The Routledge companion to applied performance. Brazil, West Africa, South and South East Asia, United Kingdom and Ireland, and the Arab world / Volume 2, (2020)

• Record Type: Book
• Other Titles: Companion to applied performance; Applied performance
• Further Information: Note: Edited by Tim Prentki, Ananda Breed.
• Editors: Prentki, Tim; Breed, Ananda
• Contents: Introduction to volume two PART I Brazil Introduction to Brazil and West Africa Marina Henriques and Taiwo Afolabi Chapter 1 Pombas Urbanas: Sowing wings in a banished city Adailtom Alves Teixeira and Alexandre Falcão de Araújo Chapter 2 Interview with the Canto da Lagoa Community Theatre Group Marcia Pompeo Nogueira Chapter 3 Theatre crossed by the territory in the work of Grupo Código Jorge Braga Jr. Chapter 4 On fantastical journeys, who would save the adolescents from Maré? Marina Henriques Chapter 5 Every patrol car has a little of the slave ship: The emergency of the listening place Altemar Di Monteiro Chapter 6 The memory of the Contestado War in the musical theatre of youth from rural settlements in the south of Brazil Elaine Cristina da Silva and Tereza Mara Franzoni Chapter 7 Paraíso do Tuiuti: “I am not a slave of no master”: The carnival of 2018 stars in the political debate about the 2016 coup in Brazil Fátima Costa de Lima Chapter 8 The power of subtle learning: Directions and achievements of the Heliópolis Theatre Company Maria Fernanda Vomero PART II West Africa Chapter 9 Functional arts: Theatre praxis in Burkina Faso Taiwo Afolabi Chapter 10 Conversation: A folktale-based community play as a model for stimulating community development Isi Agboaye Chapter 11 Geographies of conflict: Resolving farmer-herdsmen conflict through street theatre Alex C. Asigbo and Tochukwu J. Okeke Chapter 12 Politics of/and performance spaces in the Theatre of Social Action: Two decades of Segun Adefila’s Crown Troupe of Africa Tunji Azeez Chapter 13 Applied performances in Burkina Faso: Methodological and topographical overview and challenges Annette Bühler-Dietrich Chapter 14 The Anglophone problem in Cameroon: Participatory theatre and video construal Tume Fondzeyuf K. PART III South Asia Introduction to Part III: Framing the South Asian Discourse Syed Jamil Ahmed Chapter 15 Queer performativities in contemporary Pakistan: A genealogical approach Fawzia Afzal-Khan Chapter 16 Of stones, songs, and freedom: Languages of resistance in Kashmir Tanveer Ajsi Chapter 17 Curfews of thought Ruwanthie de Chickera Chapter 18 Towards a pedagogic analysis of dance and movement therapy Urmimala Sarkar Munsi Chapter 19 Street theatre in Afghanistan: A roundtable Sadeq Naseri (chair) Chapter 20 A conversation: The Third Tune (Teesri Dhun ) Claire Pamment, Iram Sana, Naghma Gogi, Neeli Rana, Jannat Ali, Anaya Sheikh, Lucky Khan, and Sunniya Abbasi Chapter 21 Shat Bhai Chompa: A sociodrama in an urban slum of Dhaka City Ashfique Rizwan, Rukhshan Fahmi, Tanzir Ahmed Tushar, Abdul Jabbar, Arifur Rahman Apu, A. S. M. Easir Arafat, Atonu Rabbani, and Malabika Sarker Chapter 22 Storytelling through Playback Theatre: Building a collective consciousness to promote social cohesion in Nepal Nar Bahadur Saud Chapter 23 Transforming trauma in post-conflict settings: Ethnographic evidence from a social circus project in Afghanistan Annika Schmeding 24 Short essays PART IV The Arab World Chapter 25 Empowerment, capacity building, and freedom: Expression of women through theater Marina Barham and Amira Barham Chapter 26 Street theater in Tunisia: Fanni Raghman Anni (case study) Seif Eddine Jlassi PART V The United Kingdom Introduction to Part V: Performances of Age (UK) Caoimhe McAvinchey Chapter 27 Six Songs for Paul: How The Lawnmowers Independent Theatre Company transform experience into expertise Ali Campbell Chapter 28 ‘How I Learned to Stop Worrying and Love’: Staging relational care with Lois Weaver and Split Britches Jen Harvie Chapter 29 Welcome to The Posh Club: How high status and low stakes can help build better worlds for marginalised people Ben Walters Chapter 30 In the company of others: Entelechy Arts, co-creating with older people Sue Mayo Chapter 31 Magic Me: Interview with Chuck Blue Lowry, Kate Hodson, Susan Langford, Sue Mayo and Julian West Caoimhe McAvinchey Chapter 32 Having dementia shouldn’t exclude you from cultural experiences: An interview with Nicky Taylor, theatre and dementia research associate, Leeds Playhouse Caoimhe McAvinchey PART VI South East Asia Introduction to Part VI: South East Asia and China: performances of age June Wee Chapter 33 Putting dialogue in context: Negotiating contextual influence in applying dialogue theatre Richard Barber and Pongjit Saphakhun Chapter 34 Crisis of representation of Afghan culture: an anlysis of Kaikavus and Heartbeat : Silence after the Explosion Edmund Chow Chapter 35 Glowing with age Peggy Ferroa Chapter 36 Contemporary issues and challenges in applying performance: The case of theatre in education in Hong Kong Muriel Yuen-Fun Law Chapter 37 Deceptive simplicity Michelle Ngu Chapter 38 Rethinking the research on Both Sides, Now: An arts-based community engagement project on end-of-life in Singapore Charlene Rajendran and Prue Wales Chapter 39 Performances of ‘what if ’ and ‘as if ’: Exploring plausible futures through imaginal and vicarious experiences in playbuilding Jennifer Wong
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2020
• Extent: 1 online resource, illustrations (black and white)
• Subjects: 792; Theater and society
• Languages: English
• ISBNs: 9781000177077
• Related ISBNs: 9781000177039; 9781000177053; 9781003088042
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.