Early performance : courts and audiences : shifting paradigms in early english drama studies /: courts and audiences : shifting paradigms in early english drama studies. (2020)

• Record Type: Book
• Uniform Title: Works.
• Further Information: Note: Sarah Carpenter ; edited by John J. McGavin, Greg Walker.
• Authors: Carpenter, Sarah
• Editors: McGavin, John J, 1950-; Walker, Greg, 1959-
• Contents: Introduction by John J McGavin and Greg Walker; PART I Courts; 1 Plays and playcoats: a courtly interlude tradition in Scotland?, Comparative Drama, 46:4 (2012), pp. 475–96; 2 ‘To thexaltacyon of noblesse’: a herald’s account of the marriage of Margaret Tudor and James IV, Medieval English Theatre, 29 (2009 for 2007), pp. 104–20; 3 ‘Gely wyth tharmys of Scotland England’: word, image and performance at the marriage of James IV and Margaret Tudor, in ‘Fresche Fontanis’: Studies in the Culture of Medieval and Early Modern Scotland, ed. by Janet Hadley Williams and J. Derrick McClure (Newcastle: Cambridge Scholars Press, 2013), pp. 165–77. Published with the permission of Cambridge Scholars Publishing; 4 (with Graham Runnalls), The Entertainments at the marriage of Mary Queen of Scots and the French Dauphin François, 1558: Paris and Edinburgh, Medieval English Theatre, 22 (2000), pp. 145–61 [with thanks to Mrs Anne Runnalls]; 5 Performing diplomacies: the 1560s court entertainments of Mary Queen of Scots, Scottish Historical Review, LXXXII: 2 (October 2003), pp. 194–225. Reproduced with permission of the Licensor through PLSclear; 6 Love and chastity: political performance in Scottish, French, and English courts of the 1560s, in Joyous Sweit Imaginatioun: Essays in Honour of Professor R.D.S. Jack, ed. by Sarah Carpenter and Sarah Dunnigan, SCROLL (Amsterdam and New York: Rodopi, 2007), pp. 111–28; 7 Dramatising Ideology: Monarch, State, and People, Theta, 9 (2011), pp. 95–112; PART II Audiences; 8 New evidence: Vives and audience-response to biblical drama, Medieval English Theatre, 31 (2011 for 2009), pp. 3–12; 9 Verity’s Bible: books, texts, and reading in Ane Satyre of the Thrie Estaitis, Medieval English Theatre, 33 (2011), pp. 58–74; 10 Towards a reformed theatre: David Lyndsay and Ane Satyre of the Thrie Estaitis, The Yearbook of English Studies, 43 (2013), pp. 203–22. Reproduced by permission of the Modern Humanities Research Association; 11 The sixteenth-century court audience: performers and spectators, Medieval English Theatre, 19 (1997), pp. 3–14; 12 ‘My Lady Tongue’: Thomas Tomkis’s Lingua, Medieval English Theatre, 24 (2002), pp. 3–14; 13 The politics of unreason: Ane Satyre of the Thrie Estaitis and the practices of folly, Theta, 10 (2013), pp. 35–52; 14 Laughing at natural fools, Theta, 11 (2014) pp. 3–22; 15 The places of foolery: Robert Armin and fooling in Edinburgh, Medieval English Theatre, 37 (2015), pp. 11–26.
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2020
• Extent: 1 online resource, illustrations (black and white)
• Subjects: 822.109; English drama -- To 1500 -- History and criticism; English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism; Theater -- England -- History -- Medieval, 500-1500; Theater -- History -- To 1500
• Languages: English
• ISBNs: 9781000088823; 9781000088748; 9781000088786; 9780429269042
• Related ISBNs: 9780367219642
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.