Routledge handbook of art, science, and technology studies. (2021)

• Record Type: Book
• Other Titles: Handbook of art, science, and technology studies; Art, science, and technology studies
• Further Information: Note: Edited by Hannah Star Rogers, Megan K. Halpern, Dehlia Hannah, Kathryn de Ridder-Vignone.
• Editors: Rogers, Hannah Star; Halpern, Megan; Hannah, Dehlia; de Ridder-Vignone, Kathryn
• Contents: Foreword by Trevor Pinch Foreword by Caroline A. Jones Introduction: The past, present, and future of Art, Science, and Technology Studies Hannah Star Rogers and Megan K. Halpern Section 1: Constructing borders and borders at the intersections of art and science Hannah Star Rogers 1. What counts as data and for whom? The role of the modest witness in art-science collaboration Silvia Casini 2. What can science and technology studies learn from art and design? Reflections on ‘Synthetic Aesthetics’ Jane Calvert and Pablo Schyfter 3. The skin of a living thought: art, science, and STS in Practice Hanna Rose Shell 4. Aesthetic strategies for engaging with environmental governance Christian Nold and Karolina Sobecka Section 2: Making multidisciplinary histories Hannah Star Rogers 5. The art-science complex Chris Salter 6. Infrastructural inversions in sound art and STS Owen Marshall 7. Emotion, affect and participation: why science communication practitioners should embrace a feminist ethics of care in their work Britt Wray 8. Robert Hooke’s Micrographia : a historical guide to navigating contemporary images Nina Sellars 9. The Xenopu s pregnancy test: a performative experiment Eben K. Irksey, Dehlia Hannah, Charlie Lotterman, Lisa Jean Moore Section 3: Methods and modes Megan K. Halpern 10. Doing research by means of art Regula Valérie Burri 11. More than human trading zones in design research and pedagogy Laura Forlano and Carla Sedini 12. Discovering alternative technological futures through literature Jennifer L. Lieberman 13. Art’s Work in the Age of Biotechnology : how art can make arguments in science and technology studies Hannah Star Rogers 14. Recipes for Technoutopia: on hospitality and infrastructure as experimental performance Stephanie Beth Steinhardt 15. Reflexivity practiced daily: theatricality in the performative doing of STS Yelena Gluzman Section 4: Collaborations and collisions in art-science Megan K. Halpern 16. Trading between science and art worlds: from biology laboratory to art exhibition Nora S. Vaage 17. Art, artists, and the wrong kind of science education Kathryn de Ridder-Vignone 18. Negotiations and love songs: integration, fairness, and balance in an art-science collaboration Megan K. Halpern 19. Transdisciplinary co-inquiry as curatorial methodology: from the Canadian Arctic to the Calder Valley, Yorkshire Nicola Triscott and Anna Santomauro Section 5: Institutions and infrastructures Kathryn de Ridder-Vignone 20. ArtSciLab: experimental publishing and knowledge production in collaborative transdisciplinary practices Alex Garcia Topete, Chaz Lilly, Cassini Nazir and Roger F. Malina 21. Polymathic pedagogies: creating the conditions for interdisciplinary enquiry in art and science Heather Barnett, Nathan Cohen and Adrian Holme 22. The future of arts integrative work: creating new avenues for advancing and expanding the field Edgar Cardenas, Sandra Rodegher, and Kevin Hamilton 23. Feasting the Lab and other projects: art and science that skirts the limits of institutional frameworks Jennifer Willet Section 6: Democracy and activism Hannah Star Rogers 24. We're all living in an Estroworld Mary Maggic 25. Rustbelt Theater and citizen science: children’s environmental justice narratives Lissette Lorenz 26. Artificial intelligence experience: participatory art workshops to explore AI imaginaries Christopher Wood 27. Human germline gene editing is bioart: an open letter to Lulu and Nana Adam Zaretsky Section 7: Art as partner and critic Hannah Star Rogers 28. The power of generative critique in art-energy projects Lea Schick 29. Hemlock Hospice : landscape ecology, art, and design as science communication Aaron M. Ellison and David Buckley Borden 30. Horizons of engagement: infrastructures of art and scholarship Alexandra Lakind, Nicole Bennett and Robert Lundberg 31. Big pigs, small wings: on genohype and artistic autonomy Ionat Zurr and Oron Catts Section 8: Exposure to the elements Dehlia Hannah 32. In the Middle of Something: in Search of Meso-Aesthetics Andrew S. Yang 33. Curating in-between systems: Politics, ecology, and art Stefanie Hessler 34. The future now: three tales of ocean plastic Heather Davis 35. Becoming disaster literate: reflections on X AND BEYOND (2015-2017) Jacob Lillemose 36. An Anthropocene journey: walking as embodied research Nick Shepherd and Christian Ernsten 37. As we used to float: within Bikini Atoll Nadim Samman and Julian Charrière Section 9: Atmospherics Dehlia Hannah 38. Archiving Atmosphere James Graham 39. Becoming tornadic: a meteorology of media Brett Zehner 40. Environ/mental ecologies in new media art Anne Sophie Witzke and Jonas Fritsch 41. Changing imaginaries and new technoecologies of urban air Hanna Husberg and Agáta Marzecová 42. Variations on Air Anne Sophie Witzke and Dehlia Hannah Section 10: The Gallery Hannah Rogers Designer: Molly Renda
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2021
• Extent: 1 online resource, illustrations (black and white)
• Subjects: 701.05; Art and science; Art and technology
• Languages: English
• ISBNs: 9780429792830; 9780429792847; 9780429437069
• Related ISBNs: 9781138347304
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.