United Artists. (2020)
- Record Type:
- Book
- Title:
- United Artists. (2020)
- Main Title:
- United Artists
- Further Information:
- Note: Peter Krämer, Gary Needham, Yannis Tzioumakis, Tino Balio.
- Editors:
- Kramer, Peter
Needham, Gary
Tzioumakis, Yannis
Balio, Tino - Contents:
- Introduction: United Artists in Film History – Tino Balio Part 1 Introduction to Part 1 – Yannis Tzioumakis Chapter 1 ‘One of the United Artists’: Buster Keaton, Joseph Schenck and United Artists – Peter Krämer Chapter 2 Declarations of Independence: Gloria Swanson at United Artists, 1925-1933 – Mike Mashon Chapter 3 Going Independent in 1930s Hollywood: Freelance Star and Independent Producer Collaborations at United Artists – Emily Carman Chapter 4 The Tramp, the Dictator and the Knight: United Artists and the Roadshowing of Prestige Pictures in the 1930s and 1940s – Sheldon Hall Chapter 5 ‘Look, Ma, I’m A Corporation!’: United Artists and Kirk Douglas’s Bryna Productions 1955-1959 – James Fenwick Chapter 6 The Magnificent Seven Mirisch Companies: Competitive Strategy and Corporate Authorship – Paul Kerr Chapter 7 An Artist Under the Influence: United Artists and Woody Allen – Michael Petitti Chapter 8 No Shot in the Dark: Developing the Pink Panther Franchise – Oliver Gruner Part 2 Introduction to Part 2 – Yannis Tzioumakis Chapter 9 United Artists, Fourth Quarter 1980: The Rhetoric of Hollywood Failure & Success – Justin Wyatt Chapter 10 ‘Cruising Is A Picture We Sincerely Wish We Did Not Have to Show’: United Artists, Ratings, Blind-bidding and the Controversy of William Friedkin’s Cruising (1980) – Gary Needham Chapter 11 From Heaven’s Gate to Rocky IV : Reconfiguring Auteurism in United Artists’ Transition to MGM/UA in the 1980s – Nicholas Godfrey Chapter 12 The NextIntroduction: United Artists in Film History – Tino Balio Part 1 Introduction to Part 1 – Yannis Tzioumakis Chapter 1 ‘One of the United Artists’: Buster Keaton, Joseph Schenck and United Artists – Peter Krämer Chapter 2 Declarations of Independence: Gloria Swanson at United Artists, 1925-1933 – Mike Mashon Chapter 3 Going Independent in 1930s Hollywood: Freelance Star and Independent Producer Collaborations at United Artists – Emily Carman Chapter 4 The Tramp, the Dictator and the Knight: United Artists and the Roadshowing of Prestige Pictures in the 1930s and 1940s – Sheldon Hall Chapter 5 ‘Look, Ma, I’m A Corporation!’: United Artists and Kirk Douglas’s Bryna Productions 1955-1959 – James Fenwick Chapter 6 The Magnificent Seven Mirisch Companies: Competitive Strategy and Corporate Authorship – Paul Kerr Chapter 7 An Artist Under the Influence: United Artists and Woody Allen – Michael Petitti Chapter 8 No Shot in the Dark: Developing the Pink Panther Franchise – Oliver Gruner Part 2 Introduction to Part 2 – Yannis Tzioumakis Chapter 9 United Artists, Fourth Quarter 1980: The Rhetoric of Hollywood Failure & Success – Justin Wyatt Chapter 10 ‘Cruising Is A Picture We Sincerely Wish We Did Not Have to Show’: United Artists, Ratings, Blind-bidding and the Controversy of William Friedkin’s Cruising (1980) – Gary Needham Chapter 11 From Heaven’s Gate to Rocky IV : Reconfiguring Auteurism in United Artists’ Transition to MGM/UA in the 1980s – Nicholas Godfrey Chapter 12 The Next Step: Orion Pictures as the New United Artists (1978-1985) – Yannis Tzioumakis Chapter 13 United Artists Films: Re-entering the Specialty Market (1999-2005) – Lisa Dombrowski Chapter 14 From Star-Producer to Executive: Tom Cruise and/at United Artists (2006-2012) – Sarah E.S. Sinwell … (more)
- Edition:
- 1st
- Publisher Details:
- Routledge
- Publication Date:
- 2020
- Extent:
- 1 online resource (304 pages), (39 illustrations)
- Languages:
- English
- ISBNs:
- 9780429603235
0429603231 - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.487774
- Ingest File:
- 03_046.xml