The Japanese cinema book. (2020)

• Record Type: Book
• Further Information: Note: Edited by Hideaki Fujiki and Alastair Phillips.
• Editors: Fujiki, Hideaki, 1965-; Phillips, Alastair, 1963-
• Contents: Introduction: Japanese Cinema and Its Multiple Perspectives / Hideaki Fujiki and Alastair Phillips -- Part 1: Theories and Approaches: Early Cinema : Difference, Definition and Japanese Film Studies / Aaron Gerow -- Authorship : Author, Sakka, Auteur / Alex Jacoby -- Spectatorship : The Spectator as Subject and Agent / Hideaki Fujiki -- Film Criticism : Soviet Montage Theory and Japanese Film Criticism / Naoki Yamamoto -- Narrative : Multi-viewpoint Narrative: From Rashomon (1950) to Confessions (2010) / Kosuke Kinoshita -- Gender and Sexuality : Feminist Film Scholarships: Dialogue and Diversification / Hikari Hori -- Part 2: Institutions and Industry: The Studio System : The Japanese Studio System Revisited / Hiroyuki Kitaura -- Exhibition : Screening Spaces: A History of Japanese Film Exhibition / Manabu Ueda -- Censorship : Censorship as Education: Film Violence and Ideology / Rachael Hutchinson -- Technology : Sound and Intermediality in 1930s Japanese Cinema / Johan Nordström -- Film Festivals : Engasai Inside Out: Japanese Cinema and Film Festival Programming / Ran Ma -- Stardom : Queer Resonance: The Stardom of Miwa Akihiro / Yuka Kanno -- Experimental Cinema : Forms, Spaces and Networks: A History of Japanese Experimental Film / Julian Ross -- Transmedial Relations : Manga at the Movies: Adaptation and Intertextuality / Rayna Denison -- The Archive : Screening Locality: Japanese Home Movies and the Politics of Place / Oliver Dew -- Part 3: Film Style: Cinematography : The Trans-pacific Work of Japanese Cinematographers / Daisuke Miyao -- Acting : Spectral Bodies: Matsui Sumako and Tanaka Kinuyo in The Love of Sumako the Actress (1947) / Chika Kinoshita -- Set Design : Colour and Excess in Undercurrent (1956) / Fumiaki Itakura -- Music : When the Music Exits the Screen: Sound and Image in Japanese Sword Fight Films / Yuna Tasaka -- Part 4: Genre: Period Drama : The Duplicitous Topos of Jidaigeki / Philip Kaffen -- The Horror Film : The Ghosts of Kaiki Eiga / Michael E. Crandol -- Anime : Compositing and Switching: An Intermedial History of Japanese Anime / Thomas Lamarre -- Melodrama : Melodrama, Modernity and Displacement: That Night's Wife (1930) / Ryoko Misono -- The Musical : Heibon and the Popular Song Film / Michael Raine -- The Yakuza Film : The Yakuza Film: A Genre 'Endorsed by the People' / Jennifer Coates -- Documentary : 'Filling Our Empty Hands': Ogawa Productions and the Politics of Subjectivity / Ayumi Hata -- Part 5: Time and Spaces of Representation: Ecology : Toxic Interdependencies: 3/11 Cinema / Rachel DiNitto -- Rural Landscape : The Cinematic Countryside in Japanese Wartime Filmmaking / Sharon Hayashi -- The Home : Separations and Connections: The Cinematic Homes of the Showa 30s / Woojeong Joo -- The City : Tokyo 1958 / Alastair Phillips -- Part 6: Social Contexts: Empire : Cinematic Dualities: Shanghai Filmmaking in the Era of the Japanese Occupation / Ni Yan -- The Occupation : Pedagogies of Modernity: CIE and USIS Films about the United Nations / Yuka Tsuchiya -- Social Protest : Japanese Student Movement Cinema: A Dialogic Approach / Masato Dogase -- Minority Cultures : Whose Song Is It? Korean and Women's Voice in Oshima Nagisa's Sing a Song of Sex (1967) / Mika Ko -- Globalisation : Japanese Cultural Globalisation at the Margins / Cobus van Staden -- Part 7: Flows and Interactions: Japanese Cinema and its Post-Colonial Histories : Technologies of Co-production: Japan in Asia and the Cold War Production of Regional Place / Stephanie DeBoer -- Japanese Cinema and Hollywood : Frontiers of Nostalgia: The Japanese Western in the Postwar Era / Hiroshi Kitamura -- Japanese Cinema and its Peripheries : Japan and Okinawa and the Politics of Exchange / Andrew Dorman -- Japanese Cinema and Europe : A Constellation of Gazes: Europe and the Japanese Film Industry / Yoshiharu Tezuka -- Transnational Remakes and Adaptations : Casablanca Karaoke: The Program Picture as Marginal Art in 1960s Japan / Ryan Cook.
• Publisher Details: London New York : The British Film Institue, Bloomsbury Publishing
• Publication Date: 2020
• Extent: 1 online resource (xix, 604 pages), illustrations
• Subjects: 791.430952; Motion pictures -- Japan -- History; Motion pictures; Film; Filmgenre; Filmtheorie; Filmwirtschaft; Japan; Japan; History
• Languages: English
• ISBNs: 9781838719135; 1844576817; 9781844576814
• Related ISBNs: 9781844576791; 1844576795; 9781844576784; 1844576787; 9781838719135; 9781844576814; 183871913X
• Notes: Note: Includes bibliographical references (pages 567-572) and index.; Note: Print version record
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.