Timbre : acoustics, perception, and cognition /: acoustics, perception, and cognition. ([2019])

• Record Type: Book
• Further Information: Note: Kai Siedenburg [and 4 others], editors.
• Editors: Siedenburg, Kai
• Contents: Intro; Acoustical Society of America; Series Preface; Springer Handbook of Auditory Research; Preface 1992; Volume Preface; Contents; Contributors; Chapter 1: The Present, Past, and Future of Timbre Research; 1.1 Timbre As a Research Field; 1.1.1 Inter-Disciplinary Perspectives; 1.1.2 Defining a Complex Auditory Parameter; 1.2 Milestones in Timbre Research; 1.2.1 Fourier and Helmholtz; 1.2.2 Timbre Spaces; 1.2.3 Verbal Attributes; 1.2.4 Recognition of Sound Sources and Events; 1.2.5 High-Dimensional Acoustic and Neuromimetic Representations; 1.2.6 Neural Correlates of Timbre Processing 1.3 Structure and Content of Volume1.3.1 Roadmap of Chapters; 1.3.2 Future Perspectives; References; Part I: Principal Perceptual Processes; Chapter 2: The Perceptual Representation of Timbre; 2.1 Introduction; 2.2 Timbre Discrimination; 2.3 Multidimensional Conceptions of Timbre; 2.3.1 Multidimensional Scaling Models; 2.3.2 Timbre Spaces; 2.3.3 Acoustic Correlates of Timbre Space Dimensions; 2.4 Spectromorphological Conceptions of Timbre; 2.4.1 The Auditory Image Model; 2.4.2 Multiresolution Spectrotemporal Models; 2.5 Sound Source Perception; 2.5.1 Sound Source Geometry 2.5.2 Sound Source Materials2.5.3 Actions on Vibrating Objects; 2.6 Interaction with Other Auditory Attributes; 2.6.1 Timbre and Pitch; 2.6.2 Timbre and Playing Effort (Dynamics); 2.7 Summary and Conclusions; References; Chapter 3: Timbre Recognition and Sound Source Identification; Chapter 4: Memory for Timbre; 4.1 Introduction; 4.2 Auditory Memory Concepts; 4.2.1 Stores and Processes; 4.2.2 Granularity of Auditory Memory; 4.2.3 Capacity Limits in Short-Term Memory; 4.3 Factors in Short-Term Recognition; 4.3.1 Memory Capacity and Similarity; 4.3.2 Sequential Chunking 4.4 Active Maintenance and Imagery of Timbre4.4.1 Maintenance in Working Memory; 4.4.2 Mental Imagery of Timbre; 4.5 Interference Effects in Memory for Timbre; 4.5.1 Interference in Short-Term Memory; 4.5.2 Timbre and Long-Term Melodic Memory; 4.5.3 Timbre and Verbal Memory; 4.6 Familiarity and Voice Superiority; 4.6.1 Familiarity in Short-Term Recognition; 4.6.2 Voice Superiority; 4.7 Summary and Future Perspectives; 4.7.1 Principles of Memory for Timbre; 4.7.1.1 Integration: Timbre Information as Integrated Representations in Memory 4.7.1.2 Grouping: Memory for Timbre Sequences is Affected by Grouping Cues4.7.1.3 Familiarity: Better Memory Performance and Processing Accuracy; 4.7.1.4 Perceptual Simulation: Active Memory Rehearsal and Timbre Imagery; 4.7.1.5 Matching: Timbre Recognition via Similarity-Based Matching; 4.7.2 Future Perspectives; References; Chapter 5: The Semantics of Timbre; Chapter 6: Neural Correlates of Timbre Processing; 6.1 Introduction; 6.1.1 Levels of Abstraction; 6.1.2 Hierarchical Processing; 6.1.3 Types of Stimuli; 6.1.4 Measurement Modalities and Modeling Approaches of Brain Activity
• Publisher Details: Cham, Switzerland : Springer
• Publication Date: 2019
• Extent: 1 online resource
• Subjects: 573.8/9; Hearing; Sound -- Psychological aspects; Tone color (Music); Hearing; Sound -- Psychological aspects; Tone color (Music); Electronic books
• Languages: English
• ISBNs: 9783030148324; 3030148327
• Related ISBNs: 9783030148317; 3030148319
• Notes: Note: Description based on online resource; title from digital title page (viewed on June 24, 2019).
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.