What you see is what you hear : creativity and communication in audiovisual texts /: creativity and communication in audiovisual texts. (2020)
- Record Type:
- Book
- Title:
- What you see is what you hear : creativity and communication in audiovisual texts /: creativity and communication in audiovisual texts. (2020)
- Main Title:
- What you see is what you hear : creativity and communication in audiovisual texts
- Further Information:
- Note: Dario Martinelli.
- Other Names:
- Martinelli, Dario
- Contents:
- Intro -- Preface -- Note on the Illustration -- Contents -- Abbreviations -- 1 Defining and Classifying Audiovisual Texts -- 1.1 The Basic Dilemmas -- 1.1.1 Realism Versus Fiction -- 1.1.2 Description Versus Prescription -- 1.1.3 Case Study: Bambi Between Realism, Fiction, Description and Prescription -- 1.2 Media, Formats and Genres -- 1.2.1 Media -- 1.2.2 Formats -- 1.2.3 Genres -- 1.3 A (Not So) Short History of Audiovisual Creative Communication -- References -- 2 Understanding Audiovisual Communication -- 2.1 The Basics of Communication -- 2.1.1 Two Golden Rules 2.1.2 Conditions for Communication -- 2.1.3 Codes, Channels and Modes -- 2.1.4 The Functions of Communication -- 2.1.5 Case Study: Pitching Story and Characters in the First Episode of the Borgias -- 2.2 The M.A.P. Model -- References -- 3 Axes: Time and Space -- 3.1 Diegesis Versus Non-diegesis -- 3.1.1 Typologies of Conceptual Space/Time -- 3.1.2 Case Study: Multiple Forms of Space/Time in the Truman Show -- 3.2 Steadiness Versus Unsteadiness -- 3.2.1 Spectators as Collaborators -- 3.2.2 On the Process of Interpretation -- 3.2.3 Case Study: Steadiness and Unsteadiness in the Birds 3.3 Foreshadowing Versus Sideshadowing -- 3.3.1 Symbolic Foreshadowing and Chekhov's Rifles -- 3.3.2 What Is Essential in a Story? -- 3.3.3 From Preparation to Delivery -- 3.3.4 Red Herrings, MacGuffins and Shaggy Dogs -- 3.3.5 Case Study: Foreshadowing in Roberto Benigni's Filmography -- 3.4 Narration -- 3.4.1 Narration andIntro -- Preface -- Note on the Illustration -- Contents -- Abbreviations -- 1 Defining and Classifying Audiovisual Texts -- 1.1 The Basic Dilemmas -- 1.1.1 Realism Versus Fiction -- 1.1.2 Description Versus Prescription -- 1.1.3 Case Study: Bambi Between Realism, Fiction, Description and Prescription -- 1.2 Media, Formats and Genres -- 1.2.1 Media -- 1.2.2 Formats -- 1.2.3 Genres -- 1.3 A (Not So) Short History of Audiovisual Creative Communication -- References -- 2 Understanding Audiovisual Communication -- 2.1 The Basics of Communication -- 2.1.1 Two Golden Rules 2.1.2 Conditions for Communication -- 2.1.3 Codes, Channels and Modes -- 2.1.4 The Functions of Communication -- 2.1.5 Case Study: Pitching Story and Characters in the First Episode of the Borgias -- 2.2 The M.A.P. Model -- References -- 3 Axes: Time and Space -- 3.1 Diegesis Versus Non-diegesis -- 3.1.1 Typologies of Conceptual Space/Time -- 3.1.2 Case Study: Multiple Forms of Space/Time in the Truman Show -- 3.2 Steadiness Versus Unsteadiness -- 3.2.1 Spectators as Collaborators -- 3.2.2 On the Process of Interpretation -- 3.2.3 Case Study: Steadiness and Unsteadiness in the Birds 3.3 Foreshadowing Versus Sideshadowing -- 3.3.1 Symbolic Foreshadowing and Chekhov's Rifles -- 3.3.2 What Is Essential in a Story? -- 3.3.3 From Preparation to Delivery -- 3.3.4 Red Herrings, MacGuffins and Shaggy Dogs -- 3.3.5 Case Study: Foreshadowing in Roberto Benigni's Filmography -- 3.4 Narration -- 3.4.1 Narration and Archetypes -- 3.4.2 Case Study: Star Wars in 31 Narratemes -- 3.5 Montage -- 3.5.1 Types and Theories -- 3.5.2 Case Study: Soft Power and National Branding Through Montage: The Commercial "Dynamic Korea" -- References -- 4 Means: Sound, Image and Language 4.1 Sound -- 4.1.1 Sound Design -- 4.1.2 Soundtrack -- 4.1.3 Case Study: The Functions of Music in Back to the Future -- 4.2 Image -- 4.2.1 Colors -- 4.2.2 Camera Work -- 4.2.3 Case Study: King Kong and the Visual Human-Animal Hybrids -- 4.3 Language -- 4.3.1 Speech -- 4.3.2 Writing -- 4.3.3 Case Study: Figures of Speech in Dialogues -- References -- 5 Properties: Taxonomy, Culture, Thematicity, Performance, Technology -- 5.1 Taxonomy -- 5.1.1 Case Study: Western as Genre, Sub-Genres and Cross-Genres -- 5.2 Culture 5.2.1 Case Study: Cultural Clichés in the Audiovisual Representation of Vegetarians -- 5.3 Thematicity -- 5.3.1 Case Study: The City as a "Theme" and the Case of Marseille -- 5.4 Performance -- 5.4.1 Case Study: Performative Elements in the Beatles' Promos -- 5.5 Technology -- 5.5.1 Case Study: The Notion of "Screen" in Audiovisuality -- References -- Index of Audiovisual Fictional Characters -- Index of Films, Programs, Music Videos, Videogames and Other Audiovisual Texts -- Index of Names … (more)
- Publisher Details:
- Cham : Springer
- Publication Date:
- 2020
- Extent:
- 1 online resource
- Subjects:
- 371.33/5
Audio-visual education
Audio-visual education
Electronic books - Languages:
- English
- ISBNs:
- 9783030325947
3030325946 - Related ISBNs:
- 9783030325930
3030325938 - Notes:
- Note: Includes bibliographical references and indexes.
- Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.481066
- Ingest File:
- 03_033.xml