Screen Interiors : From Country Houses to Cosmic Heterotopias /: From Country Houses to Cosmic Heterotopias. (2021)
- Record Type:
- Book
- Title:
- Screen Interiors : From Country Houses to Cosmic Heterotopias /: From Country Houses to Cosmic Heterotopias. (2021)
- Main Title:
- Screen Interiors : From Country Houses to Cosmic Heterotopias
- Further Information:
- Note: Pat Kirkham, Sarah A. Lichtman.
- Editors:
- Kirkham, Pat
Lichtman, Sarah A - Contents:
- List of FiguresAcknowledgementsIntroduction, Pat Kirkham (Kingston University, UK) and Sarah A. Lichtman (Parsons School of Design, USA)Section One: House and Home: Space, Comfort, Class, Gender, and Generation1. Comfort and the Domestic Interior in Soviet Fiction Cinema of the 1920s, Eleanor Rees (University of College London, UK)2. Furnishing I Love Lucy (1951-57), Marilyn Cohen (Parsons School of Design, USA)3. From the Country House Film to the House in the Country Film: Space, Class, and Generation, Christine Geraghty (University of Glasgow, UK)4. Space, Interiors, and 1980s Hollywood Teen Films, Patrick O'Neill (Kingston University, UK)Section Two: The Curated Home5. Mobilizing Material Culture: Collecting and Interiority in Luchino Visconti's Conversation Piece (1974), Shax Reigler (Architectural Digest, USA)6. From Sex to Narcissism: Understanding Minimalist Interiors in New York Films of the 1970s, Timothy M. Rohan (University of Massachusetts Amherst, USA)7. 'Home furnishing takes a cue from Paris, too': The Fashion Professional at Work and Home in Postwar Hollywood Films, c. 1957–1961, Rebecca C. Tuite (Bard Graduate Center, USA)Section Three: Framing Interiors and Interiorities: Inside and Out8. Framing Interiorities: Interiors, Objects, and Hidden Desires in Billy Wilder's The Apartment (1960), Imma Forino (Politecnico di Milano, Italy)9. Frames, Veils, and Windows: Modern Cinematic Set Design in Early Russian Films by Evgenii Bauer, Maria Korolkova (UniversityList of FiguresAcknowledgementsIntroduction, Pat Kirkham (Kingston University, UK) and Sarah A. Lichtman (Parsons School of Design, USA)Section One: House and Home: Space, Comfort, Class, Gender, and Generation1. Comfort and the Domestic Interior in Soviet Fiction Cinema of the 1920s, Eleanor Rees (University of College London, UK)2. Furnishing I Love Lucy (1951-57), Marilyn Cohen (Parsons School of Design, USA)3. From the Country House Film to the House in the Country Film: Space, Class, and Generation, Christine Geraghty (University of Glasgow, UK)4. Space, Interiors, and 1980s Hollywood Teen Films, Patrick O'Neill (Kingston University, UK)Section Two: The Curated Home5. Mobilizing Material Culture: Collecting and Interiority in Luchino Visconti's Conversation Piece (1974), Shax Reigler (Architectural Digest, USA)6. From Sex to Narcissism: Understanding Minimalist Interiors in New York Films of the 1970s, Timothy M. Rohan (University of Massachusetts Amherst, USA)7. 'Home furnishing takes a cue from Paris, too': The Fashion Professional at Work and Home in Postwar Hollywood Films, c. 1957–1961, Rebecca C. Tuite (Bard Graduate Center, USA)Section Three: Framing Interiors and Interiorities: Inside and Out8. Framing Interiorities: Interiors, Objects, and Hidden Desires in Billy Wilder's The Apartment (1960), Imma Forino (Politecnico di Milano, Italy)9. Frames, Veils, and Windows: Modern Cinematic Set Design in Early Russian Films by Evgenii Bauer, Maria Korolkova (University of Greenwich, UK)Section Four: Screening Queerness: Class, Gender, Sexual Orientation, Ambiguity, Authorit, and Power10. Interiors, Class, Perversity, and Ambiguity in The Servant (1963), Barry Curtis (Royal College of Art, UK)11. In Plain View: London Commercial Interiors as Queer spaces in Three 1960s British Films: Victim (1961), The Leather Boys (1964), and The Killing of Sister George (1968), Andrew Stephenson (University of East London, UK)12. Queer Interiors: Derek Jarman's Caravaggio (1986) and Edward II (1992), Adam Vaughan (University of Southampton, UK)Section Five: Horror and Homicide13. The Horror of the Homicidal Floor: Destabilized Elements of Interior Architecture, Alexandra Brown (Monash University, Australia) and Kirsty Volz (Queensland University of Technology, Australia)14. Designed to Destroy: Action Film Interiors and the Construction of Killscapes, Lennart Soberon (Ghent University, Belgium)Section Six: Living in Outer Space: Sci-Fi Interiors15. Visions of Home: Nostalgia and Mobility, Past, Present, and Future, in Serenity's Domestic Spaceship Interior, Sorcha O'Brien (Kingston University, UK)16. Cosmic Heterotopia: Banality and Disjunction in the Interiors of Passengers (2016), Ersi Ioannidou (Kingston University, UK) Author BiographiesIndex. … (more)
- Publisher Details:
- London : Bloomsbury Visual Arts
- Publication Date:
- 2021
- Extent:
- 1 online resource (368 pages)
- Subjects:
- Interior design, decor & style guides
Film theory & criticism
Film production: technical & background skills
Design -- Essays
Design -- History & Criticism
Architecture -- Interior Design -- General
History of art & design styles: from c 1900 - Languages:
- English
- ISBNs:
- 9781350150591
1350150592 - Related ISBNs:
- 9781350150584
- Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.599436
- Ingest File:
- 04_073.xml