Concepts of time in post-war European music. (2020)

• Record Type: Book
• Further Information: Note: Aaron Hayes.
• Authors: Hayes, Aaron
• Contents: 1. Introduction 2. Analysis: Anton Webern, Concerto Op. 24, m. 38–40 3. Duration and eternity: Messiaen’s time categories 4. Analysis: Olivier Messiaen, ‘Ile de Feu I’ from Quatre Études de rythme 5. Continuity: Boulez’s smooth time and its mathematical negotiations 6. Analysis: Pierre Boulez, Improvisations sur Mallarmé II—‘Une dentelle s’abolit’ 7. The unity of time: Stockhausen’s engagement with acoustics 8. Analysis: Karlheinz Stockhausen, Zeitmaße 9. Trauma: Goeyvaerts and Adorno on musical stasis 10. Analysis: Karel Goeyvaerts, Sonata for two pianos, movements II–III 11. Spacetime: Xenakis and the end of the discourse on musical time 12. Analysis: Iannis Xenakis, Nomos Alpha
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2020
• Extent: 1 online resource, illustrations (black and white)
• Subjects: 780.940904; Music -- Europe -- 20th century -- History and criticism; Time in music; Time -- Philosophy
• Languages: English
• ISBNs: 9780429575167; 9780429577277; 9780429573057; 9780429200960
• Related ISBNs: 9780367191924
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.