Pioneers of the global art market : Paris-based dealer networks, 1850-1950 /: Paris-based dealer networks, 1850-1950. (2020)

• Record Type: Book
• Further Information: Note: Edited by Christel H. Force.
• Editors: Hollevoet, Christel
• Contents: List of Plates List of Figures Series Editor's Introduction Acknowledgements -- 1. Introduction: Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850-1950, Christel H. Force (The Metropolitan Museum of Art, USA) -- 2. Parisian Dealers and the American Market, 1860-1920, Paolo Serafini ( Sapienza Universita di Roma, Italy), translated by Angelica Modabber -- 3. Old and New Worlds: Durand-Ruel and the International Market for Impressionism, Jennifer A. Thompson (Philadelphia Museum of Art, USA) -- 4. Moving Mountains: Paris-Based Dealers and the Economics of Translocation, David M. Challis (Melbourne University, Australia) -- 5. Daniel-Henry Kahnweiler's International Partnerships, 1907-1937, Vřane Tasseau (Independent Scholar, France), translated by Celia Abele 6. Promoting Modernism in the 1920s: The Art Journals of Paul Guillaume, Lǒnce Rosenberg, and Alfred Flechtheim, Ambre Gauthier (Marc Chagall Foundation, Paris, France) -- 7. Paul Guillaume, Marius de Zayas and African Arts: A Transatlantic Partnership, 1914-1923, Yal︠le Biro (The Metropolitan Museum of Art, USA) -- 8. The Thannhauser Galleries: Forming International Alliances in an Era of Change, Valerie Nikola Ender (University of Cologne, Germany) -- 9. "A Viking sailing over the savage sea, far, far to the north": Walther Halvorsen, Christel H. Force (The Metropolitan Museum of Art, USA) -- 10. When French Dealers "Turned their Eyes Towards Scandinavia": The Svensk-Franska Konstgalleriet in Stockholm, Christina Brandberg (University of Loughborough, UK) -- 11. The Galerie Paul Rosenberg and the American Market in the Interwar Era, MaryKate Cleary (New York University, USA) -- 12. International Dealer Networks and the Market for Impressionism in London and Glasgow: Etienne Bignou, A.J. McNeill Reid, and Ernest Lefv̈re, Frances Fowle (University of Edinburgh, UK) -- 13. Etienne Bignou: The Gallery as Antechamber of the Museum, Christel H. Force (The Metropolitan Museum of Art, USA) -- 14. Capricious Cohorts: Ren ̌Gimpel's Associates, Rivals, and Patrons Diana J. Kostyrko (Australian National University, Australia) -- 15. Valentine Dudensing and the Valentine Gallery: Selling the US on the School of Paris, Julia May Boddewyn (Independent Scholar, USA) -- 16. Conclusion, Veronique Chagnon-Burke (Christie's Education, New York, USA).
• Publisher Details: London New York : Bloomsbury Visual Arts
• Publication Date: 2020
• Copyright Date: 2020
• Extent: 1 online resource (xvii, 294 pages), illustrations (some color)
• Subjects: 709.2; Art dealers -- France -- Paris -- History -- 19th century; Art dealers -- France -- Paris -- History -- 20th century; Art and globalization -- History -- 19th century; Art and globalization -- History -- 20th century; Antiques & collectables; Antiques & Collectibles -- Art; Art -- Collections, Catalogs, Exhibitions -- General; Art -- Museum Studies; Art and globalization; Art dealers; France -- Paris; Electronic books; Electronic books; History
• Languages: English
• ISBNs: 9781501342776; 1501342770; 1501342789; 9781501342783
• Related ISBNs: 9781501342769
• Notes: Note: Includes bibliographical references and index.; Note: Description based on online resource; title from digital title page (viewed on February 04, 2021).
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.