The Routledge companion to aural skills pedagogy : before, in, and beyond higher education /: before, in, and beyond higher education. (2021)
- Record Type:
- Book
- Title:
- The Routledge companion to aural skills pedagogy : before, in, and beyond higher education /: before, in, and beyond higher education. (2021)
- Main Title:
- The Routledge companion to aural skills pedagogy : before, in, and beyond higher education
- Other Titles:
- Companion to aural skills pedagogy
Aural skills pedagogy - Further Information:
- Note: Edited by Kent D. Cleland, Paul Fleet.
- Editors:
- Cleland, Kent D
Fleet, Paul - Contents:
- 1 The Terrain of Ear-Training across the Globe Paul Fleet (Newcastle University, UK) 2 Aural Training Within an Integrated Approach to Musicianship Training. Simon Parkin (Royal Northern College of Music, UK) 3 The Seeing Ear: Towards a Rationale for Dictation. Gary Karpinski (UMass-Amherst, USA) 4 Attentional Control: A Perceptual Fundamental. Tim Chenette (Utah State University, USA) 5 Developing an analytical ear through listening-led musical analysis. Martin Scheuregger (Univ. of Lincoln, UK) Development of Reading Skills: 6 Integration in the Aural Skills classroom. Jeffrey Lovell (Lebanon Valley College, USA) 7 The Sing-and-Play. Samantha Inman (Stephen F. Austin State Univ., USA) 8 Singing with Meaning: A Case Study in Aural-Skills-Training Curriculum Design aimed at Improving Undergraduate-Performer Understanding of Pitch Function in Tonal Music. Christopher Atkinson (Royal Academy of Music, UK) 9 Keyboard: A Constant Companion. Peter Schubert & Justin Mariner (McGill University, Canada) 10 Pitch matching issues in the aural skills classroom. Jennifer Beavers and Susan Olson (Univ. of Texas at San Antonio, USA) 11 Teaching Aural Awareness in Hong Kong Primary Schools: Use of Drama Warm-up exercises. Chi Ying Lam (Royal College of Music Hong Kong) 12 A Good Pair of Ears: Conceiving of and developing aural skills in popular music education. Bryden Stillie and Zack Moir (Edinburgh Napier Univ., UK) 13 The tortoise and the magic tree: strategies to develop1 The Terrain of Ear-Training across the Globe Paul Fleet (Newcastle University, UK) 2 Aural Training Within an Integrated Approach to Musicianship Training. Simon Parkin (Royal Northern College of Music, UK) 3 The Seeing Ear: Towards a Rationale for Dictation. Gary Karpinski (UMass-Amherst, USA) 4 Attentional Control: A Perceptual Fundamental. Tim Chenette (Utah State University, USA) 5 Developing an analytical ear through listening-led musical analysis. Martin Scheuregger (Univ. of Lincoln, UK) Development of Reading Skills: 6 Integration in the Aural Skills classroom. Jeffrey Lovell (Lebanon Valley College, USA) 7 The Sing-and-Play. Samantha Inman (Stephen F. Austin State Univ., USA) 8 Singing with Meaning: A Case Study in Aural-Skills-Training Curriculum Design aimed at Improving Undergraduate-Performer Understanding of Pitch Function in Tonal Music. Christopher Atkinson (Royal Academy of Music, UK) 9 Keyboard: A Constant Companion. Peter Schubert & Justin Mariner (McGill University, Canada) 10 Pitch matching issues in the aural skills classroom. Jennifer Beavers and Susan Olson (Univ. of Texas at San Antonio, USA) 11 Teaching Aural Awareness in Hong Kong Primary Schools: Use of Drama Warm-up exercises. Chi Ying Lam (Royal College of Music Hong Kong) 12 A Good Pair of Ears: Conceiving of and developing aural skills in popular music education. Bryden Stillie and Zack Moir (Edinburgh Napier Univ., UK) 13 The tortoise and the magic tree: strategies to develop comprehensive and holistic music analytical listening skills through the use of "ghost texts." Anri Herbst (University of Cape Town, South Africa) 14 Keeping it "real": A new aural methodology for the 21st century conservatoire. Miranda Francis (Royal College of Music, UK) 15 Aural competencies: the electrician’s screwdriver. Christopher Price (Canterbury Christ Church Cathedral, UK) 16 Aural Skills and the University Music Undergraduate. Colin Wright (Hull University, UK) 17 The Kodály Philosophy: Contemporary Interpretations and Practice. James Cuskelley (University of Queensland, Australia) 18 Understanding and incorporating Kodaly. Robin Harrison (Independent Professional, UK) 19 The Solfege of Émile Jaques-Dalcroze. John Robert Stevenson (Institute for Jacques-Dalcroze Education, USA) 20 Harmonic Schemas in Aural Skills Classes. Crystal Peebles (Ithaca College, USA) 21 Bending to Real Music: Harmonic Hearing in the Aural Skills Classroom. Daniel Stevens, Philip Duker, and Jennifer Shafer, (Univ. of Delaware, USA) 22 Musical Analysis and the (Re)construction of a Habitus of Listening. Jorge Costa, (Univ. of Porto, Portugal) 23 Do- and La- Based Minor Solfège: Towards Conceptual and Interdisciplinary Reconciliation. Nathan Lam (Massachusetts Institute of Technology, USA) 24 Starting points for teaching improvisation. Jena Root (Youngstown State Univ., USA) 25 Understanding Melodic Dictation via Experimental Methods. David Baker (Louisiana State University, USA) 26 Toward a New Pedagogy for Teaching the Reading of Atonal Melodies. Kent Cleland (Baldwin Wallace Univ., USA) 27 Your Teacher Cares if You Listen! Teaching students to hear twelve-tone compositions without the score. Jenine Brown (The Peabody Conservatory of the Johns Hopkins University, USA) 28 Technology Inside, Outside, and as the Aural Skills Classroom. Trevor deClercq, (Middle Tennessee State Univ.) and Nathan Fleshner, Univ. of Tennessee, USA) 29 Audit: the development of a web-based practice tool for individual note recognition in consonant and dissonant piano chords. Jonathan Pitkin (Royal College of Music, UK) 30 Clausula vera Paul Fleet (Newcastle University, UK) and Kent Cleland (Baldwin Wallace Univ., USA) … (more)
- Edition:
- 1st
- Publisher Details:
- London : Routledge
- Publication Date:
- 2021
- Extent:
- 1 online resource, illustrations (black and white)
- Subjects:
- 781.17
Music appreciation
Listening - Languages:
- English
- ISBNs:
- 9781000357493
9781000357455
9780429276392 - Related ISBNs:
- 9780367226893
- Notes:
- Note: Description based on CIP data; resource not viewed.
- Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.601665
- Ingest File:
- 04_077.xml