Arts-based pathways into thinking : troubling standardization/s, enticing multiplicities, inhabiting creative imaginings /: troubling standardization/s, enticing multiplicities, inhabiting creative imaginings. (2020)

• Record Type: Book
• Further Information: Note: Michael Crowhurst, Michael Emslie.
• Other Names: Crowhurst, Michael; Emslie, Michael
• Contents: Intro -- Series Editor's Foreword -- Acknowledgements -- Praise for Arts-Based Pathways into Thinking -- Contents -- About the Authors -- 1 Introduction-Pre-beyond -- 1.1 Introduction -- 1.2 What We Do in the Book -- 1.3 Critical/Collective/Auto/Ethnographic Stories -- 1.4 The Emergence of the Stories and the Writing of the Book -- 1.5 Stories from the Edge -- 1.6 How to Use This Book -- Interlude: Invitation to Come Along (To Ourselves and Readers) -- References -- 2 The Problem: Standardizations and Normativities -- 2.1 Introduction -- 2.2 Plateau-Recollections on the Un/Familiar 2.3 Plateau-Critical/Collective/Auto/Ethnography -- 2.4 Plateau-Passions, Margins and Alienations: Plateaus to Ponder -- 2.5 Plateau-The Larger Conditions -- 2.6 Plateau-Violins, Whinging Academics and Why Writing About This Is Worthwhile -- 2.7 Plateau-Alignment in the Neoliberal University: Calibration -- 2.8 Plateau-Is There About to Be a Vampire in This Chapter? -- 2.9 Plateau-Calibration of Research -- 2.10 Plateau-Spotlights, Cartels and Pleasing Centres -- 2.11 Plateau-The Coburg Panopticon -- 2.12 Plateau-The Hyundai Dealership 2.13 Plateau-Would We Be This Annoyed if What We Wanted to Do Was Valued? -- 2.14 Plateau-Black Holes -- 2.15 Plateau-Alignment and Flow -- 2.16 Plateau-Compulsory Passion -- 2.17 Plateau-Reading the Centre from the Edge -- 2.18 Plateau-Enabling Constraints -- 2.19 Plateau-Privileged Academics Complaining About Neoliberal Regimes -- 2.20 Plateau-Storying Inhabiting Straddling Alternative Milieu -- Interlude: How Are We/You Produced in Standardized and Normative Ways? -- Interlude References -- References -- 3 Knowing Frames Analysis: Multiple Revealing/s of a Work of Art-To Be Read Aloud 3.1 Introduction -- 3.2 Plateau-Writing and Thinking in Spaces over Time -- 3.3 Plateau-The Eye of the Beholder -- 3.4 Plateau-Sometimes Less Is More -- 3.5 Plateau-Public Art Walk at 'The Art of Critical Autoethnography' Conference -- 3.6 Plateau-Notes on Public Art Walk at 'The Art of Critical Autoethnography' Conference -- 3.7 Plateau-Registering Awareness of a Change in Position -- 3.8 Plateau-Random Thought -- 3.9 Plateau-Change of Mind: Looking from Multiple Positions 3.10 Plateau-Seeing Speaking Writing (A Different Writing Context) Transcripts of a Single Take Voice File (with Minimal Edits) -- 3.11 Plateau-Knowing Sean Tan's Big Fish -- 3.12 Plateau-Dis/Like/ing 'It' -- 3.13 Plateau-Shadows of Light -- Interlude: Venturing into Inbetween Spaces -- Interlude References -- References -- 4 Poetry as Productive of Persistent Multiplicities -- 4.1 Introduction (Written After the Conclusion Reflecting Emergent Key Learning) -- 4.2 The Original Introduction: A Note on Method/ology -- 4.3 Frustrating Incident on a Composite Partially Fictionalized Committee
• Publisher Details: Cham : Springer
• Publication Date: 2020
• Extent: 1 online resource
• Subjects: 370.15/7; Creative thinking; Thought and thinking; Creative thinking; Thought and thinking; Electronic books; Electronic books
• Languages: English
• ISBNs: 9783030375072; 3030375072; 9783030375089; 3030375080
• Related ISBNs: 3030375064; 9783030375065
• Notes: Note: Includes bibliographical references.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.