Hysterical methodologies in the arts : rising in revolt /: rising in revolt. (2021)

• Record Type: Book
• Further Information: Note: Edited by Johanna Braun.
• Editors: Braun, Johanna
• Contents: Introduction: Searching for Methods in this Madness L'arc de cercle, or the Movement of Modernism (1620–2020) Hysterias in Pictures From 'Private Theatres Onstage' to Anti-Hysterical Performances: Reclaiming the Feminist Interest in Hysterical Performances Since the 1990s State of Anxiety: Hysterical Studies for Reproduction Struggles Hysteria: Turning a Diagnosis into a Call To Arc, and Other Studies on Hysterical Gesturing The Other Self of the Imagination: Cindy Sherman's Hysterical Performance Hysterical Representation in the Art of Mary Sibande A Storm in a Teacup, and Other Minor Melodramas: Narratives of Containment and Excess in Cultured Colonies/Colonial Cultures Making Ghosts Heard Hysterical Aesthetics in Contemporary Performance: Theater, Dance, Voice H. Y. S. T. et al., on Archiving Hysteria's Past in the Present Male Hysteria and the Archive: An Auto-Ethnographic Reflection Notes on Hysteria in and as Arts-Based Research: a Case Study Dora with Medusa: Is Hysterical Writing a Subversive Revolution? Lecture Performance: On Truth and its Relation to the Cellar Regions of the Body Via Telefaune, a Phone Call with Hélène Cixous.
• Publisher Details: Basingstoke : Palgrave Macmillan
• Publication Date: 2021
• Extent: 1 online resource, illustrations (black and white, and colour)
• Subjects: 700.4561; Hysteria in art
• Languages: English
• ISBNs: 9783030663605
• Related ISBNs: 9783030663599
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.