The choreopolitics of Alain Platel's Les ballets C de la B : emotions, gestures, politics /: emotions, gestures, politics. (2020)
- Record Type:
- Book
- Title:
- The choreopolitics of Alain Platel's Les ballets C de la B : emotions, gestures, politics /: emotions, gestures, politics. (2020)
- Main Title:
- The choreopolitics of Alain Platel's Les ballets C de la B : emotions, gestures, politics
- Further Information:
- Note: Volume editor, Christel Stalpaert, Guy Cools, Hildegard de Vuyst.
- Editors:
- Stalpaert, Christel
Cools, Guy
Vuyst, Hildegard de - Contents:
- Introduction: The Choreographic Work of Alain Platel in Context (Christel Stalpaert, Ghent University, Belgium; Guy Cools, Ghent University, Belgium; and Hildegard De Vuyst, Les Ballets C de la B, Belgium)1. Collaborative Dramaturgy: An Experiment in Democracy (Katalin Trencsenyi, Freelance Dramaturg, UK)Part I: Emotions2. Alain Platel is a Barbarian: Perceiving Emotions as Forms of Intelligent Awareness (Hildegard De Vuyst, Les Ballets C de la B, Belgium)3. Desire amongst the Dodgems: The Scene of Seduction (Adrian Kear, Aberystwyth University, UK)4. Platel's Quest for Embodied Salvation: A Musical Perspective on Choeurs (Francis Maes, Ghent University, Belgium)5. Poetics of Fight in Nicht Schlafen (Claire Besuelle, École Doctorale Sciences de l'homme et de la Société, France)Part II: Gestures6. How to Witness the Hyper-Sensitive Through the Virtuosic: 'I Have Never Seen Anybody Who Can Participate So Intensely While Standing Aside' (Guy Cools, Ghent University, Belgium)7. Choreic Gesture: Virtuosic Angularity and Alterkinetic Dance in Platel's Out of Context: For Pina (2010) (Kélina Gotman, King's College, London, UK)8. Being Alone Together: The 'Disturbance of Violent Relatedness' in La Tristeza Complice, Pitié and Tauberbach (Ann Cooper Albright, Oberlin College and Conservatory, USA)9. Staging the Precarious: Vulnerability and Sexual Identity in Gardenia (Miriam Dreysse, Universität Hildesheim, Germany)10. Schizophrenia and Resistance: On Tauberbach (Jeroen Donckers,Introduction: The Choreographic Work of Alain Platel in Context (Christel Stalpaert, Ghent University, Belgium; Guy Cools, Ghent University, Belgium; and Hildegard De Vuyst, Les Ballets C de la B, Belgium)1. Collaborative Dramaturgy: An Experiment in Democracy (Katalin Trencsenyi, Freelance Dramaturg, UK)Part I: Emotions2. Alain Platel is a Barbarian: Perceiving Emotions as Forms of Intelligent Awareness (Hildegard De Vuyst, Les Ballets C de la B, Belgium)3. Desire amongst the Dodgems: The Scene of Seduction (Adrian Kear, Aberystwyth University, UK)4. Platel's Quest for Embodied Salvation: A Musical Perspective on Choeurs (Francis Maes, Ghent University, Belgium)5. Poetics of Fight in Nicht Schlafen (Claire Besuelle, École Doctorale Sciences de l'homme et de la Société, France)Part II: Gestures6. How to Witness the Hyper-Sensitive Through the Virtuosic: 'I Have Never Seen Anybody Who Can Participate So Intensely While Standing Aside' (Guy Cools, Ghent University, Belgium)7. Choreic Gesture: Virtuosic Angularity and Alterkinetic Dance in Platel's Out of Context: For Pina (2010) (Kélina Gotman, King's College, London, UK)8. Being Alone Together: The 'Disturbance of Violent Relatedness' in La Tristeza Complice, Pitié and Tauberbach (Ann Cooper Albright, Oberlin College and Conservatory, USA)9. Staging the Precarious: Vulnerability and Sexual Identity in Gardenia (Miriam Dreysse, Universität Hildesheim, Germany)10. Schizophrenia and Resistance: On Tauberbach (Jeroen Donckers, Independent Psychotherapist, Belgium)Part III: Politics11. Catastrophe as Political Gesture: On Gestus and Hieroglyphs in Bernadetje (Erwin Jans, Dramaturg, Toneelhuis, Belgium)12. Tauberbach: A Diagrammatical Reading (Piet Defraeye, University of Alberta, Canada)13. Mourning a Europe in Crisis: En Avant, Marche! (Lourdes Orozco, University of Leeds, UK)14. Troubled Pasts, Differential Futures: Platel's Choreopolitics with Les Ballets C de la B (Christel Stalpaert, Ghent University, Belgium)Conclusion: A Genealogical Perspective on Les Ballets C de la B's Influences and Offspring (Christel Stalpaert, Ghent University, Belgium; Guy Cools, Ghent University, Belgium; and Hildegard De Vuyst, Les Ballets C de la B, Belgium)BibliographyIndex. … (more)
- Publisher Details:
- London : Bloomsbury Methuen Drama
- Publication Date:
- 2020
- Extent:
- 1 online resource, illustrations (black and white)
- Subjects:
- 792.82092
Theatre studies
Performing Arts -- Dance -- Classical & Ballet
Performing Arts -- Dance -- Notation
Performing Arts -- Theater -- General
Social Science -- Gender Studies
Philosophy -- Methodology
Choreography
Criticism and interpretation - Languages:
- English
- ISBNs:
- 9781350080027
9781350080034 - Related ISBNs:
- 9781350080010
- Notes:
- Note: Description based on CIP data; resource not viewed.
- Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.488766
- Ingest File:
- 03_047.xml