The Routledge Companion to Cult Cinema. (2019)

• Record Type: Book
• Further Information: Note: Ernest Mathijs, Jamie Sexton.
• Editors: Mathijs, Ernest; Sexton, Jamie
• Contents: Introduction: The Cult Cinema Studies Experience PART I: GENRES AND CYCLES Genres, Cycles and Modes ‘Naughty’, ‘Nasty’, ‘Culty’: Exploitation Film – Ernest Mathijs Underground Film and Cult Cinema – Glyn Davis Cult-Art Cinema: Defining Cult-Art Ambivalence – David Andrews "It happens by accident": Failed Intentions, Incompetence, and Sincerity in Badfilm – Becky Bartlett Cult Horror Cinema – Steffen Hantke Cult Science Fiction Cinema – Mark Bould Cult Comedy Cinema – Seth Soulstein The Italian Giallo – Alexia Kannas PART II: GLOBAL AND LOCAL CULT CINEMA Global and Local Cult Cinema Latsploitation – Dolores Tierney Iranian Cult Cinema - Babak Tabarraee Rebels Without a Cause: The Bombay Cult Film – Vibhushan Subba East Asian Cult Cinema – Robyn Citizen Anime Is (Not) Cult: Gainax and the Limits of Cult Cinema – Rayna Dennison Blaxploitation – Harry M. Benshoff PART III: CRITICAL CONCEPTS Critical Concepts Cult Cinema and Gender – Brenda Austin-Smith Cult Cinema and Nostalgia – Renee Middlemost Oc/cult Film and Video – Anna Powell "It's like looking at your past crimes at a parole hearing": Transgression in Cult Cinema– Tom Watson Access All Areas? Anglo-American Film Censorship and Cult Cinema in the Digital Era – Emma Pett Cult Cinema and Camp – Julia Mendenhall PART IV: EXHIBITION, DISTRIBUTION Cult Film Distribution and Exhibition Midnight Movies- Carter Moulton Drive-in and Grindhouse Theaters – David Church Blood cults: historicising the North American "shot on video" horror movie – Johnny Walker Cult Cinema in the Digital Age – Iain Robert Smith Cult Cinema and Film Festivals – Russ Hunter PART V: FANDOM Cult Fandom Conventions and Cosplay – Lynn Zuberbnis Grown Woman Shit: A Case for Magic Mike XXL as Cult Text – Amanda Anna Klein The Cut between Us: Digital Remix and the Expression of Self– Jennifer Ng The Professionalised Fandom of Careers in Cult: "Passionate Work" within Academia and Industry – Matt Hills PART VI: MUSIC AND SOUND Sound and Music in Cult Film Cult Musicals – Ethan de Seife Cult Soundtracks (Music) – James Wierzbicki Sounding out cult cinema: the ‘bad’, the ‘weird’ and the ‘old’ – Nessa Johnston PART VII: AESTHETICS AND INTERMEDIALITY Cult Film Aesthetics Inside an Actor's Scrapbook. Heath Ledger's Aesthetic Practice of Unbalancing – Jörg Sternagel Special Effects and the Cult Film: Cult Film Production and Analogue Nostalgia on the Digital Effects Pipeline – Leon Gurevitch Production Play: Sets, Props, and Costumes in Cult Films – Tamao Nakahara Cult Film and Adaptation – I.Q. Hunter Cult Film – Cult Television – Stacey Abbott PART VIII: AUTEURS Cult Auteurs "It’s a strange world": David Lynch – Jeffrey Weinstock "You guys always bring me the very best violence": Making the Case for Joss Whedon’s The Avengers and Serenity as Mainstream Cult – Erin Giannini Anti-Auteur: The Films of Roberta Findlay – Alexandra Heller-Nicholas Anna Biller – Jennifer O’Meara Alejandro Jodorowsky and El Topo – Antonio Lazaro-Reboll PART IX: ACTORS Cult Cinema Acting Judy Garland – Steven Cohan From the Other Side of the Wind: Dennis Hopper – Adrian Martin Barbara Steele – Nia Edwards-Behi Bruce Lee: Cult (Film) Icon– Paul Bowman All He Needs Is Love: The Cult of Klaus Kinski – Ian Cooper Crispin Glover – Sarah Thomas
• Edition: 1st
• Publisher Details: Routledge
• Publication Date: 2019
• Extent: 1 online resource (500 pages), (32 illustrations)
• Languages: English
• ISBNs: 9781317362234; 1317362233
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.