Of essence and context : between music and philosophy /: between music and philosophy. ([2019])

• Record Type: Book
• Further Information: Note: Editors, Rūta Stanevičiūtė, Nick Zangwill and Rima Povilionienė.
• Editors: Stanevičiūtė, Rūta; Zangwill, Nick; Povilionienė, Rima
• Contents: Intro; Preface; Contents; Editors and Contributors; Interrogating Essence; 1 Essence or Context?; 1.1 Introduction; 1.2 Pleasure and Pain; 1.3 Sound and Sense and Value; 1.4 Reaching the Essence (of the Dispute); 1.5 Time and Space; 1.6 Conclusions; References; 2 Music, Essence and Context; 2.1 Introduction. Essence and Context; 2.2 Artifacts and Functions; 2.3 Musical-Beauty?; 2.4 Non-absolute Music; 2.5 Formalism and Politics; 2.6 Nature/Culture?; 2.7 Coda; Appendix; References; 3 Essence Facilitating Plurality: Theorizing Art with Schelling; 3.1 Introduction 3.2 Disappearance and Persistence of Essence3.3 From Historical Aesthetics to a Philosophy of Art; 3.4 Construction of Essence as Relation; 3.5 Theorizing the Reality and Significance of Art; 3.6 Conclusions; References; 4 Aristotle Meets Schumann: Essence and Geist; 4.1 Introduction; 4.2 Aristotle on Being and Essence; 4.3 Psuchē and Geist as Essence; 4.4 Plotinus and the Indefinable; 4.5 Conclusions; References; 5 Musical Images in the Tanakh: Between Their Essence, Context and Interpretation; 5.1 Introduction; 5.2 The Essence-Ancient Hebrew Culture as the Culture of Voice and Sound 5.3 Multi-layered Context-Defining Versatile Essence of Semantics of Musical Phenomena5.4 Expansion or Alteration of Essence of Images Through Translations/Interpretations; 5.5 Conclusions; References; 6 Hsi Kang's Reflection on the Essence of Music: "Hesheng"; 6.1 Introduction; 6.2 The Ideal of "He" in Confucian Moral Education Through Music; 6.3 Hsi Kang's Reflection on Confucian Moral Education Through Music; 6.4 The Gains and Losses of Hsi Kang's Reflection on the Essence of Music; 6.4.1 "hesheng"; 6.5 Conclusions; References; Genesis and Structure 7 Deleuze, Ruyer, and Musical Morphogenesis7.1 Introduction; 7.2 Natura musicans: Biology and Music; 7.3 Raymond Ruyer's Melodic Morphogenesis; 7.4 Chimeric Subjectivities, or the Non-human Art; 7.5 Conclusions; References; 8 The Biological Constraints on Musical Structure as the Foundations of Musical Essence; 8.1 Introduction; 8.2 Musical Structure as a Mental Phenomenon; 8.3 The Biological Roots of Music; 8.4 Musical Essence as a Part of Human Nature; 8.5 Conclusions; References; 9 'In-Between' the Autonomous and Contingent Worlds of Music; 9.1 Introduction 9.2 The Autonomous and Contingent Worlds of Music9.3 'In-Between'. When and How Does Music 'Do' Things?; 9.4 The Musicological Approach to the Prelude La Puerta Del Vino; 9.5 Conclusions; References; 10 Formulating the Essence All Together; 10.1 Introduction; 10.2 Introducing the Problem; 10.3 A Cognitively Realistic Approach to Heterophony; 10.4 A Cognitive Translation; 10.5 The Orality Factor; 10.6 Hermeneutics in the Absence of a Text; 10.7 Heterophony as a Forum; 10.8 Dealing (Politically) with Social Heterophony: The Case of the Turkish Republic; 10.9 Conclusions; References
• Publisher Details: Cham, Switzerland : Springer
• Publication Date: 2019
• Copyright Date: 2019
• Extent: 1 online resource
• Subjects: 780.1; Music -- Philosophy and aesthetics; Music and philosophy; Essentialism (Philosophy); Context effects (Psychology); MUSIC / Genres & Styles / Classical; MUSIC / Reference; Electronic books; Electronic books
• Languages: English
• ISBNs: 9783030144715; 3030144712
• Related ISBNs: 3030144704; 9783030144708
• Notes: Note: Includes bibliographical references and index.; Note: Print version record.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.