conclusion 147 Conclusion 149 Glossary 153 References 163 Index of Names 179 Index of Terms 183 … (more)
- Edition:
- 1st
- Publisher Details:
- London : Wiley-ISTE
- Publication Date:
- 2021
- Extent:
- 1 online resource
- Subjects:
- 792.09
Theater -- History - Languages:
- English
- ISBNs:
- 9781119855545
- Notes:
- Note: Description based on CIP data; resource not viewed.
- Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.641757
- Ingest File:
- 06_034.xml