Inside the invisible : memorialising slavery and freedom in the life and works of Lubaina Himid /: memorialising slavery and freedom in the life and works of Lubaina Himid. (2019)
- Record Type:
- Book
- Title:
- Inside the invisible : memorialising slavery and freedom in the life and works of Lubaina Himid /: memorialising slavery and freedom in the life and works of Lubaina Himid. (2019)
- Main Title:
- Inside the invisible : memorialising slavery and freedom in the life and works of Lubaina Himid
- Further Information:
- Note: Celeste-Marie Bernier, Alan Rice, Lubaina Himid, Hannah Durkin.
- Authors:
- Bernier, Celeste-Marie
Bernier, Celeste-Marie
Rice, Alan
Durkin, Hannah - Other Names:
- Himid, Lubaina, 1954-
- Contents:
- List of IllustrationsAcknowledgements Foreword by Marlene SmithIntroduction: Making Black Histories, Stories, and Memories VisibleI - 'Gathering and Reusing' by Lubaina Himid Part 1: Visualising the 'Politics of Representation'Chapter 1: 'Humour, fury, celebration, and optimism': A Politics of Protest and Cut-Out Men (1981-85)Chapter 2: 'Rituals of reclaiming lost artefacts, refusing oppression and looking for ancestors' in Heroes and Heroines (1984)Chapter 3: 'They who document / paint the History hold the Power': Retelling, Reimagining and Recreating New Narratives of Black Heroism in Toussaint I (1988) and Toussaint II (2002)II - 'Telling Invisible Stories' by Lubaina Himid Part 2: Resistance, Reclamation and Revolutionary History PaintingChapter 4: No more 'Silent Victims': Agency, Authority and Artistry in the 'Black Woman's Story' in Revenge (1992)Chapter 5: 'Lost hope, abandoned lives, decimated civilisations': Sites of 'Cultural Struggle' in Beach House (1995)Chapter 6: 'Safety and danger and how to tell the difference': Suffering, Struggle and Survival in Plan B (1999)III - 'Return to the Operatic' by Lubaina Himid Part 3: Past, Present and Future Artistry, Activism and AgencyChapter 7: Imaging and Imagining 'Lost Lives of the Black Diaspora' in Venetian Maps (1997) Chapter 8: Reimaging and Reimagining an Absent-Presence in Cotton.com (2003)Chapter 9: 'The Slave Servant': Guerrilla Memorialisation and Multi-accented Performances in Naming the Money (2004)Chapter 10:List of IllustrationsAcknowledgements Foreword by Marlene SmithIntroduction: Making Black Histories, Stories, and Memories VisibleI - 'Gathering and Reusing' by Lubaina Himid Part 1: Visualising the 'Politics of Representation'Chapter 1: 'Humour, fury, celebration, and optimism': A Politics of Protest and Cut-Out Men (1981-85)Chapter 2: 'Rituals of reclaiming lost artefacts, refusing oppression and looking for ancestors' in Heroes and Heroines (1984)Chapter 3: 'They who document / paint the History hold the Power': Retelling, Reimagining and Recreating New Narratives of Black Heroism in Toussaint I (1988) and Toussaint II (2002)II - 'Telling Invisible Stories' by Lubaina Himid Part 2: Resistance, Reclamation and Revolutionary History PaintingChapter 4: No more 'Silent Victims': Agency, Authority and Artistry in the 'Black Woman's Story' in Revenge (1992)Chapter 5: 'Lost hope, abandoned lives, decimated civilisations': Sites of 'Cultural Struggle' in Beach House (1995)Chapter 6: 'Safety and danger and how to tell the difference': Suffering, Struggle and Survival in Plan B (1999)III - 'Return to the Operatic' by Lubaina Himid Part 3: Past, Present and Future Artistry, Activism and AgencyChapter 7: Imaging and Imagining 'Lost Lives of the Black Diaspora' in Venetian Maps (1997) Chapter 8: Reimaging and Reimagining an Absent-Presence in Cotton.com (2003)Chapter 9: 'The Slave Servant': Guerrilla Memorialisation and Multi-accented Performances in Naming the Money (2004)Chapter 10: 'Intervention, Mapping and Excavation': White Caricatures versus Black Dehumanisation in Swallow Hard: The Lancaster Dinner Service (2007)IV - 'Painting over the British to reveal the British' by Lubaina Himid Part 4: Imagining 'the ghosts and the traces'Chapter 11: Tracing 'The living/ the dead/ the ancestors' in London and Paris Guidebooks (2009)Chapter 12: Mapping Space, Debating Place: Jelly Mould Pavilions (2010) and Official Sites and Sights of Slavery and MemoryChapter 13: 'The 'Ghost' of it all': Tragedy, Trauma and a 'People There and Not There' in Le Rodeur (2016)V - 'Working on Paper' by Lubaina Himid 'It's All about Action': An Interview with Lubaina Himid by Hannah DurkinConclusion: 'Lives Depend on Accurate Histories'Bibliography. … (more)
- Publisher Details:
- Liverpool : Liverpool University Press
- Publication Date:
- 2019
- Extent:
- 1 online resource, illustrations (colour)
- Subjects:
- 709.2
Slavery in art
African diaspora in art - Languages:
- English
- ISBNs:
- 9781789625035
- Related ISBNs:
- 9781789620856
9781789620948 - Notes:
- Note: Description based on CIP data; resource not viewed.
- Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.566036
- Ingest File:
- 03_197.xml