The live art almanac. volume 4 (2016)

• Record Type: Book
• Further Information: Note: Edited by Harriet Curtis, Lois Keidan and Aaron Wright.
• Editors: Curtis, Harriet
• Contents: Front Cover; Title Page; Copyright Page; Contents; Introduction; Locating Performance; Producing with a Live Art Embrace; Producing Potentials for Empowerment; Programming Risk; Do With Me What You Will: An Exploration of Time and How We Share It; Blackface at the Tate: Artist Larry Achiampong on Britain's 'Others'; Live Art and the Institution: Tate Tanks; Under the Hollywood Sign; Alphabet of Festivals; LUPA11 Brings Performance Art to a Garage in Bethnal Green; Amusing and Delicious Art; On Making Performance Visible; Bodies? On? Stage? Human play of Forced Entertainment The Performer in Live Art(After) Love at Last Sight ... Nezaket Ekici; Marcia Farquhar, The Long Haul, Palo Alto, June 2013; In Bed with a Domestic Terrorist: Mental, the vacuum cleaner, and Me; Working with Stories of Other People's Traumatic Experience: Questions of Responsibility as an Artist; Outside the Box: Rethinking how Museums present Disability; Anatomy of falling; Performance Under Attack: Part 1; The State of Detention: Performance, Politics and the Cuban Public; Afghan Artist Dons Armour to Counter Men's Street Harassment Ai Weiwei is back in production with his Fake studio and his team of assistants. What does art mean now to the dissident?Reverend Billy Talen Faces a Year in Prison for Protesting in a Chase Bank; Earlobe-slicing artist Petr Pavlensky: 'I feel excellent'; Pussy Riot: The Jailhouse Interview; Performance Under Attack: Part 2 -- Exhibit B; Exhibit B press release; Edinburgh's Most Controversial Show: Exhibit B, a Human Zoo; Exhibit B; Exhibit B: Artists Must Have the Right to Shock; BLOOD ON THE TARMAC; Exhibit B: Offensive or Harmful?; Speaking Up, Speaking Out VENICE INTERNATIONAL PERFORMANCE ART WEEK artists answer to the question "What is Performance Art?"THIS is Performance Art; Taxonomies of UK Performance Art: Absence, Eradication and Reclamation; Catching Up On Our Own History: Performance Art and Cultural Amnesia; Man O Man; Fan Letter to Matthew Barney; An Open Letter to an Open Letter; Facebook posts; The Audience Does Not Exist; Acknowledgement Speech of Frie Leysen Receiving the Erasmus Prize 12 November 2014; In the Age of the Cultural Olympiad, We're All Public Performers; Iniva: Fit For Purpose?; Show Me the Money; You Show Me Yours ... How to Make a Living as an Artist Action HeroDeath by Luxury: The Threat to Culture and the Power of Coffins in the Street; A Live Art Gala; My Housemate Works in Arts Fundraising; Art at Work; Boycott Zabludowicz; High Art in Low Places & Low Art in High Places; How can a Tattoo be seen as a Work of Art?; Unfinished Revolutions: Oreet Ashery's Party for Freedom; CHRISTEENE's Drag Terrorism is Creating a Cult Following; Music is Like a Bird in My Mouth Dat I Didn't Know I Had: Christeene tells Ben Walters about Art, Fashion, Chickens and that 'Empty Bucket Feelin'; Camp / Anti Camp
• Publisher Details: London : Live are Development Agengy Oberon Books Ltd
• Publication Date: 2016
• Extent: 1 online resource (411 pages)
• Subjects: 709.04/0755; Performance art -- 21st century -- History and criticism; ART -- History -- General; Performance art; Electronic books; Criticism, interpretation, etc
• Languages: English
• ISBNs: 9781783193233; 1783193239
• Related ISBNs: 1783193220; 9781783193226
• Notes: Note: Online resource; title from digital title page (viewed on October 12, 2016).
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.