Sonic encounters with Blanchot. (2020)

• Record Type: Book
• Further Information: Note: Edited by Adam Potts.
• Editors: Potts, Adam
• Contents: Foreword Adam Potts Introduction: Blanchot and Sound Adam Potts 1. The Homage to Debussy at the Théâtre Des Champs-Elysées Maurice Blanchot and Michael Holland 2. From Dialectics to the Diabolical: adorno’s "new music" and blanchot’s "ars nova" Vivian Liska 3. White Noise, Écriture Blanche William S. Allen 4. Passive Noise Adam Potts 5. Aesthetic Autophony and the Night: blanchot, kafka, kimsooja, burial Stefanie Heine 6. Affects, Indexes and Signs: will oldham and the authenticity of the voice in popular music William Large 7. Dispersion in Sound François J. Bonnet, Alain Toumayan 8. Blanchot and the Resonant Spaces of Literature, Sound, Art and Thought Greg Hainge 9. In the Absence of Noise, Nothing Sounds: blanchot and the performance of harsh noise wall Paul Hegarty 10. The Call of the Disaster at the Borderland of Silence Leslie Anne Boldt 11. Sonic Booms in Blanchot David Appelbaum 12. Rumors of the Outside: blanchot’s murmurs and the indistinction of literature Jeff Fort 13. Orpheus and the Vanishing Note: xenosonics, katabasis, daemonotechnics Charlie Blake
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2020
• Extent: 1 online resource
• Subjects: 848.91209; Criticism and interpretation
• Languages: English
• ISBNs: 9780429516559
• Related ISBNs: 9780429513121; 9780429519987; 9780429243400
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.