A companion to feminist art. (2019)

• Record Type: Book
• Further Information: Note: Edited by Hilary Robinson and Maria Elena Buszek.
• Editors: Robinson, Hilary, 1956-; Buszek, Maria Elena, 1971-
• Contents: Part I: Geographies Chapter 1; Julie Ewington Recurring Questions, Cyclical Energies: A History of Issues in Feminist Art Practices in Australia Chapter 2; María Laura Rosa translated by Maria Elena Buszek Debunking the Patriarchy: Feminist Collectives in Argentina, Bolivia, Chile, and Perú Chapter 3; Gayatri Sinha Women Artists: Making a Subject Space in India Chapter 4; Karen Von Veh Feminism as Activism in Contemporary South African Art Chapter 5; Ebru Yetişkin Moving Towards Paratactical Curating: A Critical Overview of Feminist Curating In Istanbul In The 21st Century Chapter 6; Alexandra Kokoli Crossing Borders and Other Dividers in (Western) Europe and The British Isles Chapter 7; Martina Pachmanova From Within, From Without: Configurations of Feminism, Gender and Art in Post-Wall Europe Chapter 8; Mira Schor Wheels and Waves in the U.S.: Amnesiac Return Amnesiac Return Part II: Being Chapter 9; Amelia Jones Essentialism, Feminism, and Art: Spaces where Woman ‘Oozes Away’ Chapter 10; Michelle Meagher Feminism: Age Chapter 11; Lubaina Himid Letters to Susan Chapter 12; Richard Meyer Feminist Art Re-covered Chapter 13; Eliza Steinbock Collecting Creative Transcestors: Trans Portraiture History, from Snapshots to Sculpture Part III: Doing Chapter 14; Hilary Robinson Witness It: Activism, Art, and the Feminist Performative Subject Chapter 15; Griselda Pollock; “Feminism and Language Chapter 16; Harriet Riches Busy Hands, Light Work: Hand-made Photographs and the ‘New Materiality’ Chapter 17; Maria Fernandez Reading Posthumanism in Feminist New Media Art Chapter 18; Day Gluckman Curating and Exhibition: Finding Ourselves Feminist Chapter 19; Felicity Allen Erasure, Transformation and the Politics of Pedagogy as Feminist Artistic/Curatorial Practice Part IV: Thinking Chapter 20; Marsha Meskimmon Art Matters: Feminist Corporeal-Materialist Aesthetics Chapter 21; Jaleh Mansoor The Hidden Abode Beneath/ Behind/ Beyond the Factory Floor, Gendered Labour, and The Human Strike: Claire Fontaine’s Italian Marxist Feminism Chapter 22; Tirza Latimer Dear World: Arts and Theories of Queer Feminism Chapter 23; Susan Best Psychoanalysis and Affect Theory Chapter 24; Alanna Lockward Call & Response: Conversations with Three Women Artists on Afropean Decoloniality Part V: Relating Chapter 25; Amy Tobin On Feminism, Art and Collaboration Chapter 26; Siona Wilson Opening the Patriarchive: Photography, Feminism, and State Violence Chapter 27; Natalie Loveless Maternal Mattering: The Performance and Politics of the Maternal in Contemporary Art Chapter 28; Tanya Augsburg Ars Eroticas of Their Own Making: Explicit Sexual Imagery in American Feminist Art Chapter 29; Angela Dimitrakaki Masculinity, Art, and Value Extraction: An Intersectional Reading in the Advance of Capital as Post-democracy Chapter 30; Jill Bennett New Subjects and Subjectivities
• Publisher Details: Hoboken, NJ : John Wiley & Sons, Inc
• Publication Date: 2019
• Copyright Date: 2019
• Extent: 1 online resource (xx, 566 pages)
• Subjects: 700.1/03; Feminism in art; Feminism -- Political aspects; Feminist art criticism; Feminism in art; Feminism -- Political aspects; Feminist art criticism; Electronic books
• Languages: English
• ISBNs: 9781118929179; 1118929179; 9781118929193; 1118929195; 9781118929186; 1118929187
• Related ISBNs: 9781118929155
• Notes: Note: Includes bibliographical references and index.; Note: Description based on online resource; title from digital title page (viewed on September 12, 2019).
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.