The Routledge companion to mobile media art. (2020)

• Record Type: Book
• Other Titles: Companion to mobile media art; Mobile media art
• Further Information: Note: Edited by Larissa Hjorth, Adriana de Souza e Silva, Klare Lanson.
• Editors: Hjorth, Larissa; Silva, Adriana de Souza e; Lanson, Klare
• Contents: Mobile Media Art: An Introduction; Klare Lanson, Adriana de Souza e Silva, and Larissa Hjorth; SECTION ONE: Forerunning Mobile Media Art; 1. Making Mobile Connections: Golan Levin in Conversation with Klare Lanson; 2. Magic Spectacles and Portable Boxes: Notes Toward a Media Archaeology of Mobile Media; Erkki Huhtamo; 3. Mobile Art: From the WAP Promises to the App Bubbles; Giselle Beiguelman; 4. From Early Soundings to Locative Listening in Mobile Media Art; Cat Hope; SECTION TWO: Mobile Media Art Practice; 5. Uncomfortable Interactions: Blast Theory’s Matt Adams in Conversation with Rowan Wilken; 6. Mobile Listening, Disruptive Ambient Music and Public Art Projects in Madrid; Amparo Lasen and Massimiliano Casu; 7. Performing with the Aether: An Aesthetics of Tactical Feminist Practice; Nancy Mauro-Flude; 8. "Amplify your Feminism:" Social Media and Feminist Locative Art; Caitlin McGrane; SECTION THREE: Hybrid Realities; 9. Sounding Place: Teri Rueb in Conversation with Adriana de Souza e Silva; 10. Historicizing Hybrid Spaces in Mobile Media Art; Adriana de Souza e Silva and Ragan Glover-Rijkse; 11. Algorithmic Gardening: Questions of Mobility, Hybridity and Infrastructure; Shannon McMullen and Fabian Winkler; 12. Back into the Locative: Theory and Practice in Urban Augmented Reality, 1999–2016; Joshua McWhirter; 13. URBAN APPOINTMENT: A Possible Rendez-Vous with the City (HUMO); Brian Massumi; SECTION FOUR: Selfies; 14. Salutations to the Selfie: Kate Durbin in Conversation with Klare Lanson; 15. Gendered Art, Work, and Self-Representation: A Comparative Analysis of Camera-Phonographic and Painted Self-Portraits; Chelsea Butkowski and Lee Humphreys; 16. When the Face is Data; Theresa M. Senft; 17. Selfies and Dronies as Relational Political Practices; Grant Bollmer; SECTION FIVE: Play and Games; 18. Mobilizing Audience and Playful Disobedience: pvi collective’s Kelli McCluskey and Steve Bull in Conversation with Klare Lanson; 19. Mobile Mapping and Play; Sybille Lammes and Clancy Wilmott; 20. Tapping in: Playful Mobile Media Art in Australia; Hugh Davies and Will Balmford; 21. Ambient Play and Background Gaming: Reflecting on Quotidian Creative Practices; Ingrid Richardson; 22. Re-imagining Bushland Settings Through Location-based AR Mobile Gameplay; Matthew Riley, Troy Innocent, and Rowan Wilken; SECTION SIX: Co-Design and Space; 23. Listening to Circumstance: Duncan Speakman in Conversation with Klare Lanson; 24. Inventive Approaches to Data Tracking in More-Than-Human Worlds; Jacina Leong, Larissa Hjorth and Jaz Hee-Jeong Choi; 25. Open Prototyping: A Framework for Combining Art and Innovation in the IoT and Smart Cities; Drew Hemment, Joanna Bletcher, and Saskia Coulson; 26. TrojanHorse: An (Incomplete) Lexicon of Art on Wheels; Gretchen Coombs; 27. Understanding Mobile Media Through Codesign Workshops; Fumitoshi Kato; SECTION SEVEN: Sensing New Visualities; 28. Future Everything, all the Time: Drew Hemment in Conversation with Klare Lanson; 29. Mobile Photography and Artistic Activism in the "Instagram" Museum; Daniel Palmer; 30. Mobile Street Photography: Continued, Collective and Contested Decisive Moments; Edgar Gomez Cruz; 31. Shanzhai: Affective Assemblages and Technovisuality; Helen Grace, 葛海崙; 32. Platform Poetics: Emile Zile in Conversation with Klare Lanson; SECTION EIGHT: Performing the Mobile; 33. Collective Chaos and Joyful Mobility: Charlie Todd in Conversation with Klare Lanson; 34. Mobile Films as Mobile Art: More than Textual; Marsha Berry; 35. Mobile Cinematic VR—MCVR; Max Schleser; 36. Wearing Data: Intentions and Tensions of Art and Design in Performance using Wearables; Camille Baker; 37. Networked Experience and Continual Re-orientation; Martin Rieser; SECTION NINE: Urban Interventions; 38. Becoming Alexa: Lauren McCarthy in Conversation with Jacina Leong; 39. Quotidian Record: The Musical Interpretation of Mobile Phone Location Data; Brian House; 40. The City as Performative Object; PolakVanBekkum; 41. Encontros: An Artwork on Borders and Networked Mobilities; Luisa Paraguai and Gilbertto Prado; 42. Critical and Creative Approaches to Digital Cultural Heritage with Augmented Reality; Victoria Szabo; SECTION TEN: Critical Making and Future Directions; 43. Doing Critical Creative Practice and Social Research: Kat Jungnickel in Conversation with Larissa Hjorth; 44. Mobile LIDAR Mediality as Artistic Anti-Environment; Julia M. Hildebrand and Mimi Sheller; 45. XR: Crossing and Interfering Artistic Media Spaces; Nanna Verhoeff and Paulien Dresscher; 46. One Good Death: Tactile, Haptic and Empathic Codesign for End-of-life Experience; Leah Heiss, Matiu Bush, and Marius Foley; 47. Playful Resistance of Data Futures; Larissa Hjorth and Sam Hinton
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2020
• Extent: 1 online resource, illustrations (black and white, and colour)
• Subjects: 709.051; New media art; Digital media
• Languages: English
• ISBNs: 9780429515965; 9780429512537; 9780429519390; 9780429242816
• Related ISBNs: 9780367197162
• Notes: Note: Includes bibliographical references and index.; Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.