Deleuze and horror film. (2005)
- Record Type:
- Book
- Title:
- Deleuze and horror film. (2005)
- Main Title:
- Deleuze and horror film
- Further Information:
- Note: Anna Powell.
- Authors:
- Powell, Anna
- Contents:
- A Deleuzian slant on horror -- Structure and rationale -- Psychoanalysis and horror -- Schizoanalysis : pure naked intensity -- Schizoanalysis, art, horror -- Psycho as schizo -- The mise-en-scène of madeness : The cabinet of Dr. Caligari -- "Man is not truly one, but truly two" : the schizoid screen in Dr. Jekyll and Mr. Hyde -- "Schizoid misery and glory" : feeling repulsion -- The brain as mise-en-scène : The shining -- Place, time, and motion -- The schizoid maching : imaginary friends -- "Trapped in a world of ghosts" : intensive states in Natural born killers -- Natural born predators -- Becoming-schizo -- Back-projections and other anomalies -- Body-horror, masochism, and film studies -- Becoming anomalous -- Becoming-indeterminate : Cat people -- Becoming-woman -- Sharing species : Alien resurrection -- Ripley and her relatives -- The bodies-without-organs of horror -- Uncontrollable flesh : Videodrome -- Frank pulls himself together : Hellraiser -- Becoming-invisible : The hollow man -- Machinic desire : becoming-human in Demon seed -- Heavy metal meets the soft machine : Hardware -- Freddy Krueger : shape-shifter extraordinaire -- Sensation and perception : the aesthetics of affect -- Bergson's movement-image in Deleuze -- Moving images -- The infinate spirit of evil : the forces of light and darkness in Nosferatu -- Into the black hole -- Forces in combat -- In a glass darkly : lyrical abstraction and molecularity in Vampyr -- Sensory anomalies and intensive spaceA Deleuzian slant on horror -- Structure and rationale -- Psychoanalysis and horror -- Schizoanalysis : pure naked intensity -- Schizoanalysis, art, horror -- Psycho as schizo -- The mise-en-scène of madeness : The cabinet of Dr. Caligari -- "Man is not truly one, but truly two" : the schizoid screen in Dr. Jekyll and Mr. Hyde -- "Schizoid misery and glory" : feeling repulsion -- The brain as mise-en-scène : The shining -- Place, time, and motion -- The schizoid maching : imaginary friends -- "Trapped in a world of ghosts" : intensive states in Natural born killers -- Natural born predators -- Becoming-schizo -- Back-projections and other anomalies -- Body-horror, masochism, and film studies -- Becoming anomalous -- Becoming-indeterminate : Cat people -- Becoming-woman -- Sharing species : Alien resurrection -- Ripley and her relatives -- The bodies-without-organs of horror -- Uncontrollable flesh : Videodrome -- Frank pulls himself together : Hellraiser -- Becoming-invisible : The hollow man -- Machinic desire : becoming-human in Demon seed -- Heavy metal meets the soft machine : Hardware -- Freddy Krueger : shape-shifter extraordinaire -- Sensation and perception : the aesthetics of affect -- Bergson's movement-image in Deleuze -- Moving images -- The infinate spirit of evil : the forces of light and darkness in Nosferatu -- Into the black hole -- Forces in combat -- In a glass darkly : lyrical abstraction and molecularity in Vampyr -- Sensory anomalies and intensive space -- Sensational colour : spectral horror -- Death by colour : The masque of the red death -- Dressed to express : colour and costume in The vampire lovers -- Tactisigns of terror : Suspiria -- The face of horror : the intensive affection-image in Les yeux sans visage -- Bergson's time : movement and duration -- Deleuze's time-image -- Time and motion -- Duration and entrapment in the Gothic haunted house : The haunting -- Haunted cinematography and mise-en-scène -- Death by flashback : Jacob's ladder -- Incompossible worlds -- "They're coming out of the walls" -- Back from the black hole : Event horizon -- Inner space in outer space : travels in duration -- "It's alive" : the Event horizon as demonic machine -- Dreaming duration in Mulholland Drive -- Betty's "dream place" -- Diane in duration -- Space-time and dream duration -- Living horror : thoughts on our nerve-endings. … (more)
- Publisher Details:
- Edinburgh : Edinburgh University Press
- Publication Date:
- 2005
- Extent:
- 1 online resource (vii, 232 pages)
- Subjects:
- 791.436164
Horror films -- History and criticism
PERFORMING ARTS -- Film & Video -- General
Horror films
Horrorfilm
Griezelfilms
Electronic books
Horror films
Criticism, interpretation, etc
Horror films
Horror films
Criticism and interpretation - Languages:
- English
- ISBNs:
- 9780748628780
0748628789
0748651063
9780748651061
9781280154256
9781474471732
1474471730 - Related ISBNs:
- 128015425X
0748617477
9780748617470
0748617485
9780748617487 - Notes:
- Note: Includes filmography: pages 223-224.
Note: Includes bibliographical references (pages 216-222) and index.
Note: Print version record. - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.590994
- Ingest File:
- 04_057.xml