Methuen Drama Handbook of Interculturalism and Performance. (2020)
- Record Type:
- Book
- Title:
- Methuen Drama Handbook of Interculturalism and Performance. (2020)
- Main Title:
- Methuen Drama Handbook of Interculturalism and Performance
- Further Information:
- Note: Daphne Lei, Charlotte McIvor.
- Editors:
- Lei, Daphne
McIvor, Charlotte - Contents:
- KeywordsList of IllustrationsNotes on ContributorsDaphne P. Lei (University of California, USA), 'Chapter One: Introduction' Section I: HIT (Hegemonic Intercultural Theatre)'s Counter-Currents Marcus Cheng Chye Tan (Nanyang Technological University, Singapore), 'Chapter Two: (Re)Sounding Universals: The Politics of Listening to Peter Brook's Battlefield' Emily Sahakian (University of Georgia, USA), 'Chapter Three: The Intercultural Politics of Performing Revolution: Maryse Condé's Inter-theatre with Ariane Mnouchkine' Arnab Banerji (Muhlenberg College, USA) 'Chapter Four: What lies beyond Hattamala?: Badal Sircar and his Third Theatre as an Alternative Trajectory for Intercultural Theatre' Section II: Networking New Interculturalisms Bi-qi Beatrice Lei (National Taiwan University, Taiwan), 'Chapter Five: Decentering Asian Shakespeare: Approaching Intercultural Theatre as a Living Organism' Diana Looser (Stanford University, USA), 'Chapter Six: Connecting the Dots: Performances, Island Worlds, and Oceanic Interculturalisms' Roaa Ali (University of Manchester, UK) 'Chapter Seven: Subversive Immigrant Narratives in the In/visible Margin: Performing Interculturalism on Online Stages' Section III: Interculturalism as Practice Jennifer Goodlander (Indiana University, USA), 'Chapter Eight: Beyond HIT: Towards Regional Interculturalism through Puppetry in Southeast Asia' SanSan Kwan (University of California, Berkeley, USA), 'Chapter Nine: Acts of Loving: Emmanuelle Huynh, AkiraKeywordsList of IllustrationsNotes on ContributorsDaphne P. Lei (University of California, USA), 'Chapter One: Introduction' Section I: HIT (Hegemonic Intercultural Theatre)'s Counter-Currents Marcus Cheng Chye Tan (Nanyang Technological University, Singapore), 'Chapter Two: (Re)Sounding Universals: The Politics of Listening to Peter Brook's Battlefield' Emily Sahakian (University of Georgia, USA), 'Chapter Three: The Intercultural Politics of Performing Revolution: Maryse Condé's Inter-theatre with Ariane Mnouchkine' Arnab Banerji (Muhlenberg College, USA) 'Chapter Four: What lies beyond Hattamala?: Badal Sircar and his Third Theatre as an Alternative Trajectory for Intercultural Theatre' Section II: Networking New Interculturalisms Bi-qi Beatrice Lei (National Taiwan University, Taiwan), 'Chapter Five: Decentering Asian Shakespeare: Approaching Intercultural Theatre as a Living Organism' Diana Looser (Stanford University, USA), 'Chapter Six: Connecting the Dots: Performances, Island Worlds, and Oceanic Interculturalisms' Roaa Ali (University of Manchester, UK) 'Chapter Seven: Subversive Immigrant Narratives in the In/visible Margin: Performing Interculturalism on Online Stages' Section III: Interculturalism as Practice Jennifer Goodlander (Indiana University, USA), 'Chapter Eight: Beyond HIT: Towards Regional Interculturalism through Puppetry in Southeast Asia' SanSan Kwan (University of California, Berkeley, USA), 'Chapter Nine: Acts of Loving: Emmanuelle Huynh, Akira Kasai, and Eiko Otake' Angeline Young (Arizona State University, USA), 'Chapter Ten: reORIENTing interculturalism in the academy: An Asianist Approach to teaching Afro-Haitian dance' Section IV: Testing the Limits of New Interculturalism Ketu H. Katrak (University of California, USA), 'Chapter Eleven: Mamela Nyamza and Dada Masilo: South African Black Women Dancer-Choreographers Dancing 'New Interculturalism'' Min Tian (University of Illinois, USA), 'Chapter Twelve: The 'Dis/De-' in the Hyphen: The Matrix and Dynamics of Displacement in Intercultural Performance' Lisa Jackson-Schebetta (Skidmore College, USA), 'Chapter Thirteen: Interculturalidad: (How) Can Performance Analysis Decolonize?' Section V: Interculturalism(s): Mapping the Past, Reflecting on the Future Charlotte McIvor National (University of Ireland, Ireland) with Justine Nakase (National University of Ireland, Ireland), 'Chapter Fourteen: Annotated Bibliography' Charlotte McIvor (National University of Ireland, Ireland), 'Chapter Fifteen: Conclusion' BibliographyIndex. … (more)
- Publisher Details:
- London : Methuen Drama
- Publication Date:
- 2020
- Extent:
- 1 online resource (280 pages)
- Subjects:
- Dance & other performing arts
Cultural studies
Performing Arts -- Theater -- History & Criticism
Performing Arts -- Reference
Theatre studies - Languages:
- English
- ISBNs:
- 9781350040465
1350040460 - Related ISBNs:
- 9781350040472
- Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.503337
- Ingest File:
- 03_076.xml