Moroccan Cinema Uncut : Decentred Voices, Transnational Perspectives /: Decentred Voices, Transnational Perspectives. (2020)

• Record Type: Book
• Further Information: Note: Will Higbee, Flo Martin, Jamal Bahmad.
• Authors: Higbee, Will; Martin, Flo; Bahmad, Jamal
• Contents: Table of Contents; Acknowledgements; Introduction: Moroccan Cinema: A Story of Transnational Adaptation; Part I: Production From Above: Formal Networks; Chapter 1: Established Sites of Production At Home; Chapter 2: Transnational Crossings; Part II: Production From Below: Emerging Sites; Chapter 3: Alternative and Emerging Networks; Chapter 4: Diverse Voices; Part III: Distribution Networks: Festivals Audiences and Markets; Chapter 5: Distribution and Exhibition Networks In Morocco; Chapter 6: The Transnational Moroccan Festival Network; Chapter 7: Sales, Distribution and Digital Disruption – the Unrealised Transnational Reach of Moroccan Cinema?; Conclusion: Transnational Moroccan Cinema: Of Bumblebees And Butterflies; References; Bibliography; Filmography. Table of Contents Acknowledgements Introduction Moroccan Cinema: A Story of Transnational Adaptation Part I - Production From Above: Formal Networks Chapter 1: Established Sites of Production At Home 1.1: Rabat and The CCM: The Institutional Centre 1.2: Ouarzazate: The Cinematic City 1.3: Tangier: The Artisanal Hub 1.4: Casablanca: The Industrial and Media Hub Chapter 2: Transnational Crossings 2.1: The Politics of International Co-Production 2.2: The Rooted Transnationalism of Diasporic Filmmakers 2.3: Non-Western Production Networks 2.4: Co-Production Networks Between North Africa and Sub-Saharan Africa Part II - Production From Below: Emerging Sites Chapter 3: Alternative and Emerging Networks 3.1: Film Schools, Education and Training 3.2: Alternative Training Networks: Sahara Lab 3.3: Playing Around the System: Hicham Laari 3.4: Guerilla Filmmaking and Political Activism: Nadir Bouhmouch Chapter 4: Diverse Voices 4.1: Amazigh Cinema: The Global Flow of Local Images 4.2: Transnational Contestations: Tala Hadid and Jawad Rhalib 4.3: Women's Cinema, Take One: Negotiating With the Establishment 4.4: Women's Cinema, Take Two: Circumventing the Establishment Part III - Distribution Networks: Festivals Audiences and Markets Chapter 5: Distribution and Exhibition Networks In Morocco 5.1: Festivals in the Kingdom 5.2: Piracy and the Crisis of Moroccan Distribution 5.3: Exhibition - The Trouble with Movie Theatres 5.4: Pan-Arab Transnational Exhibition: The Cinémathèque de Tanger Chapter 6: The Transnational Moroccan Festival Network 6.1: The Transnational Festival Network 6.2: Europe: A-List Festivals, Markets and Film Funds 6.3: International Festivals Beyond Europe: the Gulf and Africa 6.4: Niche Festivals in Europe and Northern America Chapter 7: Sales, Distribution and Digital Disruption – the Unrealised Transnational Reach of Moroccan Cinema? 7.1: Sales and Distribution Outside of Morocco 7.2: Selling Moroccan Cinema to a European Audience: Much Loved 7.3 Brave New World Or The Same Old Problems? Moroccan Cinema, Online Distribution and Digital Disruption Conclusion Transnational Moroccan Cinema: Of Bumblebees And Butterflies References Bibliography Filmography.
• Publisher Details: United Kingdom : Edinburgh University Press
• Publication Date: 2020
• Copyright Date: 2020
• Extent: 1 online resource (288 pages)
• Languages: English
• ISBNs: 9781474477963
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.