The Routledge companion to applied performance. Mainland Europe, North and Latin America, Southern Africa, and Australia and New Zealand / Volume 1, (2020)

• Record Type: Book
• Other Titles: Companion to applied performance; Applied performance
• Further Information: Note: Edited by Tim Prentki, Ananda Breed.
• Editors: Prentki, Tim; Breed, Ananda
• Contents: Introduction to Volume One Part I: Australia and New Zealand Introduction to Part I: ‘Considering the ethics of representation in applied theatre’. Helen Cahill & Peter O’Connor Chapter 1: ‘Identifying and understanding the notion of quality within an applied theatre project designed to playfully engage people living with dementia’. Julie Dunn & Michael Balfour Chapter 2: ‘Repairing the evil: Staging Puppet Antigone (2017) at Auckland Prison’. Rand Hazou Chapter 3: ‘Taurima Vibes: Economies of manaakitanga and care in Aotearoa New Zealand’. Molly Mullen & Bō rni Te Rongopai Tukiwaho Chapter 4: ‘Small acts at the margins: Making theatre work at cross-cultural intersections’. Linden Wilkinson Chapter 5: ‘The art of listening in prison: Creating audio drama with incarcerated women’. Sarah Woodland Part II: The Balkans Introduction to Part II and III: ‘Memory, identity, and the (ab)use of representation’. Kirsten Sadeghi-Yekta & Darko Lukić Chapter 6: ‘Performing otherness: the representation of invisible communities in post-conflict and post-communist societies: Croatian example’. Darko Lukić Chapter 7: ‘The bridge to hope: Applied theatre in post-war Bosnia and Herzegovina’. Sead Đulić Chapter 8: ‘Theatre against violence, action in classrooms’. Ines Škuflić Horvat, Maja Sviben, & Nina Horvat Chapter 9: Interview with Vladimir Krušić: Theatre and drama in education. Darko Lukić Chapter 10: ‘In search of polyphonic concepts of participatory theatre and art for social change: Almost half a century of engagement’. Ljubica Beljanski-Ristić Chapter 11: ‘Giving voice to the voiceless: Raising awareness and spurring debate on the Homeland War (1991–1995) in Croatian theatre’. Nikolina Židek Part III: North America Chapter 12: ‘Examining the ethics of research-based theatre through Contact! Unload ’. George Belliveau, Susan Cox, Jennica Nichols, Graham W. Lea & Christopher Cook Chapter 13: ‘We are here: Glyphing a re-creation story through waterways, bloodlines constellations’. Jill Carter Chapter 14: Applied performance practices of therapeutic clowns: A curated conversation with Helen Donnelly. Julia Gray, Jenny Setchell, & Helen Donnelly Chapter 15: ‘Playback Theater conductor as ritual guide: The artful and sensitive job of extracting personal stories’. Hannah Fox Chapter 16: ‘Theatre to address social justice issues with gatekeepers in Canada’. Lauren Jerke & Warwick Dobson Chapter 17: ‘Tensions of engagement: Oscillating between distance and implication’. Yasmine Kandil Chapter 18: ‘Questioning social justice: A dialogue on performance, activism and being in-between’. Asif Majid & Elena Velasco Chapter 19: ‘Timely homecomings’. Carrie MacLeod Chapter 20: ‘The arrivals legacy process: Reviving Ancestral stories of recovery and return’. Diane Roberts Chapter 21: ‘Applying Hamilton ’ Hana Worthen Part IV: Latin America Introduction to Part IV: Applied performance in Latin America. Paloma Carpio & Rodrigo Benza Chapter 22: ‘The body, women, and performance art in Latin America’. Josefina Alcázar Chapter 23: ‘Dance as a tool for the construction of peace and identity’. Ana Carolina Ávila Chapter 24: ‘We play as we mean to resist: Theatre games as political participation’. Matthew Elliott Chapter 25: ‘Communal living culture: From the many to the few, from the few to the many’. Iván Nogales & Paloma Carpio Chapter 26: ‘Latent conflict orlLatency in conflict: The liminal space between art actions and the Chilean civic-military dictatorship’. Andrés Grumann Sölter & Francisco Gonzáles Castro Chapter 27: ‘The community and its gaze: Argentine community theater’. Edith Scher Chapter 28: ‘Three community experiences and a resignation’ Rafael Murillo Selva Part V: Southern Africa Introduction to Part V: Applied performance in Southern Africa Alexandra Sutherland Chapter 29: ‘Romio ndi Julieti (Romeo and Juliet ): Chichewa language production of a serious drama’. Amy Bonsall Chapter 30: ‘Rituals (2010) as a counter narrative of healing and reconciliation in Zimbabwe’. Kelvin Chikonzo & Ruth Makumbirofa Chapter 31: ‘Dear Mr Government’. Jessica Lejowa, Bongile Lecoge-Zulu and Cherae Halley Chapter 32: ‘Applied performance as a space to address issues affecting girls and young women in Zimbabwe: A case study of Rachel 19 ’. Cletus Moyo & Nkululeko Sibanda Chapter 33: ‘Applied arts in business contexts: Selling out to the oppressor or doing transformational work?’ Petro Janse van Vuuren Part VI: Western Europe Introduction to Part VI: ‘Care for the Open: intercultural challenges and transcultural potential of applied performances in Western Europe’. Julius Heinicke Chapter 34: ‘Realistic art and the creation of artistic truth’. Rolf Bossart Chapter 35: ‘Artistic creation and participation in Portugal and Brazil: The urgencies of today’. Hugo Cruz Chapter 36: ‘Core of Nordic applied theatre: Challenges in a subarctic area’. Riike Gürgens Gjaerum Chapter 37: ‘Youth transformation in search of freedom’. Maria Kwiatek Chapter 38: ‘Legami in spazi aperti (Bonds in Open Spaces)’. Giulia Innocenti Malini Chapter 39: ‘Exploring dramaturgy in participatory refugee theatre as a dialogical art practice: Dialogical tensions in a temporary relational playground’. Sofie de Smet, Lucia De Haene, Cécile Rousseau, & Christel Stalpaert Chapter 40: ‘The right artistic solution is just the beginning’. Lene Thiesen Index
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2020
• Extent: 1 online resource, illustrations (black and white)
• Subjects: 792; Theater and society
• Languages: English
• ISBNs: 9781351120128
• Related ISBNs: 9781351120135; 9781351120142
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.