Art and expression : studies in the psychology of art /: studies in the psychology of art. (2019)
- Record Type:
- Book
- Title:
- Art and expression : studies in the psychology of art /: studies in the psychology of art. (2019)
- Main Title:
- Art and expression : studies in the psychology of art
- Uniform Title:
- Arte e espressione.
- Further Information:
- Note: Written by Alberto Argenton ; edited by Ian Verstegen.
- Authors:
- Argenton, Alberto
- Editors:
- Verstegen, Ian
- Contents:
- Editor’s Introduction Ian Verstegen Introduction to the Italian Edition Part One: Expression and the Dynamics of Perception Chapter 1. Expression and Expressive Qualities 1.1. The study of Expression in Psychology 1.1.1. The Deficiency Disease 1.1.2. The Phenomenological Method 1.1.2.1. Inter-observation 1.2. For a Definition of Expression 1.2.1. Expression and Physiognomic Perception 1.2.2. The Genetic and Phenomenal Primacy of Expressive Qualities 1.2.3. Emotive Determinism 1.2.4. The Lexicon of Expression 1.2.5. The Essential Traits of Expression 1.2.6. Isomorphism and Figurative Thought References Chapter 2. The Dynamics of Perception and Expressive Qualities 2.1. The Construct of Dynamics 2.2. Arnheim’s Conception of the Dynamics of Visual Perception 2.2.1. Vectors, Forces, Tensions, and Dynamics of Perception 2.2.1.1. Physical Forces and Perceptual Forces 2.2.2. Dynamics is the Vehicle of Expression 2.2.2.1. An Example Taken from Art 2.3. Dynamics, Expression and Graphic and Pictorial Language 2.3.1. A Comparison of Two Paintings 2.4. The Two ‘Guiding Values’ of Art and Behaviour 2.5. Representational Strategies of the Graphic-Pictorial Medium References Part Two: Thematic Studies Chapter 3. The Swing Effect: A Little-studied Perceptual Phenomenon 3.1. Pictorial Perception and Line Drawing 3.2. Contour Rivalry 3.2.1. The Visual Tug-of-War 3.3. Perceptual Conditions of the Swing Effect 3.3.1. Differences between the Swing Effect and other Cases of Percept AlternationEditor’s Introduction Ian Verstegen Introduction to the Italian Edition Part One: Expression and the Dynamics of Perception Chapter 1. Expression and Expressive Qualities 1.1. The study of Expression in Psychology 1.1.1. The Deficiency Disease 1.1.2. The Phenomenological Method 1.1.2.1. Inter-observation 1.2. For a Definition of Expression 1.2.1. Expression and Physiognomic Perception 1.2.2. The Genetic and Phenomenal Primacy of Expressive Qualities 1.2.3. Emotive Determinism 1.2.4. The Lexicon of Expression 1.2.5. The Essential Traits of Expression 1.2.6. Isomorphism and Figurative Thought References Chapter 2. The Dynamics of Perception and Expressive Qualities 2.1. The Construct of Dynamics 2.2. Arnheim’s Conception of the Dynamics of Visual Perception 2.2.1. Vectors, Forces, Tensions, and Dynamics of Perception 2.2.1.1. Physical Forces and Perceptual Forces 2.2.2. Dynamics is the Vehicle of Expression 2.2.2.1. An Example Taken from Art 2.3. Dynamics, Expression and Graphic and Pictorial Language 2.3.1. A Comparison of Two Paintings 2.4. The Two ‘Guiding Values’ of Art and Behaviour 2.5. Representational Strategies of the Graphic-Pictorial Medium References Part Two: Thematic Studies Chapter 3. The Swing Effect: A Little-studied Perceptual Phenomenon 3.1. Pictorial Perception and Line Drawing 3.2. Contour Rivalry 3.2.1. The Visual Tug-of-War 3.3. Perceptual Conditions of the Swing Effect 3.3.1. Differences between the Swing Effect and other Cases of Percept Alternation 3.4. The Dynamic Aspects of the Swing Effect 3.5. The Presence of the Swing Effect in Graphic and Pictorial Representation 3.5.1. Trademarks 3.5.2. Symbols 3.5.3. Decoration 3.5.4. Enamels and Painting on Glass 3.5.5. Cubism and Pablo Picasso 3.5.6. A Unique Case: Sano di Pietro 3.6. The Nature and Properties of the Swing Effect References Chapter 4. Amodal Completion and Pictorial Representation 4.1. Amodal Completion 4.2. Perceptual Completion 4.3. The Structural Conditions, Laws and Psychological Principles of Completion 4.4. Amodal Completion between Seeing and Thinking 4.5. Amodal Completion, Dynamics and Expression 4.6. "Completion by Frame" 4.7. Amodal Completion and Cognition References Chapter 5. The Dynamics of Obliqueness: Windmills and Timepieces 5.1. Obliqueness in Perception and in Pictorial Representation 5.1.1. The Local Use of Obliqueness 5.2. Two Studies on Local Obliqueness 5.3. The Study of the Pictorial Representation of Windmills 5.3.1. Windmills 5.3.2. The Pictorial Genre 5.3.3. Stylistic Characterization 5.3.4. The Premises of the Research 5.3.4.1. Windmill Illusion 5.4. Hypothesis, Aims and Structure of the Research 5.4.1. Research Results 5.4.1.1. The 1400s, 1500s and the Flemish Tradition 5.4.1.2. The 1600s and Dutch Landscape Painting 5.4.1.3. The 1700s 5.4.1.4. The 1800s 5.4.1.5. The Early 1900s: Piet Mondrian 5.5. Research into the Pictorial Representation of Timepieces 5.5.1. Timepiece Advertising 5.6. Hypothesis, Aims and Structure of the Research 5.6.1. Research Results 5.7. Obliqueness and Visual Thinking References Indexes Authors Index Subject Index … (more)
- Publisher Details:
- New York : Routledge
- Publication Date:
- 2019
- Extent:
- 1 online resource
- Subjects:
- 700.1/9
Art -- Psychology
Art -- Psychology
ART / Performance
ART / Reference
PSYCHOLOGY / General
PSYCHOLOGY / Cognitive Psychology
Electronic books - Languages:
- English
- ISBNs:
- 9780429468704
0429468709
9780429888526
9780429888519
0429888511
9780429888533
0429888538 - Related ISBNs:
- 042988852X
9781138604100
1138604100 - Notes:
- Note: Includes bibliographical references and indexes.
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- Physical Locations:
- British Library HMNTS - ELD.DS.430197
- Ingest File:
- 02_546.xml